A really intriguing track! With the sudden stops it really grabs my attention.

interesting experimentation here, matt. as far as the explanation is concerned, I'm not all together sure what you did to create this, but I know enough to hear and read what is going on, and it is fascinating how there is no limitation to what we humans can do with the mediums that have already been produced by the Master of the Universe. Shalom. Hope all is well with you. I have been praying and rooting for you as normal. Feel free to reach out again whenever you'd like.

this is great. i will have too look for something similar in puredata one day

Bandcamp: https://expansionoftheauralcognizance.bandcamp.com/track/the-emporium-of-liminality
Youtube: https://youtu.be/Z9O8_85OEEk

Image: https://www.northlandscapes.com/portfolio/quick-portfolio-nordic-landscapes

Bandcamp

The Emporium of Liminality

When I grow up(WitchKult Z mix 999/111)

Generative modular session.

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Track Image based on
https://commons.wikimedia.org/wiki/File:Baryon-octet.svg

album.link

The Eightfold Way

noxpox - Flabberguest

Y-Funky Zombie Baby

from the debut album, available everywhere

follow me on twitter and tiktok to stay in touch

Miss Carlos

Inspired by the original soundtrack from the film The Terminator

Lost In The Fog

Post Classic improvisation

Kaze means Win
Machi means City (in Japanese)

Enjoy!!

Kaze no machi:WIndy City   -Sora and BP improvisation

The Assignment: Use probability to remove material from a track.

I made a 3 track piece specifically for this idea instead of using something I already had because I figured it should be done with tracks that always have something happening so the silence is more noticeable/dramatic.  I think the moments where everything cuts out are the most dramatic.  Silence is sort of the 4th track in that sense (or what ever is going on around you when listening).  The piece itself used a fair bit of aleatory.  "Dr Chaos" is a max for live instrument I used with the drum kit.  It plays random samples at a regular beat division (1/8th, 1/16th, etc.). The 2 other tracks are just moving through different interval cycles (minor 3rds and perfect 4ths) at different paces so they create different unpredictable harmonies.  I used Random.org to decide where to cut and how long the cut should be (1-8 beats).  I figured cutting on beats instead of seconds would give the breaks a rhythmic quality.

More on this 586th weekly Disquiet Junto project, Chance the Eraser (The Assignment: Use probability to remove material from a track), at: https://disquiet.com/0586/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0586-chance-the-eraser/

Nothing Hear (disquiet0586)

TITELLOS

New album "Fleeced of their Wares" out 7/17/23

https://moduspony.bandcamp.com/album/fleeced-of-their-wares

Also on superpolar Taïps: https://superpolar.bandcamp.com/album/fleeced-of-their-wares

Nothing Hear (disquiet0586)

moduS ponY

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