About the project: 
 Stelios Manousakis' solo live electronics project merges vocabularies and approaches from different, often seemingly clashing, realms of electronic music: noise and no-input music with electroacoustic composition with vibrant underground tekno. The sets are very hands-on, using a custom-built live-electronics instrument programmed in SuperCollider. Playing it is very involved, and as real-time as playing an acoustic instrument.  Bookings/contact: stm@modularbrains.net


About the piece:
L'Hypothèse de l'Atome Primitif Sonore (‘The Primeval Sonic Atom Hypothesis’) is named after a cosmological theory, 'L'Hypothèse de l'Atome Primitif', presented in 1931 by Georges Henri Joseph Édouard Lemaître, a Belgian physicist, astronomer and priest. The theory was later mockingly dubbed by its opponents as the 'Big Bang' theory, a name with which it has become widely known ever since. Lemaître, based on Albert Einstein's general relativity theory and on Alexander Alexandrovich Friedman's equations, proposed a model of the initial conditions and subsequent development of the Universe, in which the Universe expanded and continues to expand from a single point containing extreme amounts of energy. This expansion happens in forward time and is coupled by a contraction in backward time that brings the mass of the entire Universe back into a single point (‘l'atome primitif)’, where and when the fabric of time and space comes into existence.

Lemaître’s theory is the inspiration for the structure of the piece and for the sonorities found in it. The piece begins with the bursting of a highly condensed core of sonic energy, which after a period of turbulence and constant transformation creates a plethora of sonic worlds to be observed: some slow and calm, others very fast, others oscillating, and others in chaotic states - but all constantly breeding change and transformation, even when they momentarily appear to be static. The piece zooms in and out of these worlds, looking, or rather listening, at these sonic galaxies from the cosmic to the quantum levels and in-between.

To realize the above, the piece also treats Lemaître’s theory as the conceptual starting point for the sound synthesis and control methods used, with the metaphor of a single point generating the Universe being the core of the design of the live electronics system: The system is a cybernetic model based on digital feedback, which is set in motion by one single binary digit: the primeval atom of digital technology. No other sound sources are used but real-time manipulation of that digit’s path within a synthetic sonic phase space of possibilities, thus revealing its multi-faceted potential and the emergent beauty of the constantly shifting digital universe it creates.

The piece is an Open Composition, meant to take its final shape through live performance, creating an immersive sonic experience that fluctuates between varying degrees of tension and release.


More info and a schematic of the live electronics instrument can be found here: http://modularbrains.net/lhypothesedelatomeprimitifsonore.html


Stelios Manousakis: L' Hypothèse de l' atome primitif sonore (live) [2010]

Yousuke Fuyama was born in Nagano, Japan in 1983. He is an artist, composer, programmer, visual and graphic designer, and VJ.
He has been studying musical research and sound art and completed Master’s Degree in Media Science at Tokyo University of Technology Graduate School of Bionics, Computer and Media Sciences. His main focus on the expressions through data interconversion using various interfaces and programmes.
Fuyama won the first prize at LAPTOP BATTLES TOKYO Vol.4(2008) and has been performing live concerts at several occasions and venues including FUTURA2008(France), INTERNATIONAL FESTIVAL FOR ARTS AND MEDIA YOKOHAMA 2009, DPG, soundfollies, SonarSound Tokyo2011,2012, EMAF Tokyo(RedBull Music Accademy)2013 SONICACTS 2013(Netherlands), Seoul International Computer Music Festival 2013(South-Korea),OnSite2013(Taiwan).
While VJ/DJing in club events, he is also a lecturer of Max/MSP/Jitter in Workshop for Creator at WOMB LOUNGE and RUBYROOM.
He submitted his installation work to an Exhibition “alienate/demonstrate/edit” 2012　in New Zealand.
He released his sound works from Sludge-tapes(Japan), TTLRecordings(UK) in 2011-2013, and his visual works from Hz-records(Japan), PROGRESSIVE FOrM(Japan), Mozart Kind(UK) in 2011-2013.

He also works as a sound designer / programmer , also as a researcher of Brain Machine Interface Department in National University of Electro-Communication.

Stelios Manousakis is a composer, performer, sound artist and researcher. In these capacities he strives to develop a new musical and artistic language that is both visceral and cerebral, communicating in a purely cognitive and experiential level while being complex and multilayered.

I AM AT MAX HERE so i multiplied accounts 
here and there improv and sound art 
https://soundcloud.com/laurenrodzu
here post pop tracks : https://soundcloud.com/orompistachio/tracks 
there rap noise :  https://soundcloud.com/internet-aristocrate/tracks 
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i am sort of a visual and sound artist 
i stay in the south of france 
i play curiosities and relations
...