VOYAGE TO NEW SONIC FRONTIERS

MOK Miniraze
Wave-Slicing Synth with Analog-Style Control

Miniraze is a powerful yet approachable wave-slicing virtual synth that offers you sounds for the future, inspired by the past. Powered by MOK’s patented wave-slicing engine, Miniraze gives you the power to splice waveforms into utterly unique sounds you won’t hear anywhere else, while the straightforward East Coast-style layout makes it easy to craft complex tones quickly. 

Create anything from warm, retro analog vibes to aggressive, futuristic sounds that have literally never been heard before. An optional Bob Moog Foundation sound bank (sold separately) gives you a launch pad to explore endless sonic possibilities while supporting critical music education initiatives and preserving synthesizer history.


* Patented wave-slicing oscillators combine waveforms for out-of-this-world sounds

* Straightforward East Coast-style layout makes it easy to program complex patches

* 4 LFOs, 4 envelopes and a full modulation matrix for endless possibilities

* Built-in arpeggiator produces intricate patterns and random notes from chords

* 9 onboard effects, including Delay, Reverb, Chorus, Flanger, Phaser, distortion and more

* Exclusive Bob Moog Foundation sound bank available (proceeds donated to BMF)


Visit MOK.com for more info, and join our mailing list to keep up with all the latest Miniraze news.

https://mok.com/miniraze.php

https://mok.com/bmf_sound_bank.php

02 Filters In Series

Black Hole Horizon (A "droning" Classical concerto in seven movements)

1) Overture  :  0'00" ..~2'05"  : [Approaching]
2) Crescendo : ~2'05" ..~3'25" : [Turbulence]
4) Scherzo   : ~3'25"..~5'30" : [Deviations]  
5) Tema      : ~5'30"..~7'25" : [Oblivion] 
6) Finale    : ~7'25"..~9'00" : [Engine] 
7) Coda      : ~9'00"..~9'25" : [Home] 

This piece was inspired by the operas of classical composers of the past century:
the avantgardists Stockhausen and Ligeti, the Minimalists, Riley, Reich, etc..
But also by the European Space Rock. There the so called "trance effect" is a consequence
of attributing major significance to small musical variations, rather than a goal in itself.
*Download it, the streaming is too low quality for these sounds*

OSC 119

Back Hole Horizion

Black Hole Horizon

OSC#119: Waverazor

Instances: 23
DAW: MULab (www.mutools.com)
FX:Mid-Side Processor, 2BandEQ, Vintage Echo2, level compressor, cross_delay, dimension expander
3rdParty: Nova-67p, Abstract Chamber, Auburn Studio Panagement(free), OTT, Limiter6

Taron - RidingToTheEdge [Waverazor]

Made in Reaper 5.9 with:

9x Waverazor instances
1x RoughRider2
2x Classic Compressor
1x FFT Splitter
1x OTT
5x ReaEQ
5x Voxengo OldSkoolVerb

Master:
1x Limiter6
1x ReaEQ

inspired by synth artists such as Jan Hammer, Schiller, Tangerine Dream

Phaceplant

Dystopia - a dark realm, yet the native habitat of the square bunnies. Discretization does not decrease their bunny nature - it only accentuates it. Featuring a variety of synthesized sounds, including a smooth lead, a square bass, and scampering bunny steps.

Square Bunnies

An Underwater Tale (OSC 119 Waverazor)

Horizons - Quaoar

Composed and synthesized for the One Synth Challenge, #119
Uses only MOK Waverazor 2 for all sounds.
Processed in REAPER using two instances of ReaVerb.
Might be best enjoyed with a subwoofer, so you can hear the 32' Subcontrabass stop.

Passacaglia in D Minor

J.T.'s Penrose and Leonard Bowman - Passacaglia in D Minor

Waverazor was very challenging, I spent the first half of the month learning the synth and most of the second half making sounds. I ended up rushing at the end, I hope the mix is ok!

Made for KVR OSC #119 MOK Waverazor 2
FL Studio 20.1.1 64bit - Windows 10
30 instances of Waverazor - all made from init.

- FL Native:
Fruity parametric EQ 2 x6
Fruity Reverb x6
Fruity Balance x6
Fruity Delay x2
Fruity Limiter x4
Fruity PanOmatic x6
Maximus

- Visualisers:
SPAN
Youlean Loudness Meter 2
Wave Candy

Ranoka - Fragile Reversal

KVR OSC 119 - WaveRazor in Ableton, all sounds

Zarf - Lonely Wave Glitch

MOK is an innovative music technology company focusing on new forms of audio synthesis and effects. The company was founded by Rob Rampley, Taiho Yamada and Chris Compton, designers and developers whose resumés include such acclaimed products as the Quadrasynth, QS Series, Andromeda, Ion, Micron, Fusion, Venom, GuitarPort, Pod Farm, Guitar Hero, BioTek and Waverazor.

We are truly global, with partners and presence in Seattle, Los Angeles, Atlanta, Berlin and Osaka.