Out now on Juno - http://bit.ly/CRM143-Juno

“Aphrohead has been off the grid for a minute, this is the Resurrection, since unicorns dance, Let’s Prance” Aphrohead

The Aphrohead alias was born back in 1993 as another outlet for prolific Chicago producer Felix Stallings, hailing instant anthems in 'In The Dark We Live', 'Thee Lite', 'Thee Industry Made Me Do It' & 'Thee Underground Made Me Do It', creating a precedent in 90's techno on halcyon labels Bush, Global Cuts, Power Music, Thee Black Label & Radical Fear.

‘Let’s Prance’ is a long-anticipated eruption, it’s futuristic tremors the first visions of a timeless album for Crosstown Rebels, complete with raw and industrial reworks from Art Department & BLUD, Radio Slave & Thomas Gandey and Christopher Trücher (the album’s co-producer.).

Aphrohead - Let's Prance (Groove Dub Mix)

Automatik

Omar S - day

One hour of pure disco delight w/ Martin Folkesson from Stockholm aka Peopleson's Disco

RedLightRadio 25/3-16

♫ Read More ♫:
http://www.deephouseamsterdam.com/premiere-claude-vonstroke-whos-afraid-of-detroit-marc-houle-remix/

Set as a release for Claud VonStroke's 10th Anniversary Remix compilation, Marc Houle premieres his spaced out remix on the original classic with a crunchy percussive foundation. To tie in with this years Movement Festival the label have looked to some of Detroit’s finest to give their takes on the classic.

Who's Afraid of Detroit 10th Anniversary Remixes will be out 27th May via Dirtybird.

♫ READ MORE ♫

Premiere: Claude VonStroke - Who's Afraid of Detroit (Marc Houle Remix)

IRR number three presents Ada in her new (voluptuous) autumn robe. She is wallowing in pop and immersed in a sea of soul leaves. The beat of „Forty Winks“ is strolling through the woods to get a little break, and we in return, are really pleased to have an unusual track for very special moments.
When you flip the record over, you will find „Kink-a-Jou“ – and this one is finest „Ada House“: after the beat has taken a little rest, it passes the bar, and makes its way back on to the dance-floor again.

I fjol

Dj Bås

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