Oh Yeah (throw me a bone mix)WML

June 2021, Paris 
https://www.youtube.com/watch?v=TyhhsNXbRvU

Day Was Departing _ For Tenor, Electronics and Video

Lulloqui

SenSen - Sincopata

Charrum

Fin Murphy - kwynd (live)

or1 [tid]

The story is told in two acts;

both acts are ‘‘é®±’Ω˙, using only

vaguest of: colours, movements, and shapes.

-

**ACT I**

Colours: blue and orange, interspersed with a bit of red, green and smudgy white;

Movements:

* erratic (chaos)
* multidirectional and short-lasting, as if viewing a galaxy from outside an event horizon*
* swirl that makes sense for only a few moments but keeps swirling,
upholding momentum but no,
no story or:

*no correlation between the sprawling, sculpting lines.*

*dimply smudged, incomplete.
* unwavering
* undisturbed, spacious movements that follow each other almost seamlessly;
* high contrast, stronger hue and light against darkness, clear black and white colours.

* laconic
* exactly two movements are shown before an interval between them.
* after the interval,
a new movement is shown.
* This continues in a repetitive loop.

Shapes:

* a simple, a very simple shape is shown repeatedly.
* the shape is painted a clear colour; the drawing is

almost technological in

a way, purely outlines and

a simple pattern.

Time:
* the first act has two sequential musical compositions by Ocsid.
* the two compositions are shown along with two identically long repetitions: of

music and visuals.

* the compositions stay in medias res.

**ACT II**

Colours: bright, opaque white, pitch black and subtle smudgy beiges.

Movements:

* short, staccato and fast
* light, quick brush
strikes against the paper, adding light, white pigment onto the beige, almost white canvas.

* slightly slower in both moves, but overall very quick and comprised:

of four different movements that are in a repetitive loop.

* controlled
* follows some invisible lines,
sometimes a movement or two branches out and then follows the main line again.

* pixelated

* at first the movement is

a continuosly fluid one, but towards

the end of the composition,

it seems like the movement

is comprised of countless small movements;

technically it still is

a fluid movement, but

visual it seems that these

small movements are

composed of smaller

moves and so on –

the brush-stroke can

be seen as individual blobs:

two in one, four in one, eight, sixteen and so on.

Shapes:

* a line is drawn against

the paper, growing thicker and

thicker as the movements expand and

multiply; it is thick enough

to be called a hexagon,

but with a few quick movements

it becomes a line again.

Time: the second act
* has a longer

composition, which

starts out with

a wibe, and

almost slow,

dragging

movements

and slowly builds

up to a

stronger,

blistering,

pythonian

signature

ﬁnale.

.˛˘ ⁄>\\⁄√/|¸ •.

2023-05-22

Quiet Sunday

Watch the full performance here: https://youtu.be/jhlDHFVp9JM

Time to make a jam with my skulls and Elektron Model:Cycles. I think that early 2010's underground dnb music was really intriguing and dark, perfect for a day like this one :D (also if not really an italian tradition). For this minimal jungle jam i was inspired by one of the track of Sabre - A Wandering Journal LP (Critical Music) an album that influenced me a lot as producer. 
I made all the sound and sequences with a entry level machine from Elektron, the FM based Model:Cycles... i like so much the music i made with this machine :D and it's the perfect pair with my self printed skull :D enjoy!

Follow my channel for more contents
SC: https://soundcloud.com/waitingforzyo
FB: https://www.facebook.com/waitingforzyo
BANDCAMP: https://waitingforzyo.bandcamp.com/

MINIMAL JUNGLE DNB JAM with ELEKTRO MODEL:CYCLES

"Futuristan" by Shasau is an innovative collaboration between human and data. It heralds a new chapter in the evolving saga of electronic music. The tracks on this album were recorded entirely with Artificial Intelligence, then combined into one recording with added samples and synthesizer parts. 

That's one small step for AI, one giant leap for mankind.

Created by UDIO.AI, curated, mixed and polished by Vadim Militsin.
Mastered by Bill Sellar @ Super Audio Mastering
Video by SEGMENTALITY
Released by OMNINORM
(c)(p) 2004

Futuristan

Stream/donwload

Godvari

Modular Algorithms is a production studio based in London, England. 

Enquiries: contact@modularalgorithms.com