Intimacy

classic3

Relax

Novedades: Ambiente

grouper 'holding'

Vi presento MC la mia ultima composizione. Sto cercando di lavorare sul respiro dell'orchestra attraverso la massimizzazione della dinamica di ogni accordo. Dentro questi minuti si trovano poche melodie. Al contrario ci sono vari cambi di atmosfera proprio perché lo studio riguarda il miglioramento nella tecnica di produzione per questo genere di musica.

Für Lena † 2011
___

her short life ended so suddenly and unexpected with only 20. beside the huge pain i experienced through her decision to leave, i think i can now say after years of thoughts and reflection, that it was also the event i learned the most of.

this day changed literally everything. it was the hardest reminder that we only have very limited time together, so early in life. it effected all my decisions, every breath is a deeper one since this day. i see with a clear mind and open heart now. it gave me more passion, the ability for self care, it strengthened my empathy & understanding and created a even stronger will to leave the world better than i found it.

i’m sharing this because i don’t want her to become forgotten and meaningless. so, this is what i learned. maybe you get something good from it, too.

be good to yourself. be good to people, even the ones you think that don’t deserve it. be kind to every other sentient being. everyone has her or his own invisible struggles, be aware of it and respect it. keep the people that don’t make you grow and keep you small out of your life. trust yourself, but be ready to question yourself, too. fight. try to find beauty in the saddest and darkest moments. don’t be surprised of change, because it will happen. don’t live a life of bad compromises, go for the whole. don’t fear insecurity. be more brave than you actually are.

_____

Was am Ende

Matt Stewart-Evans on social channels:
http://www.soundcloud.com/mattstewartevans
http://www.twitter.com/matstewartevans
http://www.facebook.com/matthew.stewart.evans
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A Quietness

From the Still Life EP, available on Bandcamp at: https://thebirdscompanion.bandcamp.com/album/still-life-ep

Twelve Sunflowers

NOW ON SPOTIFY https://open.spotify.com/track/56AjZQQVDgLirnC2WnEIA6

stay up late w me

late nights w you

free download/support: https://wushmusic.bandcamp.com/track/late-nights-with-you
(I ran out of downloads on here)

art by m1saka

download

late nights with you

Lauv - The Story Never Ends (Piano Version)

الكلمات :
مكنتش بعرف احكي كنت بشتكي للورق فترات
مكنش بينا طريق مقابله كنت بسهرلك فـ شات
و فرق بين جوابات و بين كلام ع لوح ازاز
محدش عارف انا عيطت كام مره ومكتوب تمام

مكنش فـ ضهري عيله فـ اتسندت فـ صحاب فلصو
اول ما اتحطيت فـ اول عركه سابوني لوحدي و جريو
فـ انا اتعودت اكون لوحدي و متسندش بحد
و اتعلمت انها كلها جدعان بتسيبني وقت الجد

حبيت ملاك كانت جميله و الايام بتغير
عشنا جوه دماغي و بره العالم كان لسه بيترندر
هي تعبت و انا يتزهق مني ان جيت للحق
اظن كده خالصين يا بنت الناس بكفايه كسر فـ بعض

و انا ابن اصول محيلتيش اللضا وكده بس جدع
ممكن اديلك عنيا بس هتسندني اما هقع ؟
مش هتجمعنا صدفه الطيبون للطيبات
و انا كان قلبي طيب جدا وانتو اوسخ خلق الله

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كات جوابات لـ السما مكتوبه فـ ضهر الملزمه
مبلوله بـ عياطه لما قالو عليه يتيم ف المدرسه
و الي يزعل اكتر من انك لوحدك
انك تتعب بس ما تلقي حد تبوحله حتي بتعبك

جبنا اخرنا .. الدنيا باين زهقت منا
ماهو يا تغورنا فـ داهيه يا تدفنونا مع زمايلنا
كنت نفسي فـ حضن بس مافيش احضان كانت بتساعني
انا كل الي اذاني كلام كتمته فعشت اتأذي لوحدي
----------------------------------

في صوت كمان مسكتش صوت عازف مسابش السوق
انا حالي كل يوم بيسوء و شكلي مش هفوق مش كده ؟
متفوقنيش عشان لو فوقت هكره نفسي
كانت الناس بتحب الناس و كنت لوحدي بحب ازايز ويسكي 


كتبت ان انا مضايق ع الحيطه اتصوروا معاها
كان كل الي هاممهم ياخدو بوست مش يسمعو غنايا
حاربوني عشان نجحت فـ حاجه مش حاببها
لو هكون كويس بكره اشبعوا بالشهره وربك مش عايزها

متفرحيش ان انا تعبان انا هبقي كويس بكره
هطلع المس نجم السما بس انتي هتفضلي لسه وسخه
و الي اتباع  بمال قارون هيفضل اسمه اتباع
و الناقص لو خد كنوز الدنيا هيفضل بردو جعان

كل الناس سميعه مش كل الي سمعك صاحبك
بكره الهيلمان ده هيخلص و هتتفض و تبقي لوحدك
بلاش عشم و و متسبنيش عشان هوحشك
بكره كل الناس هتحبك لما تموت فصله نقطه انتهي

----------------------------------
كات جوابات لـ السما مكتوبه فـ ضهر الملزمه
مبلوله بـ عياطه لما قالو عليه يتيم ف المدرسه
و الي يزعل اكتر من انك لوحدك
انك تتعب بس ما تلقي حد تبوحله حتي بتعبك

جبنا اخرنا .. الدنيا باين زهقت منا
ماهو يا تغورنا فـ داهيه يا تدفنونا مع زمايلنا
كنت نفسي فـ حضن بس مافيش احضان كانت بتساعني
انا كل الي اذاني كلام كتمته فعشت اتأذي لوحدي
---------------------------------

عمار حسني - ويسكي

From the new EP  'Rest' out on 'Brian Records'. 

