Otro trabajo enorme, me encanta.Que fuerte empezaste con Scream tracker y Fast tracker como yo, seguro que hemos coincidido en alguna party y todo...

Absolutely beautiful, a wonderful production/amazing vocals. Thank you:)

This is a great composition, love the use of choir.

What a beautiful track Daniel... And I had missed it, sorry ;))))

The incantatory slow movement of Hendrik Hofmeyr's Clarinet Sonata is in ternary form. The A section is based on a widely arched theme announced by the clarinet. The brief middle section (Poco più mosso) is more expressive in character and ends with a canonic cadenza for the two instruments, which leads to an abbreviated recapitulation of the A section, but now with canonic imitation by the piano. In the coda elements of both themes are fused into a new melody, which is again echoed by the piano.

Sonata For Clarinet And Piano (Hofmeyr) - Becky Stelzner, Jose Dias [2]

In Memory of my uncle Ricardo (10/september/2021).

Void (felt piano version)

Hello, my album will be released next Friday (27 May), but as a small exclusive Soundcloud gift, here is my track "Asymmetry Of Life". Enjoy!

Asymmetry Of Life

Landing Page

Gentleness

A new version of "Time will heal my wounds" track, included in the 2015 new album "Longing for the land"

Time will heal my wounds (alternative version)

A requiem. Penultimate theme from my upcoming album 'Digital Resurrection'.
The voice is from Requiem Library.

Regards from Spain!

Is This The End? (Requiem)

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Playing on the Edge 3

Mise-En Series II, Episode 1

Deception (Suite Part 1)

I´m glad you found me and making music is the best I know.
When I composed the album "The River" I tried to make sense of the beauty when melody and harmony interact and with the wish that this will affect the listener.
I wrote it to put into sound that which cannot be expressed through words. 
To navigate the waters of the deep soul. 
To explore the melodies that flow in my veins.
Please share my music with your friends if you like it.
Have a nice day,
Kristoffer.

Track: Mourners Walk
Artist: Kristoffer Wallin
Album: The River
Recorded on a Steinway Piano

Spotify -https://open.spotify.com/album/4uz1g6...

iTunes -
https://itunes.apple.com/se/album/the...

Web -
www.wallinmusic.com

Instagram -
https://www.instagram.com/wallinmusic/

Facebook - 
https://www.facebook.com/kristofferwa...

Twitter - 
https://twitter.com/kristofferwalin

Amazon -
https://music.amazon.com/albums/B07ND...

Mourners Walk - Album The River

Still Alice (Original Motion Picture Soundtrack)

Still Alice Soundtrack ~ Speech

Imagine: the kingly suppressor enters the dystopian story and everyone is afraid of his judgement. The protagonist fails to escape his gaze and a confrontation follows. Although there shouldn’t be any hope, our protagonist manages to escape with flair and the journey begins.

The Puppet King

Computer engineer by day, composer by night.

I have been composing on and off along the last 30 years.
You can find more information about my music and myself in this interview: 
http://www.sblob.com/spotlight/1008

Regards!

Is This The End? (Requiem)

Moisés Daniel

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