Out of the Box September 2022
Eastern vibrations, great excitations

Obsession

Interdimensional Spring

Alt mix of Clean Beacon
From https://soundcloud.com/enigmacurry/clean-bloop-beacon-poll-all-be-con-op-open-collab

Clean Beacon - Rays thru the Down Pour (Enigma Curry and Arma Ignifera)

Bandcamp: 
/@ https://andrewleefarquhar.bandcamp.com 

Artist / Composer: Andrew Lee Farquhar
Label: Andleefar Classical

© ℗ 2023 All rights reserved

Loves Me Loves Me Not

Blood Moon

Patrick/DjArtw2001 (@djartw2007) and I now present track 2 in our current collaborative album "Galaxy Universe" (2024).

The track was created on 20 September 2023 (initial composition, recording, arrangement and mix by Patrick/DjArtw2001 in MAGIX), 21 September 2023 (subsequent composition and recording by Alex M in Logic Pro using Akai keyboard midi controller input) and 7 February 2024 (final additions, arrangement and mix by Alex M in Logic Pro) and posted here on SoundCloud on 9 February 2024 (by Alex M).

The artwork cover for the track zooms on a part of an oil painting by Patrick/DjArtw2001 of 19 January 2024 that was cropped from a photo and annotated using Mac OS Preview by Alex M on 3 and 8 February 2024 - in coordination and agreement with Patrick/DjArtw2001.

Duration: 9:28 minutes

Galaxy Universe 2 - Alex M & DjArtw2001

Mutagene Ankh

Disquiet Junto Project 0632: Shear Wind
The Assignment: Make the most of the disturbance within a field recording.

I made a windy recording down by the Redondo marina.  It was a quiet day for once.  It's usually kind of noisy with human activity.  Good day for a windy field recording with just a hint of birds and sea lions.  

I converted the field recording to midi notes.  Ableton has a few options when you convert audio to midi, "harmony, melody, drums."  I chose harmony first and didn't get very many midi notes from the conversion, then chose melody and got a lot more.  I used both and even made one more sparse one.  Chime sounds seemed like a natural choice.  I put the same midi effect on all midi tracks making all the notes part of the same 5 note chord.

With the wind recording itself I faded in some resonator and phaser, and faded them out again towards the end.

More on this 632nd weekly Disquiet Junto project, Shear Wind — The Assignment: Make the most of the disturbance within a field recording — at: https://disquiet.com/0632/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

blame it on the wind (Disquiet0632)

The dreadful algebra of necessity

Naviar Haiku 527

ore train
bright colors
passing quickly
 
Jerome Berglund has worked as everything from dishwasher to paralegal, night watchman to assembler of heart valves.

Many haiku, haiga and haibun he’s written have been exhibited or are forthcoming online and in print, most recently in bottle rockets, Frogpond, and Modern Haiku. His first full-length collections of poetry Bathtub Poems and Funny Pages were just released by Setu and Meat For Tea press, and a mixed media chapbook showcasing his fine art photography is available now from Yavanika.
 
Haiku by Jerome Berglund

Picture by CHUTTERSNAP

The Blue Rail

The Blue Rail (NaviarHaiku527)

simple;cryforhelp

M. Ackerman's second page, mostly for Disquiet Junto pieces projects.

blame it on the wind (Disquiet0632)

modusMatt