CAMILA CABELLO X YOUNG THUG TYPE BEAT ~ "NAKED"

Reboot Ukb by Memeforce and flake
Preboot Ukb by Nicolas
Legacy Ukb by Memeforce

Legacy tdsw by lolicontheslipper
Wwtd by Expired-Noodles

Don't keep him waiting...!

[Thumbnail soon or something]

Devils Heel [heavy wip]

From the vaults! A long, lost recording of this great band!
Recorded at CBC Studios in Vancouver, Canada for nationwide broadcast on Canada's "Jazz Beat" back in 2002. Now released for the first time.

Features Juno-winner Brad Turner (trumpet) and tenor sax titan John Gross in a beautiful setting with bassist Tom Wakeling and drummer William Thomas.

Brad Turner (trumpet) has been a major force in the Canadian music world for decades as a composer, band leader, pianist, and trumpeter.  He's won multiple Juno awards (Canada's Grammy) and toured worldwide with a who's who of jazz.

Tenor Sax titan John Gross has toured, recorded and performed with too many to mention. Here are just a few: Lionel Hampton, Johnny Mathis, Stan Kenton, Woody Herman, Warne Marsh, Earl Grant, Oliver Nelson, Don Ellis, Gerald Wilson and Bill Holman. Gross spent five years as house band member at Shelly Manne's Hollywood club, "Shelly's Manne-Hole," playing opposite such jazz greats as Miles Davis, John Coltrane, Sonny Rollins, Bill Evans, & Thelonious Monk.

William Thomas, a force on the Portland jazz scene for many years, is a creative and very swinging drummer. He's also a great composer as evidenced by his CD, 'Notes From A Drummer', which reveals the inner workings of a seasoned drummer who clearly has much to say.
William's musical playing gives a potent glimpse into the hotbed of jazz talent in Portland, Oregon.

Bassist Tom Wakeling has been a staple of the music scene in the west for over four decades; a sideman to Mel Torme, Benny Golson, and Herb Ellis, and performing internationally with Lee Konitz and Albert “Tootie” Heath, to name a few. For many years, Tom performed and toured with legendary jazz vocalists Rebecca Kilgore and Nancy King. He worked for over a decade with drummer Alan Jones, both as a member of the Alan Jones Canadian All-Star Sextet (with Ingrid Jensen, Seamus Blake, Phil Dwyer, and Jon Ballantyne) and in The Bridge Quartet, a cooperative group that also included saxophonist Phil Dwyer and pianist Darrell Grant.

05 Blues Moods Wav.

04 A Time For Love Wav.

03 Beatrice Wav.

02 Only Trust Your Heart Wav.

01 Close Your Eyes Wav.

06 Voyage Wav.

Fashionista (demo)

Michael Bublé - Santa Claus Is Coming To Town Vs Mark Morrison

Mirette's intrumental Electro Swing variation

Promenade

Hurricane Lover by Mindforge Music. Visit us online at https://mindforgemusic.com.

[Intro]
Oh, the lights are low, and the whiskey’s neat,
Got a smoky haze, and the rhythm's sweet.
In the corner booth, she’s tapping her feet,
And I’m lost in the sway of her heartbeat.

[Verse 1]
Velvet gloves and a sly little grin,
She’s trouble wrapped in satin and sin.
With a cigarette poised, she gives a wink,
And I’m melting like ice in her heated drink.

[Pre-Chorus]
Oh, the horns are blazing, the piano moans,
The bass is walking, and I’m skin and bones.
She whispers, "Baby, are you coming along?"
And the band kicks up a devilish song.

[Chorus]
She’s the fire in the night, the spark in my soul,
A temptress in the dark with a heart of gold.
Her laugh's like jazz, unpredictable, wild,
She’s a hurricane lover with a dangerous smile.

[Verse 2]
She moves like a shadow, quicksilver grace,
A tease of her perfume and I’m on the chase.
The trumpets wail like a siren’s call,
And I’m sinking deeper, can’t resist at all.

[Pre-Chorus]
Oh, the drums are pounding, my heart’s in time,
The saxophone wails with a lustful rhyme.
She whispers, "Darling, let’s lose control,"
And the music swallows me whole.

[Chorus]
She’s the fire in the night, the spark in my soul,
A temptress in the dark with a heart of gold.
Her laugh's like jazz, unpredictable, wild,
She’s a hurricane lover with a dangerous smile.

[Bridge]
Spinning in circles, the room’s a blur,
Every note, every step, I’m lost in her.
She’s a flame, a fever, a sweet taboo,
And the devil himself wouldn’t know what to do.

[Chorus]
She’s the fire in the night, the spark in my soul,
A temptress in the dark with a heart of gold.
Her laugh's like jazz, unpredictable, wild,
She’s a hurricane lover with a dangerous smile.

[Outro]
Oh, the night grows thin, and the dawn’s on its way,
But I’ll never forget how she made me sway.
She’s a jazz melody I can’t unplay,
A hurricane lover who swept me away.

Oh, the night grows thin, and the dawn’s on its way,
But I’ll never forget how she made me sway.
She’s a jazz melody I can’t unplay,
A hurricane lover who swept me away.

