experiment:
maximalism within the limitations of chiptune (mostly)
sectioning the frequency spectrum into layers of unique harmonic elements
linear/progressive composition
time-signature hand-over
minimal reliance on drums

Daydream

I'm learning how to compose so I post weird music to see what people think and if anyone likes it. Feel free to be critical or goof on my derpy sound! (Compliments are welcome too!)

Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg” when she was just 11. She won several prices playing solo and string quartett ensembles, was part of orchestras like Bayerisches Landesjugend Orchester and Salzburger Junge Philarmonie all over Europe. Always keenly interested in contemporary music, she was part of performing ensembles in lots of world premieres.

In her PhD she investigated the role of sound in robotic rehabilitation. She has been working as Postdoctoral researcher on Music, Machines and the Human hand. She has been working as a futurist, writing books on the 22nd century and future of health. These days she holds a professorship in Digital Health in which she tackles the humane tech-potentials for the silver society.

She loves bridging experimental arts with science to get inspiring output. In current live performances she works with cello and synths.

contact: florina.spethATgmail.com

Daydream

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