Lovingly mastered by Taylor Deupree. 

Bless Those Tired Eyes

Title track from Daigo Hanada's forthcoming EP 'Ouka' out June 21st 

Pre-order the album on CD/DL : https://modernarecords.bandcamp.com/album/ouka 

Stream the track on your favourite digital platform : https://orcd.co/single-ouka 

Written and recorded by Daigo Hanada 
Mastered by Martyn Heyne

Ouka

Buy CD/DL

Daigo Hanada - Ouka

Basata Band Ft. Assala - Ghamad Awi فريق بساطة و أصالة - غمض أوى

Here comes mix number 12 in the series, kindly contributed by our long time dear friend Suso Sáiz (@saizsuso) who gave it the title 'Oat Flakes Falling In My Carpet At Sunset - Japanese Ambient 1'. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Suso. You live in central Spain, right? How important is living there for you and your music?

S: I live in a little town not far away from Madrid. It’s very quiet and I’m in contact with nature. I feel good in the place where I live. My choice to live there is not arbitrary as I need peace and silence to work and this place meets all the conditions.

MFM: In 2019 we happily received and released your latest album Nothing is Objective where in the liner notes you say you never listen back to a finished piece of music. Why is that? Isn't that an important part of learning and progress?

S: Usually, I’m not so interested in the past. I prefer to live present time as deeply as possible and sometimes, to dream in the future as the child I was. Listening to my own work tends to be self-destructive as I’am aware of glitches that grow up as time goes by. Meanwhile, my pieces begin to move away from reality. My intention is to evolve continuously. I spend a long time working in them as to allow my “new self” (that appears as a result of my evolution) to destroy them.

MFM: Do you actively look for and listen to other people's music though? 

S: I’m a melomaniac before a musician. Listening to music is one of my greatest pleasures as well as an endless source of knowledge. My listening is very eclectic. You can find my inspiration in music and musicians as Miles Davis, Steve Reich, Ralph Towner, King Crimson, Mahler, African and Indonesian ethnic music, etc.  

MFM: Do you visualize an idea for a piece of music before you start writing it? Could give a bit insight in how you normally get to write a piece?

S: Musically, I always start with something that I hear inside my head: I cannot specify what it is. That’s the reason why I begin an experimental process that finishes when I synchronize what I hear inside me with the sounds I make.

MFM: Is there such a thing as a Suso state of being when writing music, to get to that "ingravidez"?

S: I usually work alone and at daytime. I try to use the night to sleep. My studio is a cozy place, where peace and quiet are essential to make my work. The “ingravidez” I talk about, is a result of the sound not of a state of mind. I try to set up sound capsules that generate such “ingravidez”, regardless of other conditions. 

MFM: You speak of music as being very spiritual, something that connects to the soul and transcends it's structures and textures. Has your disease played a role in this or did you always approach it that way? 

S: I have always tried to search my deepest self with my music. It’s possible that you find spirituality in that search. Things have not changed with my disease. 

MFM: About your last album you said “It is the most honest album that I have written in a long time. I feel it is honest with myself, as I feel a deep sense of acceptance with who I am and with what I do.” What did this do with your thoughts on any next project? Do you now maybe have a different view concerning collaborations vs. solo works? 

S: I try to make each work unique and although it belongs to a same lifeline, it’s not necessary that they refer to the same things. Obviously, if you collaborate with other artists your point of view changes as it goes through other person filter and your reactions will be upon impulses not generated by yourself. I always try that honesty is a constant that never should disappear from my music. I always try to sound as I am. Actually my intention is not to go to a fancy dress ball, although..”never say never again”..

MFM Mix 012: Suso Sáiz

Lyra 🚶‍♀️
Stream: https://open.spotify.com/artist/7IZYQVOMyQi55ytXjYoXrP
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Stream

BPMoore - Lyra

late night minimal improvisation with modular - 3 very slow melodies that I am slightly adjusting.

Music For Sleeping

The same title that one of my all times favorite songs, but nothing to do with it.

There are no words for expressing all the gratitude that I feel to my mother. This song is dedicated to her.

Return to Innocence (For my Mother)

Our new Sound Healing Journey
✨

It's a kind of lullaby from Gaia for us to feel safe, relaxed and in peace.
It's done with the intention to soothe us into a deep connection with the earth and relax into her unconditional love and trust that everything will be fine.

🌺😇

We recommend to listen to it before sleep or during yoga and meditation or healing/massage Sessions.

Buy the high quality Wav file here:

https://harmonic-resonance.com/products/aluna-cancion-de-cuna-desde-gaia-soundhealing

Blessings!

Maywa & Steffen

ALUNA  - Canción De Cuna Desde Gaia

El beso (The Kiss), 2020.
Música compuesta, interpretada, grabada, producida y mezclada por Roberto García de Mesa. 
Imagen: Tomasz Kowaluk en Pixabay. Cementerio de Milán.

El beso (The Kiss), de Roberto García de Mesa

A soothing and pleasant instrumental track, brings nostalgic moments when it starts raining

Windfall

Computer engineer by day, composer by night.

I have been composing on and off along the last 30 years.
You can find more information about my music and myself in this interview: 
http://www.sblob.com/spotlight/1008

Regards!

Return to Innocence (For my Mother)

Moisés Daniel