Beatport

Pan-Pot - Grey Matter

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

<p>Label boss Sasha Carassi takes control of the situation and delivers the futuristic &#8220;Echoes&#8221;, which is led by haunting synths and arpeggiated intricacies, all coming together to form a nostalgic vibe, while the persistent rhythm section chugs away and commanding vocal snippets keep the heads down. Things tense up a bit on &#8220;Clorophilia&#8221; where we are treated to growling synthesis and mutating, analog goodness, leaving clever effects to fill in the gaps and keep the suspense level high.</p>

Sasha Carassi - Echoes (Original Mix) [Phobiq]

You make us so happy when you buy one of our songs or albums — thank you for supporting us!

La Musica Go : Melodic Techno House Journey

Biome woman

Magnolia

MakhmuriaN - The Road of Miracles [ Dialogue Of Sounds ]

When Pig&Dan decided to join forces, they began a truly prolific production schedule establishing their reputation as producers of pulsating electronic music that straddled dark house and high-energy techno, whilst creating their signature style of twisted and experimental breakdowns. Since those early days, they have created a repertoire that not many can match and have constantly been releasing their music on the most respected labels and playing at the best events worldwide.

Pig&Dan follow up to their outstanding first EP on Drumcode with ‘Chemistry’. Compromising of three tracks the mood fluctuates with each record to create a well-balanced, dynamic EP. Chemistry is a dreamy listening platform that mixes cyclic synth lines and stabs to crescendo into a late night imagination. The other two tracks are on the harder tip with their thunderous kick drums and disorientated sounds that provide a different edge to the EP with a harder, peak time sound.

Pig&Dan - Chemistry - Drumcode - DC165

Brazilian producer ANNA steps up to Matador’s RUKUS imprint with her ‘Haze Moon’ EP, featuring the deep and ethereal title track that delivers a massive sound.

Showcasing her signature production style, ANNA presents an overall essence that envelopes the entire atmosphere as euphoric tones carry throughout ‘Haze Moon’. Steady techno rhythms hypnotize the listener and make this an ideal peak-time track.

As Matador expands the range of his label, moving on from solely supporting the Dublin artist's own material, ANNA represents the bright future of RUKUS’ catalogue.

The ‘Haze Moon’ EP will be released on RUKUS on April 14, and also includes remixes by Matador and Marc Houle.

Haze Moon EP

More exclusive music

Premiere: ANNA 'Haze Moon'

Berlin based DJ and producer Monika Kruse joins forces with fellow techno innovators Pig&Dan to the deliver the ‘Get Me On’ EP, featuring the resounding and edgy title track.

Both veterans in the industry, Kruse and Pig&Dan have previously collaborated on quality material in the past, releasing the ‘Oblivion’ EP last year which included the standout gem ‘Satisfaction’. That tune landed on Mixmag’s top techno tracks of 2016, and the trio plan to make a bold statement with their latest collaboration.

‘Get Me On’ delivers the driving techno essence that’s ruling over dancefloors as of late, with booming bass, fluttering, melodic synth tones and chopped vocals. Kruse shared how the collaboration was a pleasure once again: “I’m always happy to spend time with my brothers in the studio because we have so much fun and it just flows. For me this is one of my most emotional production works over the past few years. Combining soul vocals with melodic techno is a pure expression of who I am as an artist.”

With a busy summer on the horizon, Kruse also announced she plans to showcase her first ever Monika Kruse & Friends party during Off Week in Barcelona on June 15.

Listen to ‘Get Me On’ below and look for the ‘Get Me On’ EP to be released May 29 via Terminal M.

Find out more: http://mixmag.net/read/premiere-monika-kruse-meets-pig-dan-with-get-me-on-premieres

Premiere: Monika Kruse meets Pig&Dan 'Get Me On'

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Adam Beyer & Enrico Sangiuliano - Preset Heaven - Drumcode - DC178

Bang!

Highway No. 4 (Skober Remix)

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com