L'espressione del pensiero moderno oltre se stesso.

info@evofestival.it

plans to open a space for reflection conceptual, artistic practice, and erudite.The antechamber on the new forms, and logical - organon, to create music.

Flutist and alto sax player active since 2003 in the field of improvised and electroacoustic music, he collaborated with musicians such as Giovanni Maier, Giorgio Pacorig, Tristan Honsinger, Giancarlo Schiaffini, John Paul Jones, Takehisha Kosugi, Kawabata Makoto, Hartmut Geerken, Saadet Turkoz, Peter Broetzmann, Piero Bittolo Bon, Enrico Sartori,  Stefano Giust, Maurizio Abate, David Vanzan, Virginia Genta, Bruno Romani and bands like  Parallax, Improvvirus Sound Experience, Warrior charge Sounsystem, Asabikeshiinh and Ronin (contributing to Alina Marrazzi’s movie “Vogliamo anche le rose”, 2008).
He plays in the impro collective “Orchestra Senza Confini” directed by Evan Parker in 2011, by Zlatko Kaucic, Giovanni Maier and Johannes Bauer in 2012 and by Ab Baars in 2013.
He published for Palomar records, Dobialabel, Qbico, Troglosound, Setola di Maiale and Ghost records.
He played in festivals and concerts in Europe, United States, Russia and South Korea with Devil?Man (Palomar records), Res_et  and hBar (Dobialabel), Phophonix Orchestra, Neokarma Jooklo (Troglosound, Qbico), Dob Orchestra (Palomar), Aghe Clope (Setola di Maiale).
He worked in theater and dance projects too: Mattatoioscenico (“CPT 70% D’Acqua”, selected for the Premio Scenario 2007 finals), Tristan Honsinger (“Abbastanza: assenza e presenza”, 2008), Paolo Fagiolo (“Through Hate and Anger”, 2009), and Merce Cunningham Dance Company (“Nearly Ninety”, 2010). He works with the dancer Caterina Gottardo in contact improvisation’s workshops.  He realized with RES _ET the soundtrack for “Per Mano Ignota” and “Allahmatar” ( selected for the Celeste prize final 2013) by the director Cristian Natoli.

Francis Mesrine, moniker of Francesco Russo, is a Naples-based musician, composer, and producer working in the realms of ambient and drone music, with strong noise and cinematic influences.

Beginning as a keyboard player in a rock band over fifteen years ago, he gradually shifted toward electronic sound exploration and has released two albums to date.

His work focuses on immersive soundscapes, slow-evolving textures, and instrumental compositions that evoke dark, atmospheric, and cinematic moods.

Followers of Moise