ابكِ وحدك ثم ابتسم - فاضل الجابر

بسم القرية
بسم الواحة الخضراء
قروي كادح
يستأثر بالبحر
يراود النخل
ثم يفنى
عن القرية يقول

الكا حون 

الكادحون - عن القرية (1)

رسمت غيماً

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

The Celestrial Ratio

(PROMISE)KJV :111 Results

that saturday felt like a dream

https://www.youtube.com/watch?v=vvpI5cGyvtk
الشاعر : مدين الموسوي
مونتاج : محمود الشافعي
أداء وموسيقى: عباس الشافعي



مر العراق بأعيني - عباس الشافعي

كنت في أضيق من الوحدة، وأكثر غربة من الكلمة
-قاسم حداد

Loneliness

This track is from the album A Bahraini Tale - Original Motion Picture Score and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/mhaddad

A Bahraini Tale (Main Theme)حكاية بحرينية

المحارب لملموسيقي رياض كاظم..
مهداة الى روح المحارب جمال جعفر ال ابراهيم



يقول سعدي يوسف

رمح من الفولاذِ في أحشاءِ عيسى 
رمح يمزقهُ و يسحبهُ طويلا 
زهراً قماشياً تَشرَّبُ بالدماءْ 
 والموتُ يتركُ خلفَ عيسى 
 قمراً من الدمِ و المساءْ


وهنا تدحرجَ رأسهُ المقطوعْ
 ويعنقه تسعونَ سكيناً  المخبرونَ يهرولونْ
 متعثرينَ برأسِ عيسى وعلى المطابع تشربُ الصحفُ الحقيرةْ 
 بين السعال دماءَهُ سوداء حاقدة غزيرةْ

المحارب_ جمال جعفر محمد علي آل إبراهيم...

Mohammad Haddad is a Bahraini composer and music critic, an active artist in the film scores of Bahraini films. He picked up the Lute and made it his major instrument until he flew to Cairo to pursue a degree in music composition and conducting at the Cairo Conservatory of Music, focusing on the Piano.
Armed by a very western Piano in one hand, and an extremely eastern Lute in the other, with enough power to bridge the gap between the two worlds of east and west, he experiments in the traditional Bahraini music, analyzes it, breaks it down, builds on it and merges it to the abstraction of contemporary forms.
Taken by the idea of composing music for the screen, he composed music for Movies and short films, Theatre, Documentaries and Animations. He also collaborated with number of other artists like sculptors, poets, actors and photographers.
Before starting his career as a music composer for films, Haddad had secured a position at the University of Bahrain as the senior music specialist at the University.

A Bahraini Tale (Main Theme)حكاية بحرينية

Mohammed Haddad