Jungle dub reggae funk house 🇧🇴 Music & Artwork D. k. A Spencer

Rocking horse

Flowing Lights 2022

This is a song that started with Ian (IPG1 aka Lou) and his amazing vocal stem, of which I really identify with the lyrics. He has a plethora of vocal stems, so if you're interested in making a hip hop song, you did hit him up. He shared this psychiatrist l particular one with Tez (Llanpsych), who put a beat and guitar on it. Tez then sent it to me, and I added the bass and the synth. Then Tez put the solo part in there along with the effects. he mixed and produced it, and an excellent job he always does, too. This is my first foray into making hip hop, though I've listened to plenty. Hopefully there will be more to come.

Purple Microdot (with IPG1 aka Lou, and Llanpsych)

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Part of the collaborative Mixtape album: Free Hands In A Blender
soundcloud.com/themysteriousdecibel/sets/free-hands-in-a-blender
FREE FOR DOWNLOAD

Music: Composed, written, mixed, mastered, and performed by: Mahan Mahan
https://soundcloud.com/mahan-mahan

Vocals/Lyrics: Written and performed by: The Mysterious Decibel

Vocals mastered by: Mark McClellan

Lyrics:

All grows dim, time is winding down
My cheeks stay hovered over a puddle of brown
The voices outside of this cramped little box
These choices i've made to breed these cramped up blocks

The shit bubbles burst and trap all the flies
A concoction so twisted, Only someone like Bill Nye
Can decipher all these lies
Can scythe all of these cries
as this pit of stench boils in the middle of July

Out there the souls, eager for pressure to burst
Through their minds like a submarine tank submersed
Parades gather in the grass for the show to start
While these waves slowly rip my brain apart

A wetness caresses my hang lo mein
This water is rising am I going insane?
It tickles my demons but it feels so ripe
There's always a bit of shit at the end of the pipe!

I'm in a fecal position where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
Where the turds capsize
In a fetal position where my sanity dies
This suddenly doesn't seem so real anymore
As the septic tank thickens with the sludge of war
The slimy hand of stench, Pulls me right down
In a puddle of madness, many shades of brown
NO NO NO NO NOOO!
Get a little taste of the waste in the swamp!

The Mysterious Decibel X Mahan Mahan - A Septic Journey (FREE DOWNLOAD)

I had the great pleasure of having the ultra talented artist RICO polish up my song A BEAUTIFUL DAY , i think you will like it as much as i do , Thanks Rico , go visit his music :-https://soundcloud.com/ricochet8888

A Beautiful Day (RICO MIX)

A BEAUTIFUL DAY (RICO MIX)

Blastoid (Loop) 140

It´s a real pleasure to present this theme to you again with the inclusion of Neno´s (Nenad Jović) wonderful guitar.

For more Neno´s music please check : https://on.soundcloud.com/YvYZi

EL VALS DE LA MARISMA (CON NENO J)

Modes About Me X Eric Godlow Beats - ANOTHER F-ING WEED SONG - 77 BPM - C Minor

Music: Composed, written, and performed by
Eric Godlow Beats
https://www.youtube.com/@EricGodlowBeats

Lyrics: Written and performed by Modes About Me "Mark David McClellan"

Another Weed Song (Prod. Eric Godlow Beats)

Supernatant

Bandcamp

Abiogenesis

Built from the Ground is more than an album—it’s a sonic statement. Packed with club bangers that make you move and lyrical content that keeps you locked in from start to finish, this project is designed for both the dance floor and the thinking mind. From the hard-hitting energy of "Legacy Scriptures" and "His Hand" to the unapologetic self-assurance of "No Apologies" and "Blueprint Ink", each track reveals another layer of Saccoh, a multi-talented artist whose diversity in style and substance is unmatched. Songs like "Built from the Ground" and "Good Riddance" showcase his grit and unshakable drive, while "Legacy Talk" and "Front Page" cement his status as a lyrical architect building timeless work. Every beat knocks. Every verse hits. Every hook sticks.
With Built from the Ground, Saccoh delivers an album that’s as much about movement as it is about meaning—keeping you listening, vibing, and bumping your head from track one to the very last note.


Legacy Scriptures

We make music...
Mark
Miller
Dave
modesaboutme@gmail.com