mona servo - when the sea turns pink
(from early 2021 improvisation sessions)

when the sea turns pink I

panière de kiwis

B3 - slo mo tear drop II

LEU 2021.9.19 MIRA新伝統 (DJ set)
https://soundcloud.com/mira-shindento

Pansonic - Gravitoni
Muslimgauze - Every grain of palestinian sand
Kangding Ray - These are my rivers
Mirror of perception - sorcery
Tzusing - Circa Taipei
Lei - Unfiltered Session
Heron Fisher - FTW DAMFS
Nara - There is no sky
Onleash - ten thousand horses
Antishift - Intangible Spectrum
Onleash - Trendsetters
Fetish mag
SUKUBRATZ
Anti shift - Intangible spectrum
Pasvake - impulser
Tsumutsumu - Incantation 
Diana Azzuz - Recursive Gesture
Ye Gods - Flames fall from the sky
Ancestral vision - Ragequit

LEU 2021.9.19 - MIRA新伝統 (DJ set)

you listened to:

DIS FIG ° Unleash
Feu Saint Antoine ° Lisières
MLD ° Invisible Beats
Broken English Club ° Rust Ballad
Espectra Negra ° Also Sprach Zarathustra feat. Thalia Thanos)
Coldgeist ° Secluded
NET GALA ° KIKI
Acidic Male ° Hannya
Volition Immanent ° No Gods
Patricia Kokett ° Luxor Bambina
ADMX-71 ° They’ve Instilled Fear In Us
Acidic Male ° Snot Goblin
Ryuji Takeuchi ° Ambivalence
UVB76 ° Horo
Deeat Palace ° Room 13
Ursula Bogner ° Teslauf
CRAVE ° Stabbed In The Jaw and Left Alive
Pan Daijing °  Dust 五月

1# ANTECHAMBER #1_ 31.01.22

A new work form Mo H. Zahreei.

"More than a decade ago, I made a piece of beat-based electronic music and titled it "Middle Eastern IDM" for a course assignment. After listening to it in class, my professor asked what was Middle Eastern about it. It was only a year after I had left Iran to study in the US, and I didn't know that I could say "I am. I made the piece". So I went back and superimposed a sample of Egyptian protest chants on top of the piece, to make it "sufficiently Middle Eastern".

What prejudiced conservatism and performative liberalism share are gatekeeping practices that box one in a preconceived state of otherness. While the former overtly regards that otherness as inferior, the latter exoticises it through patronising paternalism. To me, it is especially troubling when exclusionary practices are driven by some form of overzealous "diversity and inclusion" agenda. If you don't fit the diversity box they've made for you, too bad. It's your fault for being "insufficiently diverse". "Poor thing, you've been colonised!", they tell you, as they claim ownership over a collection of frequencies and rhythms. When you look at who gets to decide if something's indigenous enough, you see how decolonisation itself has been colonised.

When you listen to this piece, I'm very happy for you to keep in mind that it was made by someone from Iran. But I might need to clarify that this piece has nothing to do with sufism and the whirling dervishes, the interweaving patterns of the Persian carpet, the poetry of Rumi, or Islamic architecture. And if you hear those moments of "non-western" sonorities, that is because I have constructed this piece from samples of a piece of Iranian traditional music – an overplayed piece that was all over TV and radio while I was growing up Iran, one that I never found particularly inspiring or interesting. Here, I have tried to make it more interesting by completely taking it apart and reconstructing it through my personal compositional techniques, aesthetic preferences, and a wide range of musical influences. So in short, while this piece might not sound like your archetypical Iranian music, I assure you that it is Iranian enough."

Mo H. Zareei aka mHz is an Iranian sound artist and electronic musician based in Wellington, New Zealand. Using custom-built hardware and software, his artistic practice aims to highlight the beauty in the basics of sound and light production and reductionist audiovisual elements that draw inspiration from physical and architectural principles. He has exhibited his work at international venues such as ISEA (Montreal/Vancouver/Dubai), SETxCTM festival (Tehran), NIME (London), Modern Body Festival (The Hague), ICAD (New York), and NZ Festival (Wellington), to name a few. His installation “Rasping Music" was the recipient of the 1st prize for Sound Art at the last iteration of the international Sonic Arts Award in 2015 (Italy). 

Under the moniker mHz, Zareei’s electronic music projects have been published via LINE (US), Important Records (US), leerraum (CH), and Kasuga Records (DE).
-------

head to www.pyramidclub.org.nz for more.

Made with the support of Creative New Zealand

Proof Of Identity - MHz

Circa 90

ALIA - Circa 90

Emotional Brain #10 - Moderato

musique pour les insectes

le clip est ici :
https://youtu.be/V7ex67Qmw9A

Regarder le clip

Papillon de nuit

08 - Cochon Mort - Je volerai avec toi (Gigi d'Agostino Cover)

"Danse"
écrit et interprété par Jardin
production : 96 Scream
co-production : Jardin, Loïc Lachaize & @hordmusic

label : @culturalworkers
enregistrement : Loïc Dury, chez Kracked
mixage : Loïc Lachaize & Lény Bernay
mastering : Jeremy Henry, chez La Villa

photo : Hélène Da Costa
D.A. : Lény Bernay
risographie : Autobahn

Merci à touX mes amiX, amourX et Cultural Workers, à Lucía Serrano, Marion Gabbaï, Maïté Waag, Marie Defois, Selim Bentounes, Michel Nyarwaya, Guillaume Sorge et toute l'équipe du film Exode. Merci à toutes les collaborations et les amitiés qui survivront à cette zone de troubles que nous traversons. Oui Futur.

