BOOKINGS: bookings@louisepierre.agency

Mak is a well respected DJ known for being at the forefront of the Global music scene since establishing himself as a pioneer of UK Grime. As a DJ, Mak has mastered his craft and shown his versatility, evolving his sets by introducing his own productions while specialising in all areas of dance music including Grime, House, and UK Funky

Mak's career started with the infamous Nasty Crew with his brother Marcus Nasty, helping develop most of grimes biggest acts to date with the likes of Dizzee Rascal, Kano, Ghetts, D Double E, Footsie , Jammer, JME , Skepta ,Dirty Goodz, Bruza, Terror Danjah, Roll Deep and brothers Lil Nasty and Griminal.

Marcus Nasty who is now recognised as the No.1 UK Funky DJ in the world has said on a number of occasions that when it came to being a DJ, he learn't from the best there is 'DJ MAK 10'.

Mak 10 is the DJ that people listen to for what’s new and happening in the scene through not only having an extraordinary catalogue of producers and artists surrounding him but by having an instinct of whats going to be hot in the scene while bringing his own spin on the music he plays.

As well as already playing at some of the most sought after venues, events and radio stations around the world including Fabric, Ministry of Sound,  Rinse Vs Fwd, Night Slugs, Sidewinder, BBC Radio 1, Radio 1 Xtra and Rinse Fm. 

For bookings and enquiries please contact Mak's agent by emailing bookings@kiesconcierge.com

◾️𝙳𝙹 𝙿𝚛𝚘𝚍𝚞𝚌𝚎𝚛
◾️𝙰𝚏𝚛𝚘 𝙷𝚘𝚞𝚜𝚎 -𝙰𝚏𝚛𝚘𝚃𝚎𝚌𝚑 -𝚃𝚎𝚌𝚑 - 𝙼𝚎𝚕𝚘𝚍𝚒𝚌 -𝙷𝚘𝚞𝚜𝚎- 𝙰𝚖𝚊p𝚒𝚊𝚗𝚘
◼️B𝚘𝚘k𝚒𝚗g: 𝚍j𝚖𝚘𝚕𝚊𝚞𝚍𝚒@𝚐𝚖𝚊𝚒𝚕.𝚌𝚘𝚖

'underground legend'

'Spearheading the London Afro House scene' - Arise Magazine 2008


Artist

 Weapons(of mass Belief), Radioclit, Joburg Project, The Very Best

'deftly mixing'- Sunday Times 2006

'Eclectic' - Time Out London 2007

'Spearheading the London Afro dance scene' - Arise Magazine 2008

'Spin Maestro' - Destiny Magazine 2012
 

From opening for Miriam Makeba, The Editors, Skindred, Jamming With Damon Albarn,Rachid Taha to playing alongside Jamie XX, Carl Craig. Moloko, Mathew Herbert, Flying Lotus, Mo laudi has come a long way from Polokwane, South Africa

 Past Festivals:
Fuji Rock(Japan) 
Glastonbury(United Kingdom) 
SXSW (United States of America) 
Laneways(Australia)
Martizik Electropical (Matinique)
Pitchfork (United states)
Stop Making Sense (Croatia)
Dissonanze 9 (italy)
Melt (Germany)
Les Plages Electroniques (france)
Nuits Sonores (france)
Electricity (France)
Lake of Stars (Malawi)
Sakifo (Reunion Island)
Big Chill (United Kingdom)
Roskilde (Denmark)
Perth Festival (Australia)
Rockness (Scotland)
Sasquatch (United States)
Gurtern (Switerland)
Rise (United Kingdom)
Milhoes de festa(Portugal)
Rise(united Kingdom)
Paleo(Switzerland)
Dour  (Belgium)
Big Green Gathering(United Kingdon)
Cultures of the World(Abu Dhabi)
Norient(Switzerland)
Panorama(France)

Multi-disciplinary artist, composer and producer, Mo Laudi’s work questions race, mobility, erasure, post-colonial ideologies. It connects with spirituality, African knowledge systems, Afro-Futurism to form new ways to understand the multiplicities of cultures. Recent experimentations have led him to develop a new visual language in paintings, collages, videos and ceramics. 
He proposes new perspectives in the field of sound installations. Informed by his South African roots, he is renowned for his key contributions to Afro-Electronic music from a London base during the first decade of the millennium and, since then, from Paris. Mo Laudi experiments with sound as material. He creates sonic landscapes, mixing vocals, textures and rhythms with his core knowledge and experience of art, fashion, dance, design and music as sociopolitical critique of society.

WOAH! DATSdem Storm guys, giggle giggle mother fucker giggle, you spoon head u fucking spoon head, AAAAAAHHHHHH! What what, SHUT UP!!
To hear our dj sets/mixes head over to http://www.mixcloud.com/DATSdem


Naturally active person, in 2014, Nathalia founded Experiment Intrinsic – a hidden art dimension organically blended with the visual and musical imagination.

A pivotal change, in which she pursued a path of deeper self inquiry and progression of sound, shifted her from the electronic dance-floor oriented music and into ambient soundscapes. 

Her influences drew increasingly from experimental electronic, as well as traditional and spiritual genres. 

The following years were dedicated as developing the project into a dynamic and constantly evolving audio-visual platform.

Mon76 is following