Untitled (Dreamy + Extra Slowed)

TEN: The Archive Series, Pt. 6 concludes the journey through Ballroom Records’ history, bringing the series to a powerful close.

Focused on the techno-driven side of Melodic House & Techno, this chapter highlights tracks defined by hypnotic tension, driving energy, and emotive depth.

A final tribute to the sound that shaped Ballroom over the past 10 years.

Enjoy listening and have a beautiful day!

TEN: The Archive Series, Pt. 6

Dreaming

Full Premiere: http://www.wearesoundspace.com/premiere-group-rhoda-trespass
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Group Rhoda
https://soundcloud.com/group_rhoda
https://www.facebook.com/GroupRhoda

Dark Entries
https://soundcloud.com/darkentriesrecords
https://www.facebook.com/DarkEntriesRecords

Wilderless

Full Premiere

Premiere: Group Rhoda - Trespass

Mexican guitarist and ambient artist Eblen Macari's Música Para Planetarios (Music for Planetariums) was originally composed for weekly performances in the Luis Enrique Erro Planetarium in Mexico City to accompany a voyage through the galaxy. The album, released in 1987 was based around Macari's solo performances using Ensoniq ESQ-1, a Korg Poly 800, two guitars and pre-hispanic Ocarinas. The expanded arrangements recorded for the album include a full stable of pre-hispanic percussion and beautiful baroque harpsichord played by Macari's wife. This expansive interplanetary soliloquy is undoubtedly Macari’s masterpiece. Remastered from the original master tapes.

Release date: January 25th 2018

(p) & (c) Seance Centre 2017
03SC

Eblen Macari - La Constelacion Del Pejegardo (Bambuco) (excerpt) 03SC

taken from the album: 
Sonae - I Started Wearing Black
LP/DG
Monika91

I Started Wearing Black

Sonae - I Started Wearing Black

Forthcoming on Akuphone (AKU1016)

feat: 
FUJI-YUKI - KIKI HITOMI - MIKADO KOKO - MIKI YUI 
KAKUSHIN NISHIHARA - KUUNATIC and KEIKO HIGUCHI.

DIGITAL  => JUNE, 14. 2019 
VINYL-CD  => JULY, 13. 2019

Seitō gathers Japanese female artists from various electronic and experimental music fields. Like the « Tokyo Flashback » series issued by P.S.F. in the early 1990s, this collection recorded between 2017 and 2019 exposes the richness of the contemporary Japanese underground music scene. The title refers to a cult feminist magazine printed in Japan in the 1910s. All tracks issued for the first time.

www.akuphone.com

AKU1016 // VA - Seitō: In the Beginning, Woman Was the Sun (Album preview)

Over The Top Orchestra

Feuer spucken

ERUPTION

Pudel Produkte 29

Compilation, LP
Artists:
Ken Montgomery, Wolfgang Seidel, Asmus Tietchens, Tintin Patrone, Felix Kubin, Esmark, Lena Willikens & Sarah Szczesny, Carl & Sohn, Jessica Broscheit & Mark Boombastik, RVDS, Crystal Penalosa und Phuong-Dan.

Split-Single, 7inch
Artists:
Conrad Schnitzler & Ken Montgomery Asmus Tietchens

ERUPTION is an outburst of creaking energies, unconventional ideas, arhythmic thoughts, cacophonous images and musical phantasms.
ERUPTION is also the name of the second album by Kluster, a band project of the musician and video artist Conrad Schnitzler, who died in 2011, together with his colleagues Dieter Moebius and Hans-Joachim Roedelius.
ERUPTION was also the name of a two-day festival that took place in July 2018 at the Golden Pudel Club in Hamburg.
For two days, artists and musicians from different generations and working in various fields met here, who were in one way or the other inspired by the comprehensive oeuvre Conrad Schnitzlers’, as well as by his free-spirited thoughts and actions.
The result was a multi-faceted programme of concerts, performances, sound and video installations, which resulted in the release of these two special records on Pudel Produkte, the house-own label of the Golden Pudel Club.
The single features a previously unreleased piece by Conrad Schnitzler & Ken Montgomery as well as a story told by Asmus Tietchens about his father and Schnitzler, who unwittingly crossed the Atlantic together on the steamboat Bornhofen in the late 1950s, one as an engineer, the other as a heater.
The LP brings together the festival's invited artists, Schnitzler‘s contemporaries such as Ken Montgomery, Wolfgang Seidel and Asmus Tietchens, as well as young artists who developed works especially for ERUPTION. Among them are Lena Willikens & Sarah Szczesny with fragments from their performance Phantom Con Ballet, the DJ Phuong-Dan who composed a musical collage from the poem About Rhythmus and rhythm studies by Schnitzler, a piece from the performance of Felix Kubin, who uses a light scanner and his modular synthesizer to convert graphic notation into sound, a theatrical sound piece by Carl & Sohn (also known as Les Trucs), the producer and DJ RVDS, who interacted with the piece Tanz im Regen by Conrad Schnitzler and many more.
Initiated and curated by Nika Son, a musician and artist based in Hamburg.

