Its more of a remix of myself than a cover of myself but in the spirit of the assignment I tried to go out on a limb and do something completely different than usual. I treated the song abstractly. It's more like a collage than a song really.

It's vastly different than the original track which can be heard here: moduspony.bandcamp.com/track/funky-despot

I started by making three alternate masters with different effects applied to each one. Those plus the original master were my four pieces of audio that I cut up randomly into clips of various sizes. I then strung together these various clips randomly into a sort of sound collage. There was some picking and choosing of more rhythmic parts of the collage after the fact because some of it was just too crazy. It straddles chaos and order until it finally settles on a loop with some new instrumentation, and the rest you can just listen to...

More on this 140th Disquiet Junto project — “Take a recent track of your own and ‘cover’ it with different equipment″ — at:

disquiet.com/2014/09/04/disquiet0140-soloswap/

More on the Disquiet Junto at:

disquiet.com/junto

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

disquiet.com/forums/

The image associated with this track is by Antinephalist and was used thanks to a Creative Commons license. Originally posted here:

flic.kr/p/bNpTrT

pesKy fuNpot (disquiet0140-soloswap)

sound art for disquiet0697.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/



unmaking music (disquiet0697)

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Part I [disquiet0697]

disquiet0697

I wanted to create something simple and circular that could stand alone for this first part of the @disquiet trio project. Using the Silver Age piano preset on Logic Pro with no effects, I repeat the note sequence D, G, D, A, F# eight times, sometimes letting the D and A overlap. There is no bpm to this and the only alterations I made when listening to this several times after recording this sequence, was to reduce the velocity on many of the notes to evoke an almost 'not really playing' quality to the piece.

Looking forward to hearing if anyone takes this further.

More on the 697th weekly Disquiet Junto project, First Third — The Assignment: Record the first third of a trio — at https://disquiet.com/0697/

Hole Third (disquiet0697)

As usual, there is an abundance of fantastic pieces to collaborate with. I finally decided on Aaron Hofman's work, because there was something about its slightly off kilter ambience that seemed to suit the later spring rain that is settling in for a few days. I added just a bit of gritty drone, augmented with a bit of reverb to further set the mood. 

disquiet0698

This song done in collaboration with Leon Clowes 
https://soundcloud.com/leonclowes/hole-third-disquiet0697

Disquiet Junto Project 0698: Second Third
The Assignment: Record the second third of a trio.

There are two versions of the instructions for this week’s project — one very short, the other very long.

Very short version (about 25 words): Select a track from last week’s project (disquiet.com/0697), pan it to the left, and add your own line to the right, leaving room in the center for someone to eventually turn it into a trio.

More on the 698th weekly Disquiet Junto project, Second Third — The Assignment: Record the second third of a trio — at https://disquiet.com/0698/



two of three [disquiet0698] with Leon Clowes

Worked on this duo by e_nu_ri (@user-807707609) : https://soundcloud.com/user-807707609/bowed-and-jangled-farther-disquiet0698  based on this original track by 
@red_robin
https://soundcloud.com/red_robin/disquiet-junto-0697-mr-bowed-jangles

The all-synth background is great. I thought the contrast between those synth tracks and a warm, acoustic tone could be interesting, so I improvised a lead part on tenor ukulele. I also added an infra bass drone playing the tonic, and used a little software I’m beta testing that generates sound from a text prompt using some kind of AI (can’t say more here, but it’s fun for drones!).
It's like a dark, abstract recitativo, hope you like it.

For this collaboration project:
llllllll.co/t/disquiet-junto-pr…t-0699-third-third/

Mr Bowed Jangles returns (w/ he_nu_ri and Tristan Louth-Robins) - disquiet0699

Suss Müsik has been traveling a lot lately. Thus is the nature of having to work for a living, a privileged state that appears to be accelerating toward some form of extinction. That’s probably a gripe for another Junto project.

On a recent trip to a U.S. city not to be named, Suss Müsik captured this strangely bucolic view outside the hotel window. Look closely, and you’ll see evidence of gentrification in the urban landscape: a new corporate housing unit dominates the left side of the image, obscured by a rich envelope of foliage. There appears to be some sort of mosque in the background, perhaps representing one of the orthodox faiths, next to what might be a church steeple. A rustic brick dwelling sits confidently where it was built some 300 years ago. Just beyond that is a budget hotel and what is likely a corporate office building, both filled to half-capacity.

The intention of Suss Müsik’s sonic interpretation was to demonstrate this weirdly haunting mashup: a blend of classical ‘old world’ architecture residing in an environment of aggressively digital commercialization. It is a scene where progress is measured in glass panels, beige is the new brown, innovation is temporal, and humans interaction relies on the conductivity of elemental particles. If you can imagine the setting of a Milan Kundera story retold through a series of YouTube Shorts, that’s sort of the vibe this image presents. 

This piece for cello, violin, piano, and electronics was recorded quickly to TASCAM 8-track. It is dedicated to Marc Weidenbaum and all participants of the Disquiet Junto community. Here’s to 700 chapters and counting.

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

Urban Entropy [Disquiet0700]

used this photo from my window as a graphic score. the elements in this photo mapping to elements in the track.

most sounds in here come from a contact mic applied to the window itself, or the frame.

five lines [disquiet0700]

This was my contribution for Disquiet Junto Project 0705: Book Start. The Assignment: Let the beginning of a book help you begin a new piece of music.

Here’s a copy of my post on the Disquiet Junto 07045 discussion thread on Lines:

“The girl and the elderly man descended the steep stairs to the channel's narrow beach and walked along by the water's edge. Several small fishing boats were moving out to sea, passing a freighter entering the bay, booms raised, a…” 

So starts the first story in a collection of fascinating and contemplative short stories in “The Infinite Passion of Expectation” by Gina Berriault. I randomly picked the book, which had been sitting on our bookshelf for years, having read it decades ago. The stories, which take place in or around San Francisco, remind me of a unique, and sometimes surreal time in my life when I lived and worked there. 

This was created in Ableton Live and was inspired by the opening lines of the story, the book itself, and my reflection of a time many years ago. Thank you, I really enjoyed this prompt, and the creative journey it sent me on. 

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.

The Infinite Passion of Expectation [disquiet0705]

M. Ackerman's second page, mostly for Disquiet Junto pieces projects.

pesKy fuNpot (disquiet0140-soloswap)

modusMatt