Time Implosion

Limits

https://2022.radiophrenia.scot/artist/manja-ristic/

In January 2020 I found myself in Ljubljana exploring abandoned spaces as a continuation of my obsession with listening to the Third Landscape – Gilles Clément’s concept which considers, among other things, abandoned urban landscapes or those which suffered an explicit human intervention as places good for thriving bio-diversities which are building the genetic reservoirs that an overall Ecosystem is dependant on. I instantly got hooked by the largest city project – The Sport Park Stožice. It was supposed to include sport facilities and a vast commercial area but only the public part was built, the arena and the stadium. Eighty thousand square meters of the shopping centre remained unfinished.

As often, politics and economics are inseparable, and as corruptive mechanisms become more obvious, both reveal deep submergence into necropolitics. A capital cumulation on the detriment of basic social rights leading to a radical devaluation of a human life. To cut the story short, most of the “modern” societies “background” economics can be reduced to arms sales, drugs, and human trafficking routes. Beneath them are stock value of oil and lithium, gold and diamonds. 

“Please be careful, you’ll be trespassing”, said a dear friend.

The private partner in the public-private largest investment in Slovenia since the 1970s went bankrupt in 2012. 

There were irregularities in the expenditure of EU funds, the then-Mayor pleads not guilty in the latest lawsuit investigating the case. 

“There used to be a wonderful pond, and a hilly landscape… now it’s just concrete, wherever you look, there’s concrete.”

It was a crispy January morning, I wore my army boots. The site was enormous. Several concrete terraces were covered in various surfaces, reaching as far as the eye can see. I decided to just walk.

..... (see web link for full text).....

Every time you think “That is somewhere over there. Nothing has to happen”, a child that dreamed of freedom disappears.

The composition is made around an excerpt from my Stožice abandoned construction site field recording archive. Recorded in January 2020 during the reZone residency in Ljubljana.
Poetry excerpts from the collection Stories Untold.
Mastering by La Plant Studio Belgrade.

http://manjaristic.blogspot.com/

https://manjaristic.bandcamp.com/

https://sonicmatter.bandcamp.com/
photo: Nina Pernat

‘Nothing Has To Happen, Fortress Europe’ is a co-commission between Radiophrenia and Kunstradio Radiokunst for Ö1, Austria.

Manja Ristic - Nothing Has To Happen, Fortress Europe

- Exchange - / april 2023 / multiplex, railing

Never Let You Go

Buy/Stream

Get To Know  - Never Let You Down (Edit)

download : https://xlr8r.wetransfer.com/downloads/a3029ed15758dc66512a0b7f045732f120170208014538/5e10a7

Rubble

Alignment - Rubble

@sonzept - Palace

Edited Arts 001 - Extended 

Edited’s debut release EXTENDED invites musicians, artists and designers to consider the idea of the extended self. 

EXTENDED brings together new experimental work, ranging from algorithmic avant- pop through power ambient to new club. 

Charity donation on Bandcamp - Pay what you want and support the UK's leading charity fighting for children and young people's mental health (https://youngminds.org.uk/) - editedarts.bandcamp.com/releases 

Audio Stream on SoundCloud - soundcloud.com/editedarts/sets/extended-ea001 

Visual Stream on Youtube - bit.ly/EAytextended 

We appreciate your support and hope you enjoy the music. Thank you for listening. 

Master - James MacPherson EA001 

All Video Artwork - Alex Buchan / www.instagram.com/alx.000000/ 

Album artwork - Eliza Gromova Gulbe / www.instagram.com/gromovagulbe/ 

Instagram - www.instagram.com/editedarts/ 
Facebook - www.facebook.com/editedarts/ 
Twitter - twitter.com/editedarts

Extended

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Son Zept - Palace

Uckermark Trockenes Moor - Kraniche

Formfatal Antroad Uncut.WAV

Motion

About:

Frank Meeusen (1959), works with audio input, derived from field recordings, art installations, objects and material, as a source for applying into effects such as looping, layering, sequencing etc. Sounds and tracks, based on recordings from (art) objects in situ and its environment, are sometimes performed in a live setting or applied as stand-alone soundscapes. 

Statement:

'We often interpret what we see, feel or hear as a direct representation of meaning and properties related to the source object. In my search for ways to explore and expose 'sound art' my interest lies in disconnecting sound from predisposition, style, function or even context, and revealing hidden entities of sensation.. leaving the 'common sense' behind, but true to its source'.

Exhibition:

Oeljebroelje, Fort Ellewoutsdijk (NL), Aug 2022

KIDMIE, Schellebelle(B), Sept 2022

Contact:

Frank Meeusen
meeusenonline@hotmail.com

- Exchange - / april 2023 / multiplex, railing

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