Start me up (cover)

Originally composed in 1981 and performed by the Montréal String Quartet with a solo flute in 1982, this work is now presented in a fully remastered version. The piece consists of five movements for the string quartet and three interwoven movements for the flute, overlapping the quartet's movements. The composition is primarily based on the golden ratio from the Fibonacci series, with symmetrical proportions. This work, already available on SoundCloud for several years, now returns in enhanced audio quality. The accompanying image represents the structural blueprint of the work before the actual composition was written.
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Initialement composée en 1981 et interprétée par le quatuor à cordes de Montréal avec une flûte solo en 1982, cette œuvre est maintenant présentée dans une version entièrement remastérisée. Elle se compose de cinq mouvements pour le quatuor à cordes et de trois mouvements imbriqués pour la flûte, qui se superposent aux mouvements du quatuor. La composition repose principalement sur le nombre d’or de la série de Fibonacci, avec des proportions symétriques. Déjà disponible sur SoundCloud depuis plusieurs années, cette œuvre revient maintenant avec une qualité audio améliorée. L’image ci-jointe représente la structure de l’œuvre avant que la composition ne soit écrite.

Une Prière Pour Flûte Et Quatuor À Corde

Thanks to Paul for sharing such great open collab instrumentals here on SoundCloud....I am addicted to your bass :-)
And yeh yeh...this was written on one of those training days when I should have been listening intently rather than songwriting intently!!

Lyrics & Vocal ~ Chris O
Instrumental & Instrumental Composition ~ Paploviante ~ "Back on the Road".
https://soundcloud.com/paploviante-and-friends
https://soundcloud.com/paul-racle
Rap ~ Eti O

Corporate Training Day - June 2020

Everybody's spruikin' up the branding
Vision words tumbling down like hail.
Everybody's spruikin' up the branding,
Searching for the Holy Grail
The Holy Grail

That makes me want to slam dunk a poem that doesn't even rhyme!

Hell I'm trapped in here,
Rappin' like a fool.

Positivity, Inclusivity, no Negativity here.
Brilliance, Resilience aiming for Consilience 
No Negativity here.
Ah the Mission Statement makes it very clear.
They don't allow no Negativity here.

"We've got a 5 Year Plan around here.
Always looking forward."

Better just hang out a little longer.

You know there is no space,
Never no place for fear.

Well there is no space, never no place for fear.

Quality, Policy, all become Priority,
Teamwork, Collaboration rules,
It rules the day.
Learning and Development, the need for Flexibility
Personal Improvement is the latest Cool.
Is the latest Cool.

Yo Yo...you, know...like the New Black.

Well everybody's talking up the logos 
Vision words are tumbling down like hail.
Everybody's spruikin' out the branding
Searching for the Holy Grail
That Holy Grail,
The Holy Grail.
Where's the Holy Grail?

Yo...better just hang out a little longer,
retreat back to the comfort of an uncertain World.

Follow the money folks.
Follow the money!

Corporate Training Day ~ Chris O & Paploviante (ft. Eti O)

Thanks yet again to Amanda for lending her lungs to this. Please listen to her other great tracks on @phoebeelena.

Love
How you been?
In this world
of rattling limbs?

In the morning crawl
you can have it all
But I don't want it
any more

If you're ok then I'm ok
And i don't need no-one
Isolation
we just miss the sun

And we run and we race the heart
and we run
we glow red in the dark
we glow red in the dark

You look like
a wet weekend
this must be 
how it ends

You must be
my only friend
taking up 
oxygen

And we run with the rolling hearts
and we run
we glow red in the dark
we run back to the start

We've long memories
(if you're ok then I'm ok
and we don't need the stars in isolation)
We run and race the heart

Isolation (by Amanda and Paul)

Field Dressing For Dummies

All Instruments By Martin Reed,
Produced By Martin Reed.
https://youtu.be/eB4VgSr9WW4

Tokyo Jams

to love, family, and friends.

This is an exercise in composition, arrangement, and writing lyrics, brought to life with the help of my family and friends.
Special thanks goes to Awen and Val (you're the best!), Kim and Charlie who patiently endured both my practicing and ranting, and to my Dad for absolutely everything.

Thank you for listening. I hope you'll like and enjoy it.

vocal/guitar(s) - Gideon
backing vocal - Awen
vocal/ keys - Valentina

Love Holds True (Gideon Llewellyn / Awen Llewellyn / Valentina Di Santo)

«Mr. Chaplin». Op.54.

Marco Lucchi : piano
Wilfried Hanrath : electronics

a remix by Wilfried Hanrath of various piano patterns by Marco Lucchi

ottobre 2020

Marco Lucchi & Wilfried Hanrath - Interweaving patterns

ambicollab with @mystique_wind

create your voice

Creature Voice - Mystique Wind | EnigmaCurry

Original composition, mix and mastering by Teth Sin @teth-sin : guitars,
bass, bağlama, samplers, lyrics, vocals, final vocal arrangement/mix

Mariam Zohra D / Myrh : Lyrics, vocals & their pre-mix, cover design

Photo by My Ti

On the musical side, this is basically the summary of a funky nightmare.
Teth Sin's lyrics represent an attempt of applying
electronic poetry to digitally crafted music: its starting point
consisted in extrapolating a few random sentences from an English
translation of the novel "Morel's Invention" by the Argentinian novelist
Adolfo Bioy Casares, subsequently randomizing the words order with an
old, discontinued software for Mac OS9. The resulting untidy text has
been eventually reorganized in sentences and verses, partially
influenced by a rational effort. This ostensible delirium possibly
conceals some hazy remarks on contemporary lifetime and/or today's
so-called "music industry". Of course, multiple interpretations are
allowed and encouraged.

As Teth's process of producing lyrics 'cuts through it all' you might say, 
Myrh highlights that strategy, singing "I'm just gonna walk right through"
coupled with attitudinal lines of "well, well now, ooooo well now!" :D

LYRICS:

walk right through
hey
walk right through
i’m just gonna walk right through
oh well
hey

In this hole of suffering our crushed flowers (to the left)
sound like sleeping deserts made out of steel. (to the right)
Your round, intense phonograph (- let me just walk - of me)
cannot believe in my constant insomnia. (oh well)

We control the resounding island from our blatant spot,
until the ground will open its greedy mouth.

Why does time speak louder than my nerves? (oh well)
An intruder sun kneels on the mud of repetition. (oh)
Pain parties continue as my monologue flows, (oh)
sparkling inside your amazing asylum.

A hard travel we had in our dead dream,
listening to your infernal gong.

Partly insane peers, polluted with lethargy,
chose to be heard in their childish garden.
Recalling a chance of immortality, I slowly noticed
an improper capacity of perceiving the last trembling sunrise. (easy, easy!)

well well well
oh! hey!
mm hmm, well now!
well, well

Is my unjustified air replying already? (well well now)
My second sky is constantly scared.

Strange trampled waters repeat their swaying escape (oh, to the left)
and speak of things happening in my mutilated nightmare. (to the right)
An invisible madness kept vocalizing (oh oh oh well)
and made our distress larger than reality.

iamma just walk right through
well well now!
walk right through
now!
i’m just gonna walk right through
well well now!
ooo well!

Field Dressing For Dummies

Monkey Blood Lowdown