THE MONGSTAR

Perspective (ANSOUND and Softlands)

better with headphones!

2 clar, 2 sax, 2 trb, 3 perc, pno, acc, e-guit, 2 cello, 2 cb, metallic resonators & spatialization

DAIC ensemble from CNSMDP
Franck Ollu, cond.

18/03/22, Conservatoire de Paris CNSMDP
mix : J.-B. Nirascou
photo © B. Champeaux

Organum (2021-22) | 16 instruments & elec.

R2D2 PICASSO

Ghetto Disciples

Toro Feat. Dotty

Street Gosple

Ntho E Teng Feat. MaKooYa

NOPANGELA Feat. Inviitor

MIRROR FT AMSTEERS AND SKYFER

Le mang

GHETTO DISCIPLES

Dobola Ekhanye

Bogobe Ba Ntate

winter dawn
all forest paths
are mistakes

-- Yossarian

winter dawn (naviarhaiku474)

original track here
https://soundcloud.com/disquiet/helsinki-downspout
More on this 581st weekly Disquiet Junto project, Helsinki Downspout (The Assignment: Use a rhythmic field recording as the foundation for a new track), at: https://disquiet.com/0581/

Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Raindrops Keep Falling On My Tin Foil Hat (disquiet0581)

Disquiet Junto Project 0581: Helsinki Downspout

The Assignment: Use a rhythmic field recording as the foundation for a new track.

Step 1: This is a shared sample project, one in which all the participants will utilize the same provided recording, about a minute and a half long, as the rhythmic element for their own music. Access the track, originally recorded by Scott Fletcher and used with his permission, here:

https://soundcloud.com/disquiet/helsinki-downspout 30

Step 2: Listen to the provided track several times. Think about ways to map its content, perhaps making notations about when certain unique, momentary aspects surface.

Step 3: Record an original piece of music for which the provided music is the underlying rhythm. You might take this quite literally, using the source as it is, resulting in a track that is precisely 1:35 long. Alternately, you might elect to sample and rework the source material. If you go the latter route, make certain that the original sound is, at least at some point in the finished track, recognizable.

Step 4: Because this is a Creative Commons resource, be sure to identify Scott Fletcher as the original recorder of the source material, and include a link to the source track. Identify the license as: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0581” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0581” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long did the rain last?

Deadline: Deadline: This project’s deadline is the end of the day Monday, February 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).


Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 30

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Like a butterfly caught inside - disquiet0581

Born 2 Ball

GodKing MajorLucre - Born 2 Ball ( Freestyle )

It is a pleasure and an honor to be here for the 500th anniversary of this event. Great music, great community, great musicians.
A huge thank you to Naviar Records who made this possible.

Created  with Reaktor ensembles.

RKT M5 (naviarhaiku500)

U.F.O (PROD. ESTEPAX)

lullaby(e) for
Flute (picc. Bass), Clarinet (Bb, Bb Bass), Percussion, Piano, Accordion, Violin, Violoncello, Double Bass and electronics

As the title suggests, this work serves as the final lullaby one hears. The catastrophic aftermath of the recent earthquake in Turkey has profoundly affected even those who were not directly impacted by the disaster. This composition is the product of the thoughts that have occupied my mind since that fateful day.
The tape segment of the piece involves the manipulation of a recorded excerpt from the Turkish lullaby "Dandini Dandini Dasdana."

The piece was commissioned by Schallfeld Ensemble

performed by Schallfeld Ensemble
live electronics: Davide Gagliardi
conductor: Leonhard Garms
concert recording, November 18
ÜBER WEGE SAISON KONZERT IV: WACHSEN
Schaumbad - Freies Atelierhaus Graz, Austria

THE MONGSTAR

Molemoheng Moncho