mann can't wait till ya do a new EP or a full album, since you guys have so much material haha & btw 1st time I saw you guys @Hard Haunted 09, you guys freakin' killed it haha amazin' set, still remember it to dis day.

blogged: http://bogrecast.hu/phon-o-black-boulder/

Zaatar returns with The Sound of Z, a four-track EP that captures her dark, high-impact vision of electronic music. At its core, the project explores her main artistic pursuit: blending EBM and post-punk aesthetics into club music—finding new ways to merge raw emotion with dancefloor energy.
The EP features two standout collaborations: hypnotic techno DJ VBK, and Kalyug Citizen, a former metal vocalist whose voice brings raw power to "We Tried". Zaatar also uses her own voice across the EP, adding spoken word, screams, and textured layers that deepen the atmosphere.
The Sound of Z is a fierce, personal statement—bridging underground influences and contemporary electronic production.

You can support the project via Bandcamp
https://zaatarmusic.bandcamp.com/album/the-sound-of-z


Mastering: ZNZL 
Artwork: Stephan Vasement 
Label: Self Release

The Sound of Z

We Tried

Terence Fixmer Reissues Two Cult Techno Anthems on Red 10" Vinyl and Digital.

Techno pioneer Terence Fixmer re-releases two of his most iconic tracks — Electrostatic and Electric Vision — now remastered for a more contemporary and powerful sound, and pressed on a limited edition 10” red vinyl. 

Originally released on Gigolo Records in the late '90s and early 2000s, both tracks quickly became underground anthems. Played by legendary DJs such as Dave Clarke, Sven Väth, and many others, they were also named Tracks of the Year by renowned techno publications like Groove magazine. 

With these two groundbreaking cuts, Terence Fixmer helped open a bold new chapter in the history of techno — giving birth to Techno Body Music (TBM), a genre blending the raw, industrial force of EBM with the driving energy of techno. Electrostatic, in particular, is considered a foundational track of this hybrid style. 

Now regarded as true techno classics, Electrostatic and Electric Vision have stood the test of time and are still played regularly by DJs worldwide, continuing to energize dancefloors decades after their release. 

This is the first official repress in over 20 years, and the first time these two cult tracks appear together on one record — sharper, louder, and more essential than ever.

Electrostatic 2025

Berlin-based synth-wave supergroup Dina Summer unveil a powerful new rework of "No More Tears" from their sophomore album Girls Gang. Handled by veteran Spanish DJ and producer JG Outsider, the remix injects the track with a raw industrial edge, amplifying its core themes of empowerment and resilience.

Dark, dystopian textures and echoing vocal repetitions draw the listener deeper into the emotional weight of the original, offering a gripping reinterpretation that stays true to Dina Summer’s signature sound while pushing it into darker territory.

@dinasummer @jg_outsider @iptamenosdiscos

PREMIERE: Dina Summer - No More Tears (JG Outsider Remix)

Celebrating nine formidable years of curating the shadowy and the sensual, the Oberwave anniversary compilation arrives as a monumental testament to the label's unwavering vision. The international roster is a veritable who's who of the scene's most compelling architects, explicitly featuring JG Outsider (FREEDL052), Roliva (SXDNS379), Aurum Miles, Díaz Tech (FREEDL013), Gameboyz (SXDNS061), Gegen Mann (SXDNS220), Ivan De La Rouch (FREEDL032), PVLOMO (FREEDL045), Ubre Blanca, and Morze (SXDNS151), just to name a few. Together, they craft a masterfully mixed journey across the full spectrum of modern electronic noir, seamlessly weaving between trippy grooves, psychedelic guitar licks, mechanical rhythms, and ice-cold synth atmospheres, creating a cohesive yet wildly diverse soundscape.

Premiered here, Gegen Mann’s “I Am Not The Destroyer” stands as a monstrous, self-aware lie of a title – it is an absolute destroyer! The track is a masterclass in atmospheric brutality, constructed with a punishing, EBM-driven backbone and layered with corrosive industrial elements. It commands the floor with a cursed, pulsating bassline that feels physically invasive, over which frenetic and vibrant synth work spirals into chaos with a precision that is both terrifying and exhilarating. It is a flawless, high-octane highlight that perfectly distills the raw, relentless energy of the entire collection.

You can find (and buy) this and other music pearls on the Bandcamp page of the label: https://oberwave.bandcamp.com/

Follow @gegen-mann and @oberwave, peeps!

PREMIERE810 // Gegen Mann - I Am Not The Destroyer

https://soundcloud.com/hyetal https://soundcloud.com/antonmaiof soundcloud.com/insulttoinjuryrecords
🛒 https://insulttoinjury.lnk.to/VotivesEP

R$N Recs sub-label, Insult to Injury, are over the moon to welcome two heavyweight heroes of the underground scene, Messrs Antoni Maiovvi and Hyetal, under their new collaborative moniker, Votives. In an alchemy that blurs the boundaries between dystopian EBM, raw Electro and the UK’s lineage of bass driven dance music, their creative collision has crystallised into this banger of an EP.