Exode

Danse

h̸͈̭͙̅̃y̷͈̣̠̆́̚b҉̦̱͍̦̩̓̆̎̽r҉̲̱̪̑͆i̸̜̩͕̰͗̋̓͂d̵̫͇̠͉̎̏̈ g̶͔͓̟̣̞̾̂́͌ấ̷̟̦͉͇͋r҈̟͍͇̎͌͂d̶̙̜̗̠̈̅͂e̴͍̝̬͕̐̏̏̇͊n̶̳̖̭͆̅ o҈̭̱̈́̒̍͌f҉͙̗͛͗̈́̄ s҉͈͇̞͎̮͐̿̋̋̅o҈̳̪̤̙̝̓̍n̴̩̟̭̯̾͋ͅi̷͍̰̰̪̜̅̉̔c̷̜̤͙̟͖̑̉̀̽ f̵͉̖̞̦̰̀̐̀̾r̷͔̯͓̅́ë̵̩͔͕͔̙́̒q̴̳̜͚͕͛͛̓u҉̯͚̎͊̍͋́ͅḙ̵̬̐̏ṉ̷̖̯͓͐̒̀̅č̸̩̤̦͔̗͐́̈̈́i҉̤̘̤̃̋̈́e҈͔͍̮̉͌͐s̶̥̤̲̲̓͐
🕷⚔️⛓ 
♥  resident on @lyl_radio ↔ Canticles of Ecstasy

BOOKING & OTHER INQUIRIES --> monaservo@riseup.net
 
𝙪𝙥𝙘𝙤𝙢𝙞𝙣𝙜 𝙜𝙞𝙜𝙨
6-7 septembre - mona servo @ Magnetikka Festival

𝙥𝙖𝙨𝙩 𝙜𝙞𝙜𝙨
(complete list on my website)

- 2024
avril 2024 - mona servo @ Centre Wallonie Bruxelles

- 2023
24 mars - CCAK w/ mona servo + gorge bataille -Videodrome2, Repliqua / Marseille (Fr.)
1 avril - mona servo mix+live - cité de l'agri, LYL party / Marseille (Fr.)
𝔤𝔬𝔱𝔥𝔰𝔩𝔲𝔱𝔰4𝔛𝔓𝔪𝔲𝔰𝔦𝔠𝔨 𝔱𝔬𝔲𝔯
𝖒𝖔𝖓𝖆 𝖘𝖊𝖗𝖛𝖔 + 𝖘𝖚𝖒𝖒𝖊𝖗 𝖘𝖆𝖙𝖆𝖓𝖆
🕷⛓❤️‍🔥🐇
🕸4 avril – La B.A. - Bruxelles (Be.)
🕸6 avril – La Caboteuse - Paris (Fr.)
🕸8 avril – àDuplex, Geneve (Ch.)
🕸9 avril – Grrrnd Zero, Lyon (Fr.)
🕸11 avril – L'Embobineuse, Marseille (Fr.)

21.10.2022 - mona servo feat. gorge bataille (live) - Midis de la poésie / Bruxelles (Be.)
09.07.2022 - mona servo - Encore Encore ! / Correns (Fr)
28.05.2022 - mona servo feat. gorge bataille (live) - Transform! / Marseille (Fr)
28.05.2022 - mona servo b2b ranxetrov (dj set) - Transform! / Marseille (Fr)
14.05.2022 - mona servo - Sissi Club / Marseille (Fr) 
02.04.2022  - mona servo feat. gorge bataille (live) - Panthera / Marseille (Fr)
10 & 11.03.2022 - mona servo feat. gorge bataille (live) - Espace HIT / Genève (Ch)
15.01.2022 - mona servo feat. gorge bataille - Lyon (Fr) @ Brrrazier poétique / GZ
19.10.2021 - Berlin (De) @ loophole
05.10.2021 - Bruxelles (Be) @ café central
02.10.2021 - Gand (Be) @ blond
01.10.2021 - Bruxelles (Be) @ crazy circle / fluid city
26.09.2021 - La Chaux-de-Fonds (Ch) @ le LAC
24.09.2021 - Lyon (Fr) @ l'atelier des canulars
12.09.2021 - Toulouse (Fr) @ le rêve de jacqueline (secret place)
07.08.2021 - Plougonvelin (Fr) @ festival VISIONS









-
also playing in
SEMLEH (tapes, synths & prophecies) https://semleh.bandcamp.com/
MONAUTH (synths, vocals & electroacoustics) https://soundcloud.com/monauth 
LA CHASSE (drums & vocals) https://lachasse1.bandcamp.com/

when the sea turns pink I

mona servo 💉💉💉

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