VILLA 16 TULUM REVEIL

klassiek

musique

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

"Melancholy Sunday" composed and performed by me !
Cover Art by Hamidreza Mozakka Shirazi

Melancholy Sunday Masood

Composed by Jordi Savall
Vocal by Montserrat Figuera, Arianna Savall
Baroque Guitar by Xavier Diaz-Latotte
Baroque Flutes Traversieres by Mare Hantai
Bass Viola da gamba by Jordi Savall
Courtesy by Alia Vox
Lady Vengeance soundtrack 

Mareta no'm faces plorar/ Arianna Savall- Montserrat Figueras (Anon. Alicante lullaby, Catalan 1700)

It's been awhile. Was still sick when i recorded this cover so excuse my voice. Haha! Anywaaays, This mashup cover is dedicated to my lolo papa. I would always hear him sing these 2 songs to my lola mama or even when he's alone. I've always wanted to cover this mashup but i didn't get to find time to do so. But here it is! So i hope you guys like it! :) 

What A Wonderful World x Can't Help Falling In Love With You (mash up ukulele cover) Reneé Dominique

Cappricio Partita No 2 c minor BWV 826 JS Bach take 1 a tempo

Liebestraum No. 3 in A-Flat Major - Franz Liszt

Anouar Brahem - The Astounding Eyes Of Rita

Astor Piazzolla - Libertango ChillOut Mix

i want to see you
in the morning
while were walking
down by the beach

i know you dont know
how i feel
but its okay
maybe its not real

i dont care how
i look now
maybe i will
in a few years

just take my hand
and kiss my face
baby we can leave
this place

when i see you
i cant feel you
it hurts to think
you dont love me

so go on and be happy
if youre happy then im happy too

i just wish that i
could love you

now youre gone
and im all alone
it takes two to make one
grow old

my tongue is dry
and i am high
just crying
out for you

i know you dont know
how i feel
but lets pretend
it was real

lets pretend it was real

i just wish i could love you

Found At The Beach

L'Absente - Yann Tiersen

Suite (arranged by Jorah The Andal) of Mildred's theme (according to director Martin McDonagh) of the 2017 film "Three Billboards Outside Ebbing, Missouri". Composed by Carter Burwell.

Tracklist:

0:00 Countermove
0:50 My Dear Anne
1:41 Mildred Goes to War
2:41 The Deer

Track And Arrangement Credit For: Jorah The Andal
https://www.youtube.com/channel/UCedMZfhIlfCyI4O8BprShYw

Three Billboards Outside Ebbing, Missouri Suite (Main Theme)

Dream Girl

The Vanished Note "A Classical Guitar Prelude"

Beethoven-Romance no.2 in F major,for violin and orchestra,op.50

Native American Lounge Music: Beautiful Flute Sounds

Flute of the Moon

"What lies behind us and what lies before us are tiny matters compared to what lies within us"

"Aquello detrás y aquello delante nuestro, poco importa comparado con lo que habita dentro nuestro"
                                                                            -- Ralph Waldo Emerson

Tracklist:

Pauline Oliveros, Stuart Dempster & Panaiotis - Suiren
Deya Dova - The Jasmani Garden
@MoStFeAr - A Nurtured Bearing
Nada Sadhana & Kevin Courtney - Opening
Benjy Wertheimer & John de Kadt - Shivaratri
Source Vibrations - Anahata
@MoStFeAr - When Dawn Approaches
Kelly Lee Owens - Birds
Baptiste Sejourne & Kama Lila Sol - Integration
The Flashbulb - Moth and Light
Anton Monk - Meditation

Sounds: 741 Hz (Consciousness Expansion) frequency, Tibetan singing bowls, tincshas

Art: Butterfly, Judy Chicago

Umbral

One day a ball of feathers fell from the sky. Pre-Aztec Mexica goddess Coatlicue tucked the feathers into her belt and their power impregnated her. Her daughter Coyolxauhqui was shocked by the pregnancy and sought support from her brothers. The child within her womb consoled Coatlicue, already aware of the betrayal. Coatlicue gave birth to Huitzilopochtli, the Aztec war god. He slew his sister and a grieving Coatlicue placed Coyolxauhqui's head in the night sky where it becomes the moon. Huitzilopochtli's birth represents the sun fighting off darkness. Just like a snake, Coatlicue holds secrets of life and death.

