INTRO G.C. (Premix) is a track of the "GALACTIC COMMAND" - Album:
https://soundcloud.com/moflow-records/sets/escalazer-galactic-command
JOIN ESCALAZER ON ITS OWN NEW ACCOUNT: @escalazer
Escalazer on FACEBOOK: www.facebook.com/escalazer/?ref=py_c
Escalazer - Galactic Command on YOUTUBE:
https://youtube.com/playlist?list=PLkWQ19PYJcCNw_j0__EuvtarwYu40vMby&si=IHtqVWtsyynslTj0

All rights reserved by Escalazer & moflow records

INTRO G.C. (Premix)

WE LIKE & produce: Electronic music / Eighties / Synth-Retro-Dark-Chill-Cyber-Vapor-wave / Disco / LoFi / Ambient-Garage-styles / Freaky D&B / Filmscores & Funk. . MOFLOW is: moflowmusic (production) / moflow (artist) / moflowrecords (label) / ALL MOFLOW ACTS 2024-2025: 

ESCALAZER - https://soundcloud.com/escalazer
(Synthwave / Electro / Ebm / Electronic pop)

SXS - https://soundcloud.com/producersxs
(Synthwave / Darkwave / Electronic / Filmmusic)

IDA NOLAN - https://soundcloud.com/ida-nolan
(Electronic pop / darkwave / classic / synthpop)

MOFLOW 
(Eighties / Electronic / Disco / Mixstyles & more)

RONNY SEILÄNZER 
(Electronic house / Discostyles / what comes)

ALOHA SATELLITE - https://soundcloud.com/aloha_satellite

MUSEAU RICHE (coming up!) 

ALL TRACKS & Playlists on this account are created by MOFLOW MUSIC Producers & MOFLOW RECORDS Artists. 

www.moflow.eu/artists

likes different kinds of electronic music , plays synthesizer, keyboard and classic piano

"SXS" - Producer & Artist  / Electronic music, Synthwave, Darkwave, Retrowave, 80s,  EBM, Elektro & Filmmusic - PLEASE check the ALBUMS & Playlist! Find me also on https://soundcloud.com/moflow-records

Midsommer 1991 is a musicproject by Katrina K.
I do electronic music just for fun. Like cool electronic styles - Ambient -Synthwave & Darkwave - Triphop - House/Disco/Dance-styles. Maybe you like my SYNTHWAVE-DARKWAVE-Playlist . . .

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

A Musical Journey of FlexHead
Best known as a local Northern California Funk Band, FlexHead and their sound have developed and grown in popularity since 2015. Influenced by the community, culture, and sounds of their hometown, they perform music that speaks to fans across the musical spectrum. Their signature style has become synonymous with a diverse collection of melodies and compositions. This Funk Band is on the rise, and nothing can stop them from achieving the success they work so hard for. 

Contact FlexHead at FlexHeadFunk@gmail.com

Electronic Music Producer, Composer, Arranger. Graduate of Berklee College of Music Online and the EDM PROD Producer Launchpad. 

To all those who have followed me during my journey into EDM Production, Thank you. There is more to come. Stay tuned.

Hey there!
My name is Albert Benkert aka Alfonx and my hobby is to create (writing, arranging, mixing, ...) and remix music in the genres pop/house/dance and electronic/techno.
If you are a singer, then I am especially happy to hear from you. Maybe we can create a great song together. Feel free to contact me at alfonxmusic@gmail.com

I grow up with music from 60s-90s. 
So my music is possible influenced by:

- The Hollies
- ABBA, Donna Summer, Boney M., ...
- New Order, Visage, Eurythmics, DM, ...
- Phil Collins, Robert Palmer, Kim Wilde, Blondie, Valerie Dore, Alphaville, Yazoo, Camouflage, ...
- Sandra, Snap!, Adamski, Faithless, Massive Attack, ...
- Garbage, Dubstar, Saint Etienne, Dido, ...
- The beastie boys, Public Enemy, RUN D.M.C. ...
- Westbam, Commander Tom, everything from the Love Parade era....
- Meiko (@meikomusic), Dido, Missy Higgins, Jem, Lenka, ...

For creating my tracks i am using Ableton Live 11, push 2, Native Instruments S61, Roland TB-3 and tons of Softsynths :-o (u-he repro-1/5, u-he diva, Sylenth1, VPS Avenger, Synthmaster one+2, Vacuum Pro,  Massive, Ableton Wavetable, ...)

Find me on SongPop2 (alfonx).
#alfonxmusic
alfonxmusic