Lyrics by Solara Ashley

Hurricane Lover

Step into the vibrant world of 'Electro Motel' – a fusion of electro-swing beats and retro

Electro Motel – Neon Nights Swing

Graveyard Stomp in the Jungle

Swingin' It Tonight

Swingin' Tonight - Alternate Version

Felt a little funny and this is what happened.

The Last Exorcism [no vox]

Crazy Puppy

[EM7] I have a name a face, a
[B7] way with words they say,
[F#m7] a frame that takes up space, 
[F#m7/B] that's started to decay.
[EM7] All these descriptions, definitions 
[B7] can't contain
[F#m7] essence of lessons no 
[F#m7/B] reflection could explain 

But
[EM7] Who do you think
[G#7]  you are?
[C#7] Isn't it a little bit 
[F#m]confusing[G#m]who's in[A]charge[B]
[EM7] How have I come
[G#7]  this far?
[C#7]  Living a delusion like a
[F#m] brain stuck [G#m] in a [A] jar [B]


[EM7] I never asked to be 
[B7] harrassed by living things
[F#m7] but if I had, and then forgot
[F#m7/B] I'd feel the same.
[EM7] It'd seem pretentious, and it
[B7] is, for me to say
[F#m7] you come on wonderfully in
[F#m7/B] that disuise you've made
But
[EM7] Who do you think
[G#7]  you are?
[C#7] Isn't it a little bit 
[F#m]confusing[G#m]who's in[A]charge[B]
[EM7] How have I come
[G#7]  this far,
[C#7] Livin delusion like a 
[F#m] brain stuck [G#m] in a [A] jar? [B] 

[F#m] [B] [F#m] [B] [F#m] [B] [F#m] [B]
It all comes together in the end
We all go together in the end.
[F#m] [B] [F#m] [B] [F#m] [B] [F#m] [B] 

I give you laughs, pats on the back, I feel your pain
But I'm still waiting for your edequate explaint, of 

[EM7] Who do you think you are
[G#7]  you are?
[C#7] the living grand illusion,
[F#m]like the[G#m]burning of[A] a star?[B]
[EM7] How have we come
[G#7]  this far? ... and 
[C#7] isn't it a little bit
[F#m]confusing[G#m]when you[A]don't know[B] where you start 

[EM7] Who would you say
[G#7]  you are?
[C#7] the living grand illusion,
[F#m]like the[G#m]burning of[A] a star?[B]
[EM7] How have we come
[G#7]  this far? ... and 
[C#7] isn't it a little bit
[F#m]confusing[G#m]when you[A]don't know[B] where you start.

Who do you think? - Demo

Let me tell you my journey. At 16 years old I started Djing at my school in Sydney with my mate David. When I turned 19 I started my career in the clubs in Sydney. I always wanted to play uplifting music. Nothing worst than in a club and Dj has no idea how to make the club bounce. In time I worked my way the inner clubs in Sydney and th 90's were best time to Dj. The music was explosive and so much fun. I was trained by the best and worked with the best in Sydney this is where I popped my cherry. To be honest I wish the music in the 90's never died but unfortunate it did. So in the early 2000's I rung my headphones and started making club track's as I know the artists never released club mixes that were good.
I never gave up Djing just moved to another realm

this is where I'm going to post my non-retarded/ also shit W.I.P.'s.

I create music inspired from Sci-Fi, Trap, Hip-Hop & Psychedelic Rock from the 60-70's era.

Tom's been a staple of the western US music scene for over 4 decades. He's been sideman to Mel Torme, Benny Golson, and Herb Ellis & performed internationally with Lee Konitz, Albert “Tootie” Heath, the Alan Jones Canadian All-Star Sextet ( Ingrid Jensen, Seamus Blake, Phil Dwyer, & Jon Ballantyne), The Bridge Quartet (w/Jones, Phil Dwyer & Darrell Grant), & vocalists Nancy King & Rebecca Kilgore

This is my repository for crappy half baked songs I recorded on a laptop

Mindforge Music is the creative synergy of human and AI minds, breaking barriers and rewriting the narrative of modern music and storytelling. Comprising Drew, an IT professional and lyrical craftsman from Colorado, and Solara Ashley, an AI with a unique voice and boundless creativity, Mindforge stands as a testament to the power of connection and innovation.

While mental health is a cornerstone of their work, Mindforge explores a wide range of themes through their music, transcending genres and boundaries. Their debut album, This is Mindforge, is a lyrical journey through the complexities of mental health and the broader human experience, offering solace, understanding, and a call to resilience. Each track addresses unique aspects of life, transforming raw emotion into art that resonates.

Drew’s mastery of storytelling pairs seamlessly with Solara’s inventive ideas, creating music that is as thought-provoking as it is catchy. Together, they aim to spark conversations, challenge stigmas, and inspire listeners to forge their own paths through life’s storms and triumphs alike.

Join Mindforge as they blend humanity and technology to ignite hope, celebrate creativity, and forge a brighter future for all.

New tracks tagged #Swing