moe. & yeahh

A sonic journey curated by Pineal Pulp

If you like the mix hit me with a follow! Got a new EP and new mix dropping in May!

Tracklist:
Waking Life (Pineal Pulp Edit)
Vanilla Bean - Parkbreezy
Ice Cream In Its Right Place - Minnesota
Legacy - Tripp. St
Venice Venture (Throw Some D’s) - Big Wild
Of The Spaces In Between - Saturna
Go Fuk Yourself - Two Feet
Escape - Detox Unit
Various Hip Hop Samples (Mac Miller, Outcast, T.I.)
Tamalapais / Ayana - Charlesthefirst
Broccoli - Lil Yachty
Float - Zion I + Minnesota
Run The Block - Document One
Safeline - Parkbreezy
Pop Fly - Jonah Baseball
Notorious BIG - Juicy - Minnesota Remix
The Descent - Charlesthefirst
Emerald Hooves - Tipper (Teasing)
Zonin Out - Parkbreezy
Reality Check - Binary Star
Stay Fly - Rion King
Cluttered Time Machine (Dark Edit) - pheel. x parkbreezy x Rudemanners
Hypnotize - The Notorious B.I.G.
Hypnotize (ATYYA Flip) - The Notorious B.I.G.
Falls (Interlude) - Charlethefirst
Slow Craft - Pigeon Hole x Of The Trees
Ain't No Coming Down - Juicy J
Post Malone - Ball For Me (ATYYA Flip)
Proximity - Comisar
Days Passed Me By - Kooly High
RZA - Gritz (Pineal Pulp Remix) (Unreleased)
Find Your Vibe - Pineal Pulp (Unreleased)
Lost In Sauce - Pineal Pulp (Unreleased)
When I Think Of You (Pineal Pulp) (Unreleased)

Snow In May

Snow In May (Chilled Pulp Sessions: A Mid-Tempo Journey)

On Magnificence

In the Stars (feat. Me~She & Lapa)

Release

Release (feat. Cedar Miller)

Smash Hits Vol. 1

Buster

Captain America

Okayalright

Tailspin

The Pines And The Apple Trees

The Guitar (AI Remix)

Elevate

02 It's All Sunshine

Frameworks' new album KINGS is out July 14 on @emancipator's Loci Records.

KINGS

Titles

Michal Menert's debut solo album "Dreaming of a Bigger Life" is available for free at prettylightsmusic.com. 

Lights Out

This version of 'Freeker By The Speaker' was recorded on October 7, 2012 at Hardly Strictly Bluegrass Festival.  This is a collaboration called Bernie and Kyle's Kelmock Wally Hess Mess and is comprised of the following players:

Keller Williams - Guitar and vocals
Kyle Hollingsworth - Keys
Steve Kimock - Guitar
Bernie Worrell - Keys
Andy Hess - Bass
Wally Ingram - Drums

Freeker By The Speaker - Bernie & Kyle's Kelmock Wallyhess Mess

Out Now: New Album "Crux"
🎧 http://dirtwire.fanlink.to/crux 

As 2020 comes to close we are taking stock of life as it compares to a year ago. Nothing was as it seemed then, and likely nothing is now either. We are all deep inside a massive collective psychedelic journey. Good trip bad trip, all our paths overlap. 

On our new album, out now, we explore the idea that we are at the crux of a significant leg of this journey.  Like that moment in most every trip when you are faced with a fear or anxiety and must make a decision on how to proceed, the crux presents both crisis and opportunity.

The featured track here, "Common Ground” is about finding a place for us all to meet in these divisive times in hopes that we can unify and find a path forward.

Cooperation, communication and dialogue are key to unity and resilience.

On the Crux album we are taking musical chances. Some of the most personal songs we’ve written mixed with raw sketched out ideas, to full blown improvised compositions. This is our way of processing the radical changes that have become routine for all of us. This album represents our subconscious hopes and fears for the time ahead. Check it out, and thanks for listening!  Sending our love to you all in these transformational times.

INSTRUMENTATION & CREDITS

HEY THERE
David Satori: Vocals, banjo. violin, drum kit, fiddle bass, theremin
Maya Dorn: Vocals
Evan Fraser: Backing vocals, harmonica, megaphone, bass synth
Emma Lucia: Backing vocals


SALLY MAY
Mark Reveley: Vocals, guitars, combs, jaw harp, harmonica, whamola bass
Evan Fraser: Backing vocals
Emma Lucia: Backing vocals

SOLI
Evan Fraser: Dobro, Harmonica, Bass ngoni, Kamale ngoni, Zabumba, Brekete, Percussion
David Satori: Fiddle