We witness the collapse of political and social systems with rotten roots, a dismantling of identities, an exposure of deep collective traumas. We are urged to look death in the eye and reframe our realities. Coatlicue may be turned to as the goddess of mourning. We need her to slow us down so that the psyche can process previous experiences. Sitting in your wounds you realize that the wounds you carry are not only yours, but also of the entire ancestral web of those who have been here before you. A web that also supports your feet, nourishes and provides the strength necessary to continue the daily fight. Coatlicue grants us the courage for self-definition as a rejection of colonization. To move forward it is necessary to look back and honor your forebear’s resistance, wisdom, knowledge, heal the relationship with your land and your history. Tending your wounds, you are your ancestors. Their pain and power.
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Um dia, uma bola de penas caiu do céu. A deusa Mexicana pré-asteca Coatlicue enfiou as penas no cinto e seus poderes a impregnaram. Sua filha Coyolxauhqui ficou chocada com a gravidez e procurou o apoio de seus irmãos. A criança em seu ventre consolou Coatlicue, já ciente da traição. Coatlicue deu à luz a Huitzilopochtli, o deus da guerra asteca. Ele matou sua irmã e Coatlicue, enlutada, colocou a cabeça brilhante de Coyolxauhqui no céu noturno, e ele se tornou a lua. O nascimento de Huitzilopochtli representa o sol lutando contra a escuridão. Assim como uma cobra, Coatlicue guarda os segredos da vida e da morte.

Estamos testemunhando o colapso dos sistemas políticos e sociais de raízes podres, o desmantelamento de identidades, a exposição de traumas profundos que envolvem o coletivo. Hoje somos forçados a olhar nos olhos da morte e reformular nossa realidade. Neste momento muito desafiador, Coatlicue pode se transformar na deusa do luto. Uma perda associada a um passado traumático leva à necessidade do luto. Precisamos diminuir o ritmo para que a psique possa processar experiências anteriores. Pensar nos seus traumas faz com que você perceba que as feridas que você sofre e carrega não são apenas suas, mas também de toda a teia ancestral daqueles que estiveram aqui antes de você. Essa é a teia que também apoia seus pés, nutre e fornece a força necessária para continuar a luta diária. Coatlicue nos concede a coragem da autodefinição como uma rejeição à colonização. Para avançar, é necessário olhar para trás e honrar a resistência, a sabedoria, o conhecimento de seu antepassado, curar o relacionamento com sua terra e sua história. Cuidando de suas feridas, você é seus ancestrais, sua dor e seu poder.
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Muse: Dalia Xiuhcoatl, https://www.instagram.com/dalia_xiuhcoatll
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Tracklist:
Yagé - Stefano Scala
Kona Tayul / Canción de la Fuerza - Beatriz Pichi Malen · Nestor M. Iencenella
Seven Serpent - Jorge Reyes
Yunu Yucu Ninu - Lila Downs
Eclipse - Nicola Cruz
Danza de la muerte - Fredi Román Arias 
Coyoltxauhqui - Abuela Malinalli
Llora Tus Penas - Tonolec
A la Muerte - Rodrigo Gallardo
Mi Corazón (El Búho Remix) - Kike Pinto · El Búho
Canto de Luto - Tzotzollin
Canto a la Paz (Jin Yerei Remix) - Pol Nada · Jin Yerei
Puñales - LaTorre
Nada - Lido Pimienta · Li Saumet
Infinite Universe - Beautiful Chorus
Cura Cura - Kama Lila Sol
Coaracipé - Nelson D
Crossing Over to a Spirit World - Xavier Quijas Yxayotl

Three Billboards Outside Ebbing, Missouri Suite (Main Theme)

Mohamed Tony I