Download my sample pack here: bit.ly/EMSamples

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Thanks to This Song Is Sick for the premiere: http://thissongissick.com/blog/2016/premiere-electric-mantis-daybreak/#sthash.APRfgG7v.dpbs

Spotify: https://play.spotify.com/track/0FGZWNiUIAYzkDlT80xAgu

Free Download: http://majesticartists.io/electric-mantis-daybreak

Free Download

Daybreak



Here is 4-voice polyphonic patch, with a Cwejman PH-8 modulating the PWM-SAW outputs of four Cwejman VCO-6s.

Pitches are played real time with a MIDI keyboard via Mutable Yarns. The Pitch CVs of the Yarns are routed to four Cwejman VCO-6s.  Their PWM-SAW outputs go into two Cwejman DMF-2s in Lowpass mode. Two Modcan Quad ENVs control the VCAs and CV inputs of the DMF-2s. The outputs of the DMF-2s are routed to a VCA-4, then to a Cwejman MX-4S. A Cwejman PH-4 modulates the pan of the four voices on the MX-4S creating the stereo effect.

The magic happens due to a PH-8 that is modulating the PWM-SAW inputs of the four VCO-6s. Each VCO gets one of the SIN outputs (all at another phase). I manually wiggle the frequency of the PH-8, moving from LFO mode to audio rate. This creates the overtones and FM. I also wiggle the AMPL of the PH-8. 

There are two rhythmical modulations . The first one is a Cwejman D-LFO in slow SAW mode that is routed to the OFFSET input of the PH-8. This creates the steady pulse over all 4 voice.  The second rhythmical modulation is done by a Modcan Quad LFO  (in Quad mode). Each of its 4 outputs modules one of CV inputs of the DMF-2s. This creates the arpeggio. A Cwejman CTG-VC in loop AD mode fades the level of the Modcan QuadLFO, this creates the wave of the arpeggio that comes in and out. The QuadLFO is synced to the D-LFO so they keep up. 

The pitches are mostly 4 octaves, sometimes a chord. It’s all recorded in one take, no overdubs. Tracked to ProTools via a Rupert Neve 5059 and Prism AD. 



4-voice Cwejman patch ft. PH-8

All sounds produced by the new Synthesis Technology E330. Expoits all three modes - an incredible range of timbres - with some help from the E560 Deflector Shield and E580 Delay

Here's a selection of single shot unprocessed sound samples from this piece with a few notes:
https://soundcloud.com/problivion/deconstruct-dream-within-a-dream

Dream Within A Dream

Gorgonsola Flyplass - Helbred

ARP sequence featuring the glorious Cwejman MMF-1s filter in 12db/oct mode.

A Yarns is in ARP mode and feeding pitch to a Cwejman VCO-2RM. This is routed into a Cwejman MMF-1s in 12dB/oct low pass mode. I play the chords live via MIDI keyboard. 
The MMF-1s is modulated by the ADSR-VC2 (CV1) and gets subtle modulation on CV2 and Q-peak via a D-LFO in random mode.
The attacks of the ADSR-VC2 are also modulated a bit via the Modcan Quad LFO. 
The MMF-1s is set to subtle saturation and 2nd harm distortion.
Last part of the signal route: VCA-MX4 -> MX-4S -> AI-2 -> Prism AD -> Protools. Bit of Adaptiverb and EchoBoy added. 

Loving the MMF-1s in this mode, so warm and nostalgic sounding!

Nostalgic ARP

Our EP on Spearhead Records on Vinyl and digital!

Links:
spearheadrecords.bigcartel.com/product/roy-green-protone-why-don-t-you-ep-12-vinyl-mp3

www.juno.co.uk/products/roy-green-protone-why-dont-you-ep/640954-01/

www.beatport.com/release/why-dont-you-ep/1956986

itunes.apple.com/us/album/why-don…-ep/id1205420606

SPEAR077 - Roy Green & Protone & Joakuim - Arrivée (Spearhead Records)

The Blowing of the winds, shifting of the sands and the moving of the dunes


Create on Eurorack using a Doepfer ribbon controller, Intellijel Shapeshifter, ExpertSleeper Disting Mk3 (as quantiser), Manhattan Analog CVP (for glide and transpose). Frequency Central System X envelope, MA VCA Mutable Instruments Clouds, 4ms PEG, Frequency Central Ultrawave LFO

Recorded in Ableton Live. Effects used Live's EQ3, EQ8, Reverb, Simple Delay and Utility. Non Live effects Cable Guys' ShaperBox, Time shaper and Panshaper.

Shifting Sands - Rumblin Cynth Rampo

60 unreleased / released Machinedrum and various collab tracks/beats/remixes created in 2018.  

Enjoy and please share/repost!

MACHINEDRUM 2018 MEGAMIX

Pseudo-String Bass Patch:
DPO Final Out to Optomix, and the DPO Square out signals, were sent to a mixer. Mixer output to Echophon. DPO Osc 1 Sine was then mixed with the output from the Echophon. Maths was modulating the parameters on the DPO, Optomix and Echophon. Echophon Clock Out to an RCD, and the /2 & /3 outputs were sent to the Strike input of the Optomix and Maths Trigger In.

Makenoise Pseudo-String Bass (DPO+Echophon+Maths+Optomix)

monobono

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