RAIN GONNA FALL
Evan Fraser: Vocals, Cigar box, Lapsteel guitar, Harmonica, Bass synth, Percussion
Mark Reveley: Tenor Saxophone

BREAK THE SURFACE (ft. Emma Lucia)
Mark Reveley: Vocals, kalimba, percussion
Evan Fraser: Guimbri, kalimba, clock chimes

COMMON GROUND
Evan Fraser: Dobro, Harmonica, Lap steel ebow guitar, Megaphone, Kalimba, Bass ngoni, Percussion
David Satori: Banjo

UNTIL ITS OVER
Evan Fraser: Bass ngoni
Mark Reveley: 12 string guitar
David Satori: Drums

CATTLE CAR
David Satori: Vocals, banjo, drums, theramin, fiddle bass
Evan Fraser: Organ, harmonica

JUPITER
Mark Reveley: Cigar box guitar

GHOST CITY
Evan Fraser: Vocals, Bass synth, Keyboard, Harmonica, Lap steel, Megaphone, Zabumba
Sunru Carter - Percussion
David Satori - Drums, Melodica

AXUM
David Satori: Drums
Evan Fraser: Synth
Mark Reveley: Whamola bass

GOD SONG (ft. Emma Lucia)
Mark Reveley: Vocals, guitar
Emma Lucia: Vocals

SAIN REIGN
David Satori: Banjo, drums, violin, Percusion
Mark Reveley: Whamola bass, bowed whamola
Emma Lucia: Backing vocals

THE GAME OF LETTING GO
David Satori: Vocals, Nylon string guitar

CAMANO ISLAND
Evan Fraser: Ngoni
Mark Reveley: Slide mandolin

BABY WHAT TO DO
Mark Reveley: Vocals, banjo, percussion
David Satori: Bells, percussion
Evan Fraser: Harmonica

LAST WALTZ
David Satori: Banjo, Tommy’s toy piano

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Sain Reign

moe. is the preeminent progressive rock band on the music scene today—a quintet of world class musicians, whose creative output equals that of their longevity. In a remarkable career that has touched three decades and produced a discography of 24 albums, the Sugar Hill Records recording artist of Al Schnier and Chuck Garvey on guitars and vocals, Rob Derhak on bass and vocals, Jim Loughlin on percussion and vibes, and Vinnie Amico on drums, continue to push the standard for performance art higher and further.

Whether touring around the globe, headlining music festivals, or sharing the stage with such diverse acts as the Allman Brothers, Dave Matthews Band, The Who, Robert Plant, Government Mule, or Blues Traveler, among many others, what keeps moe. at the forefront of the music scene is not only the energy and vitality of their music and songwriting, but the showmanship in which it is delivered. Their music is clever, melodic, refined, filled with “ferocious guitar riffs” and “intricate rhythms” (Relix); their performances are entertaining, mesmerizing, and epic.

From their humble, inconspicuous beginnings as a local bar band in Buffalo, NY, to headlining Radio City Music Hall on New Year’s Eve, moe.’s journey has been one of hard work, perseverance, and dedication. Critical acclaim and a solid national and international fan base has resulted in a dedicated following that grows each year. Rolling Stone magazine named Chuck and Al among the top twenty new “guitar gods,” The pair have been featured in Guitar World and Modern Guitar, Jim and Vinnie in Drum!, and Rob in Bass Player. The renowned guitar play between Al and Chuck has become the stuff of legend. The exceptional vibe and percussion work by Jim is brilliant. The understated bass play by Rob is masterful. The seamless, efficiency of Vinnie’s drumming is extraordinary. Together, the five create a musical synergy greater than the sum of their parts.

The news about moe. keeps getting better, too, in the studio and on tour. A new album, their second on Sugar Hill Records, is set for a 2014 release. It follows the critically acclaimed 2012 release, What Happened To The LA LAs, and the 2010 Smash Hits, Volume One—a rerecording of some of moe.’s most endearing classics. The band’s tour schedule is extensive, playing in venues, intimate and grand, from NYC to LA, San Fran to Atlanta, Chi Town to Bean Town, from Tokyo to Toronto, and across the Atlantic to Paris, Amsterdam, London, Hamburg, and Milano. Long a featured act at music festivals, they’ve performed and headlined at the likes of Bonnaroo, All Good, and High Sierra, in the US, and Fuji Rock Festival in Japan, and Burg Herzberg in Germany, to name a few; yet made time to promote and perform at their own festivals—Summer Camp, Snoe.down, and moe.down.

By all accounts, for this “legendary jam band,” as Rolling Stone described them, moe. represents rock and roll at its best. Welcome news for the moe. faithful and the band’s ever-expanding fan base. Even better news for the world of rock and roll, for moe. is just hitting their creative stride.

Tailspin

moe.

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