Individually recognised as outsider innovators in their respective fields, the pair have converged to unleash a self titled record that stands as a testament to their shared reverence for vintage synths and drum machines, alongside futuristic digital sound design and experimental processing.

Working between London and New England, USA, the duo have bridged the physical gap, concocting a distinct sound that retains traces of the musical soil of Bristol, where they originally met, and merges retro-futurism with the cutting edge.

First single, Possessor, sets the scene - warm, cinematic analogue textures underpin the mechanical pummelling of the relentless rhythm section. Imagine Vangelis working on a Detroit assembly line in the 80s and you’re halfway to realising the joyous industrial glee of Votives.

Fruits is the second EP precursor, dropping in early September. More fabricated, atonal clangs and whooshes assault the senses, before the idiosyncratic thwack of the Votives kick thumps you over the noggin, demanding that you twist and contort your torso in-time. Electronic Body Music, indeed.

Lastly, EP focus track Plexor is a masterclass in tension. Emerging and slowly building from a ominous atmosphere, the boys layer instrument after instrument, constructing an understated mammoth of a track that is going to be a staple of many a dark, sweaty, late night dance floor.

Tracklist:

1. Nightside
2. Possessor
3. Fruits
4. Plexor
5. Bloxx
6. Countersun

PREMIERE: Votives - Plexor [Insult to Injury]

Viper Patrol back once again - on Nein
Get it here 
https://neinrecords.bandcamp.com/album/problem-solver-ep


Viper Patrol - Just Like That

Author → @chakib-chaabane-43994943 — a DJ from Tunisia.

From the underground, SCOUBA crafts hypnotic journeys that pull listeners into shadowed and electrifying soundscapes. With a deep passion for music, his sets weave tension, emotion, and movement into an experience that lingers long after the last beat. Prepare to be drawn into a world where every moment surprises and captivates.

Special mix for @oberwave — label, parties and mixes about music with dark and erotic vibes: darkwave, coldwave, dark disco, body music, new beat and electro.

www.instagram.com/oberwave
www.facebook.com/oberwave
www.vk.com/oberwave

Scouba – Oberwave Mix 220

a mix by @kah_mal for CHERTA. Enjoy the trip.

→ if it resonates, support:
boosty.to/cherta_music/donate

137 / KAH MAL

Powder following up her doubt release with more of that far out and far eastern electronics!

-> order: http://bornfreerecords.org/

Born Free 22 - A1 - Powder - Afrorgan

Phon.o "Nightshifts" (50WEAPONSCD07) Out on May 18

Donato Dozzy — 12H
Digital / 2xCD
25th October 2019
prestorecords.bandcamp.com/album/12h

12H is a two hours long summa of the very best material produced for the eponymous sound installation, specifically designed by Donato for the Music Bridge - Armando Trovajoli in Rome under the curation of MAXXI Director Bartolomeo Pietromarchi. The original piece translated in music the architecture of the bridge and its surrounding life, layering samples and field recordings in the language Donato knows best: the repetition, rhythm and harmony of different building blocks. The work was originally reproduced by 12 speakers spread along the bridge colonnade, escorting the visitor through different musical places in their crossing. It now takes its final stereo form in this continuous mix version: a dense, enthralling flow akin to Tiber’s murky waters. The original installation was set up by sound engineer Giuseppe Tillieci / Neel, a frequent collaborator of Dozzy in the “Voices from the Lake” project, with Funktion One support.

« Similar to a whale skeleton beached on Tiber’s banks, the Music Bridge connects two parts of the city that had been ignoring one another for centuries. On one side the slopes of Mount Mario dominate the CONI (Italian National Olympic Committee) sports fields where many masterpieces of Italian modernist architecture were built: Moretti’s Fencing Academy, the Youth Hostel, the Olympic Pool and later on the Tennis Stadium and the Stadio Olimpico. On the other side there is Quartiere Flaminio, with its theatre, contemporary art museum MAXXI and Renzo Piano auditorium. Donato Dozzy has converged sport and music in his sound installation for the Music Bridge, recounting the story of the two universes connected there. The work, originally presented in a 12 hours format, was a day-long journey through environmental sounds and Donato’s own melodies. In the new-found synthesis we present today we experience once again time and Tiber flowing together, from the crack of dawn until nightfall artificial lights. »
(Pietromarchi Bartolomeo, Director of MAXXI)

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples’ minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip.

Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year — some of which come on his co-owned label Spazio Disponibile — he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways.

Written and produced by Donato Dozzy
Mastered by Giuseppe Ielasi
Installation curated by Bartolomeo Pietromarchi
Installation set-up by Giuseppe Tillieci
Cat. No. P!?036 – All rights reserved
℗ & © Presto!? 2019

Phon.o "Nightshifts" (50WEAPONSCD07) Out on May 18

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