Conrad Schnitzler (1937-2011) called himself an 'intermedialist', he was a musician, composer, video and concept artist and is still considered one of the most important pioneers of electronic avant-garde music, beginning in the early 1970s. He was a founding
member of the influential Krautbands Tangerine Dream and Kluster, co-founder of the legendary Zodiac Free Arts Lab in Berlin, and has inspired and influenced the work of many musicians around the world with his solo works and countless collaborations.
Not only his enormous productivity was extraordinary, but also his artistic practice, which refused all criteria of commercial usability. Throughout his life he has not subjected himself to any musical rules. Freedom and independence always remained his highest premises.

www.pudel.com/produkte
www.cwelle.org/eruption

ERUPTION - Pudel Produkte 29 (PREVIEW)

Forthcoming on Akuphone AKU1020
🕐 Digital: October 11
🕙 Vinyl: November 21

Buy: akuphone.com/catalog/mm6aY9nVkGU#content

Deep on a mind trip aboard the ISS Kingston, we are floating upon the low-gravity armchairs of its “Disco 3000” cocktail lounge. Brain-dance soundwaves are being distributed by means of the Akuphone, transmitting the psychedelic music of Spiritczualic Enhancement Center.

Me and My Students Have Reached Higher Levels presents itself as an obscure and ever-morphing spectral-jazz album. Produced by eight outernational musicians, once originating from Iran, Israel, America, Russia, Romania and Germany, this record carries a distinct centrifugal force. Suspending musical particles out of a brewish stew full of drones, bleeps and feedbacks, we hear a retro-futuristic sound which could have been Big Fun back in 1974. It makes us envision the electric dreams of an artificial intelligence modeled after Lee “Scratch” Perry. Given the task to create a dubby fusion requiem for Bela Lugosi’s Death, it seems Perry’s AI has been applied to a jukebox full of CAN’s and Sun Ra’s 7-inches.

Vinyl is housed in a beautiful uncoated sleeve designed by Dima Rabik. Including download card.

Spiritczualic Enhancement Center - He Finally Heard It (AKU1020)

The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. 
Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums. 
His interest in industrial music, fostered in the late ’70s and early ’80s while working in factories as a way to put himself through college, informed his use of electronic instruments, tape manipulation, noise and unconventional percussion.
By 1985, as a now solo artist buoyed by newly affordable audio sampling technology, White tapped into his earlier teenage fascination with the art and films of both the Surrealist and Dada movements – in particular their disparate and fragmented imagery and sound – as a means to create striking new sonic palettes.  
Science & Industry – a track largely influenced by Balinese monkey chanting and the consumer excess of American in the 1980’s – is a clear example of “music collage”. Photocopy Cha Cha, made for the short animation film Choreography for Copy Machine (Berlin International Film Festival, 1992 / Sundance Film Festival, 2001) moved his music into the realm of early multi-media.  
Experimenting further, tracks like Liquid Shadows and Pensive provide minimalist moments, before the drone-like Dream #630 and Forest Song point to a future that included music video works (David Lynch/Thom Yorke). 12" record is out 30th November, pre- orders taken at: 

Bandcamp: https://platform-23.bandcamp.com/album/automaton
Juno: https://www.juno.co.uk/products/chel-white-automaton/723277-01/?fbclid=IwAR2dHsyDLG3v8WQRm_cSgRTmhqjJTm3W5wKna1RQ_w81OvwUqUTXUZyzp3w

YouTube

PREMIERE #696 | Chel White - Automata 7 [Platform 23] 2019

Following the launch of the Die Wilde Jagd album entitled HAUT, Siobhán O'Callaghan reached out to music producer, songwriter and artist Sebastian Lee Philipp to explore his sonic inner landscape.

Click on the hand written letters to read their personal exchanges and audio responses at www.primitivkollektiv.org/empfang

www.primitivkollektiv.org
@primitivkollektiv
#whatisyourinnerlandscape?
#primitivkollektiv

© 2020 Primitivkollektiv. All Rights Reserved

Empfang (A Reply) Sebastian Lee Philipp - Die Wilde Jagd

Monika Enterprise, founded in 1997, is the home of such exceptional artists as Barbara Morgenstern,  Masha Qrella, Cobra Killer, Michaela Melian, Pilocka Krach, Natalie Beridze, Gudrun Gut, Islaja, Sonae and Monika Werkstatt.
Its not a specific sound, nor a style, we call pop, electronic or indie, which characterizes the label Monika Enterprise generally. Its more the idea of music as a possibilty to express emotional and daily things and to grow with each sound you come to hear, while moving on with the music itself, which have all releases on Monika, in common.

Sonae - I Started Wearing Black

monikaenterprise