Name: Dance of the Clones Mixtape #7: Mondo Nexus + DOTC // January 2022 by Mondo Nexus
Duration: 1 h 42 min 36 s
Description: All vinyl disco mix for the the 7th entry of the Dance of the Clones mixtape series. Mixture of disco, Italo, and hi NRG treats. Most importantly it’s gay gay gay!

Anyone know the song after Chilly’s FOR YOUR LOVE

The third Dance of the Clones mixtape, including disco, hi-NRG and a sleazy ending.

Featuring music from Cerrone, Evelyn Thomas, Carol Jiani, Lime, Sharon Redd, Boys Town Gang, Patrick Cowley, Rose Laurens and more.

Huge thank you and love to Teddy for having me!

www.instagram.com/danceoftheclones/

Dance of the Clones Mixtape 

Chris de Buerre AKA instahartiss DOTC // JUNE 2021

Dance Of The Clones Mixtape #5 - Lupe’s Bare Vinyl Mix

All vinyl disco mix for the the 7th entry of the Dance of the Clones mixtape series. Mixture of disco, Italo, and hi NRG treats. Most importantly it’s gay gay gay!

Dance of the Clones Mixtape #7: Mondo Nexus + DOTC // January 2022

My mix for the world famous IG account Dance Of The Clones. 
90 minutes of 80s space italo & eurodisco. 
Promotional Use Only.
www.instagram.com/danceoftheclones/
Soundcloud: Dance Of The Clones

Dance Of The Clones Mixtape Vol. 8 - Luis Yanguas / October 2022

Dance of the Clones Mixtape Vol 9 // Glitter Archives // Dec 2022

A Precious and Bittersweet Love Spell

DJ Mix for @danceoftheclones - a great project celebrating gay clubbing in the late 70s and early 80s when "The Clones" took over: Moustache men with perfect bodies in denim, plaid shirts, bomber jackets, and t-shirts, dancing their asses off to up-tempo Disco & HiNRG, at clubs like 12 West, Flamingo, The Saint, etc.

This mix contains tunes from 1979...1985. Feel free to ask for an ID!

Mr. Fonk - Dance Of The Clones Mixtape #10 // May 2023

Poppers will take you to a place beyond the sky....

Poppers

+++ posted with kind permission of Marsha Stern (copyright holder) +++
...an epic 6.5 hour DJ set by legendary DJ Roy Thode at the even more legendary night club "The Saint" where dance music history was written. This is a special, so-called "morning music" set.

Quote from Tim Lawrence about this:
Robbie Leslie: "At around 6:00 AM, in a ritual that was not replicated in other venues, the DJ would let the final record of the peak set fade, accept applause from the crowd and acknowledge the work of the lighting person and the generosity of the crowd (if indeed the applause was enthusiastic, which wasn’t always the case). After that, the DJ would take the tempo right down and play a set that was commonly referred to as “sleaze” or “morning music”."
[taken from "The Forging of a White Gay Aesthetic at the Saint, 1980-84"]
http://www.timlawrence.info/articles2/2013/7/2/the-forging-of-a-white-gay-aesthetic-at-the-saint-1980-84-dancecult

...and Barry Walters on RBMA:
"As the night progressed, the tempo and intensity increased by tiny, nearly imperceptible increments until climaxing around 6 AM, when the DJ would stop the music and the still-sizeable crowd would applaud as if giving a Broadway cast their standing ovation.

Then the DJ would resume, but at a somewhat slower tempo, and in a more lyrical and romantic style known as “morning music.” In a morning music set, the tempo of the tracks might build again, but typically not their intensity. Instead, DJs programed morning sets to ease dancers off stimulants and take them down an ethereal, more relaxing and soulful path for several more hours. Then the jock would usually take another encore, henceforth playing what many call “sleaze.” Sleaze might be overtly sexual, like Skatt Bros.’ “Walk the Night,” but usually not; its foundation was openhearted R&B; songs of longing, or regret, or sorrow or unmitigated joy.

This misnomer – Leslie emphatically objects to it – was especially deceptive because quintessential “sleaze” selections like Sharon Ridley’s “Changin’” or Viola Wills’ “Somebody’s Eyes” ranked among the evening’s most sensitively arranged tracks. Even when club music lost much of its compositional sophistication as the decade progressed, a “sleaze” set always radiated class. "
[taken from: "Nightclubbing: New York City’s The Saint"]
http://daily.redbullmusicacademy.com/2015/07/nightclubbing-the-saint

Roy Thode - Morning Music at The Saint (6.5 hours!) NYE 1981/82

BOUFFANT BOUFFANT - Special mix for MENERGY

All-vinyl, one take. A trip to Studio 54, BUT.....in SPAAAAAAAAAACE

Jesse Frank - Sauna Pride

DJ & record collector based in San Francisco. 
ResiDAD at @DAD_SF

Instagram @mondonexus

Dance of the Clones Mixtape #7: Mondo Nexus + DOTC // January 2022

Mondo Nexus

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