Dombrance - Taubira (Sapphist Eye EDIT) [FREE DL]

“Coco, duérmete ya” is an adult lullaby. Traditionally, the speaker of a lullaby is a mother or a wet nurse who sings the child to sleep. In our song, a mother sings to the coco - a nursery cautionary figure equivalent to the bogeyman - to put it to sleep, afraid that it will cease to exist because the child has already fallen asleep. When no one is afraid of the coco (when the sleeping child stops thinking of it), the coco no longer exists. In the same way, the mother fears that, if she falls asleep and stops thinking of herself, there will be no one to think of her (who will watch over her, who will tuck her in?) and she too will no longer exist. She will sink into the abyss, or into sleep: that which swallows the coco when the child falls asleep.

Nos hemos presentado con esta canción al AI Song Contest, un concurso donde los participantes exploran el uso de inteligencia artificial en la creación de música. En este enlace podéis «votar» nuestra nana para el premio del público: https://www.aisongcontest.com/participants/menaragonimixyandino-2021, es decir, contestar a las preguntas sobre si os ha gustado, si os ha parecido original y si la recomendaríais. También podéis echarle un ojo a los experimentos de los demás (y votarlos si queréis, porque se puede votar a varios), que os van a gustar. Esperamos que esta noche tengáis dulces sueños...

Esta es la letra:

Coco, duérmete ya,
o el sueño te comerá.
El niño se ha dormido ya,
yo tampoco aguanto más.

Cuando me voy a dormir,
pienso: quizá nadie más
me piense en este momento,
y si ahora me duermo
¿quién me velará?

Si el niño ya se ha dormido,
al coco ¿quién le tiene miedo?
Cuando yo concilie el sueño,
a mí ¿quién me arropará?

Coco, duérmete ya,
o el sueño te comerá.
El niño se ha dormido ya,
solo yo te puedo velar.

Cuando me voy a dormir,
pienso: quizá nadie más
me piense en este momento,
y si ahora me duermo
¿quién me velará?

Si el niño ya se ha dormido,
al coco ¿quién le tiene miedo?
Si a nadie le quito el sueño,
el sueño me comerá.

Si el niño ya se ha dormido,
el abismo ¿aún tendrá hueco?
Si a nadie le quito el sueño,
en su tripa ¿me mecerá?

Coco, duérmete ya - Menara, Gonimix y Andino

Les princes des villes
Briller comme une étoile filante
C'est l'aventure qui les tente
Et puis cet étrange pouvoir
Qui s'est glissé dans leur regard
Vivre plus vite que les autres
Avoir un pied dans le futur
Vivre les rêves qui sont les nôtres
Et obéir à sa nature
Puisque rien ne dure vraiment...

Mais les princes des villes
N'ont pas besoin d'armure
Dans les grandes voitures
Les rêves sont faciles
Et leur nuit de vinyle
Sont collées sur les murs
Mais rien n'est vraiment sûr
Et l'avenir fragile
Pour les princes des villes

Des idées bizarres
Vibrent au rythme des guitares
Des rock'n roll stars
Qu'on les adore, qu'on les jalouse
Comme des maîtresses andalouses
Qu'on leur élève des statues
Qu'on les affiche dans les rues
Mais au matin d'un nouveau jour
Qu'on les piétine, qu'on les insulte

Michel Berger Les Princes Des Villes Plaisir de France edit rentrée des classes  2013 (unreleased)

Haruka returns to the Podcast series with a menacing second call to battle. This one’s a live recording of his closing set at Bassiani back in May, a seven-hour beast that had everyone breaking a sweat. The Japanese phenom is a master of mood, he builds elaborate compositions inch by inch, infusing his tympanic formulations with strange psychedelic effects and exuberant breaks. Don’t expect them to pay off quickly though, these incremental trips are a reward for the truest connoisseurs of deep Techno. Looping and formidable, Bassiani Podcast 140 is the awesome sound of eastern promise.

@haruka_ptc

BASSIANI PODCAST SERIES

Bassiani invites Haruka / Podcast #140

Monobor - 2001 - mix-gagnon

This is a two voice rendering of a 24 voice composition of the LCS system of LANTISS. 

Realized as part of a residency at Avatar Centre
Diffused at the black box theatre of La Meduse in Quebec City, QC

Monobor - 2004 - LCS - 24 - Voix - Remix - Stéréo

Here it is! First hip-hop/rnb upload since quite a few years now! I was feelin like producing something a bit "pumpy"!!!
I quickly made the arrangement: I choose to add a "rnb" kinda bridge in the middle. That's because I found it interesting to visualize the track as performedby a rapper and rnb singerin duo!
I also have to say that you will probably notice the use of some unusual sound (e.g. white noise). Those are parts of my house influences!

Enjoy! And maybe use your imagination and add some lyrics on top of it!

It's me (Instrumental) 2k10

Submersion & mon0 ~ Unison // Einklang [SSV14]

A1. Beginning of the End
A2. The Vault
B1. Passage of Silence *
B2. Substrate
C1. Motion of Stillness
C2. Current
D1. Prism
D2. End of the Beginning

- - -

Silent Season have carried the music of Submersion and Mon0 independently before, but now the dub techno producers have teamed up to take their sound onto new plains of exploration. The sound palette is consistent with both their music and that of the label, but the familiar dancefloor tropes have been jettisoned in favour of a more meditative end result, leading in with the achingly beautiful tundra excursion of "Beginning Of The End". From there the album drifts with glacial motion through a range of finely crafted soundscapes, wielding a world of rumbling, harmonious noise in the middle distance without ever losing that seductive dub techno ambience.

@submersion
@mon0

- - -

2x12" black 180 gram vinyl 

https://www.juno.co.uk/products/submersion-mon0-unison-einklang/707729-01/

Digital at Bandcamp

https://shop.silentseason.com/album/unison-einklang

- - -

Written and produced by Submersion and mon0 (USA/Germany)
Mastered by Shawn Joseph at Optimum (UK)
Illustrations by Linn Setane (NOR)
Vinyl distributed by Juno Records (UK) 
Silent Season [SSV14] 2018 (CAN)

- - -

www.silentseason.com

Unison // Einklang

Buy Vinyl

Submersion & mon0 ~ Passage of Silence [SSV14]

Lewis Taylor’s Lovelight has been in my 'tracks to edit' folder for years and I finally got round to it as lockdown began. Itis perfect MOR disco that felt like it could be locked into a deeper groove. The arrangement has been nipped and tucked in the right place, added acid, bells and whistles plus studio trickery for an updated, more playable version.