Solo, Duo, and Small Ensemble

Bass Flute: Ivan Bushuev
Rehearsal recording for reMusik.org festival 2021
St-Petersburg, Russia
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Composer: Mohamad H. Javaheri
Electronics: Francisco Javier Trabalón Ruiz
Recorded Vocals: Carin Levine
Sounds recorded by Philipp Schmalfuß / Mohammad H. Javaheri

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Premier: BKA Berlin, Carin Levine
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Work in Progress Cover Painting by Zoheir Javaheri

Serotonin Saturation | 2020

for Electric String Quartet, Effects, Synthesizer and looper

Commissioned by Neo Electric Quartet
Premiere: NeoArte – Synthesizer of Arts
Gdańsk, Poland
2021

Cover: Excerpt of Zoheir Javaheri's painting

A Colossal Blossom | 2021

Adnan Saygun Concert Hall

Instrumentation: Bsn., Fl.
Ankara, Turkey
Live Record

Painting by Zoheir Javaheri

The Distance Between Me and My..Self (for alto flute & bassoon) | 2017

- Winner of the 2nd Prize of 20th International Chamber Music Composition Competition, 2019
- Winner of the Public Prize for the best piece of 20th International Chamber Music Composition Competition, 2019

Instrumentation: String Quartet
Performed by NeoQuartet
Painting by Zoheir Javaheri

Obsession _Revised (for string quartet) | 2018

Ensemble Adapter
Weimarer Frühjahrstage für zeitgenössische Musik 2020
Online Concert - Live at ExRotaprint
Berlin, Germany

Instrumentation: Fl, B. Cl, Perc, Hp and Electronics

Painting: Zoheir H. Javaheri

Encountering Re - Encounter | 2020

Ensemble XX. Jahrhundert


Painting: Zoheir H. Javaheri

Unison II, DBMMS Revised (for bass clarinet and viola) | 2017

My CCRMA Page:
https://soundcloud.com/moha-ccrma
My Film Scoring/Side Page:
https://soundcloud.com/mohammad-h-javaheri-2
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Composer, Performer
Member of DKV, DEFKOM, and FEM

Mohammad H. Javaheri (1989-), an Iranian composer and performer from Tehran, has gained recognition for his interest in dense, powerful masses of sound and crafting complex textures. He has been named as a promising future composer and internationally in-demand by Germany's NMZ newspaper and Thuringian state newspaper, respectively. Moreover, he received attention in various news articles, including the LA Times. His music has been characterized as 'tense’, 'sensational’, and 'detailed'; and he inherently crafts his ‘own sound’ (Toshio Hosokawa, SYNTHETIS 2019). His versatile compositions span various forms, including electronic and acoustic elements, and have received international awards. His creative focus has consistently revolved around the concepts of "Cycle, Repetition, Trans-formative Blocks," and the interplay of speed with the structure of his compositions, along with the human psyche's evolution, delving into the profound impact of incidents and traumas on human psychology. His music vividly captures the cyclical nature of these changes and their lasting effects on emotions, actions, and life decisions. His pieces have been performed by well-known artists, ensembles, and orchestras worldwide, featured on platforms like SWR2 Radio, and published by Babelscores, Score Follower, and UCLA Music Library.
In 2024, he was awarded an EDGE Fellowship by Stanford University, positioning him to become a member of the cross-disciplinary community of scholars at Stanford.