D’Marc Cantu (Nation, MOS, Crème / US)

D'Marc Cantu or DMC as he is sometimes known, started working on Acid house in 2000 after meeting fellow artist James T. Cotton (JTC). By melding his love of Acid house, experimental noise and his background in percussion he quickly started creating what would later be coined as "Jakbeat". 

In 2005 Cantu and JTC formed 2Am/Fm releasing 3 floor banging albums and several songs on Ghostly International’s sister label Spectral. In 2006 he teamed up with Traxx & JTC to create X2, releasing Primitive Cypher on Relief Records from Chicago. 

Since 2006 he has worked on MOS and Crème Organization making numerous Detroit and Chicago inspired tracks.

http://www.facebook.com/pages/DMarc-Cantu/274273244910
http://mosrecordings.com
http://jak-nation.com
http://www.globaldarkness.com
http://discogs.com/artist/D%27Marc+Cantu
http://welike-booking.com
http://soundcloud.com/dmarccantu


D'Marc Cantu - live @ Moog (2012_01_18)

Cold Wave / Post Punk / Minimal Synth
https://encamino93.bandcamp.com/

https://linktr.ee/Dubtrebor

RA

https://es.ra.co/dj/dubtrebor/biography


https://www.instagram.com/dubtrebor?igsh=MXJmeHc5MG1ybTVkMg%3D%3D&utm_source=qr

My new YouTube Channel (Vinyl DJing/My productions
https://www.youtube.com/channel/UC73cZFvqgsmkm-NAqvJzo6A?view_as=subscriber

CHECK MY PLAYLISTS FOR MY PRODUCTIONS ORGANIZED BY STYLE

Here is my free newest album on Bandcamp, Dark Techno and Braindance inspired by The Mover and old Aphex Twin:
https://reflectoid.bandcamp.com/album/krutoid-darkness-follows-me-everywhere-2

This album is more electro and idm style:

https://reflectoid.bandcamp.com/album/electro-defacto-krutoid

I also make music under the name Reflectoid, in an idm, ambient, space music type of feel.  I have free albums to download here:

https://reflectoid.bandcamp.com/


Lots more of my mixes at:

https://hearthis.at/kjphcJRL/

Thanks for the listens.  The more a certain syle of mix gets listened to it inspires me to make new ones in that style.

I have to use my records to justify my obsessive vinyl buying and collecting habit.  If there is a dope track on vinyl, I might own it or chances are I am going to buy it, sooner or later lol.

More mixes and original productions to come. Favorite artists (have made at least 5 really good records minimum) include:  include: 808 State, DHS, Meat Beat Manifesto, D'Arcangelo, Caspar Pound, Aleksi Perälä/Astrobotnia, Carl Finlow, Hashim, Old Richie Hawtin, old Joey Beltram , Newcleus, Not Breathing, Dif Juz, Pete Namlook, The Mover, Pete Shelley electronic stuff, old Front 242, Cocteau Twins, old Jesus and Mary Chain, Network 23/Crystal Distortion, Fast Eddie, Klaus Schulze, Aphex Twin, I.F.,Legowelt, Adrian Sherwood/Keith LeBlanc, Orlando Voorn, JTC, Chep Nunez, Freddie Fresh, Umwelt, Chris Carter, Technical Itch and Decoder, Rephlex Records, Chris Moss Acid, Renegade Soundwave, Suction records, Lory D, Old UR, Skinny Puppy, J. Saul Kane, New Order/Joy Divsion, Circle Jerks, The Stooges, The Clash and anything that is done well and not too commercial. Depending on my mood though my tastes can change, that is what is so great about music, it can change your emotions almost instantly. I myself mix and scratch records. I am in a lifelong quest to hear the most killer music always!

I dabble a little and am a bit more selective in many genres: such as the weirder experimental side of techno, illbient, dub, 80's new wave and no wave, freetekno especially classic Network 23 records, breakcore, some techstep, some Krautrock, ambient, 80's Industrial, some art rock and post rock, classic 70's and early 80's b-boy breaks and turntabilism.  However my main obsessive focus lies mainly into old school electro and underground futuristic new school electro (Morphology, ERP, Versalife, Kan3da, Plant 43, 214, Analogical Force, CPU, AS1, Umwelt, AC records, Microlith, Armec, Sound Synthesis, Biochip, Illektrolab , Info, Lake Haze and many more), underground acid house (JTC - The Dancing Box and Creep Acid, 808 State Newbuild are some of my favorites), razor blade edits, Moog records, perverted comedy records, Bleeps and Breaks, 90-92 Hardcore techno and early rave tracks, smooth and sleek Detroit Style techno, electronic sound effect and obscure spoken word records and electronic listening music from the beginning to now..

As has been said by many others before, "There are 2 types of music, good music and bad music".

I have about 100 of my own tracks to finish, some are already done, some just need some fine tuning. I am going to use this channel mainly for Dj Mixes with a few of my own tracks on here as well.  Eventually they will get on my BandCamp, or even better, hopefully I will get something released on vinyl.

"We’d thought our last evening in Barcelona was going to be a musical blunder. The events throughout the city were less than appealing, and we were left wandering around aimlessly for a good portion of the evening; until we found our way by disregarding every lesson we ever learned as toddlers"

"Past 3am local time, our options were scant, so we walked down one of the most hostile corridors in all of Europe, Barcelona’s Las Ramblas, rampant with some of the most terrifying creatures of the night. A quick right down some grim alleyway, and there it was — Moog. From the outside, nothing more than rotting stucco, a small congregation of degenerates and random gypsies selling cans of beer. We paid the fare for entrance, descended into the seizure inciting strobes, and ultimately discovered an acid haven that any techno fan would have crowned king"

"If the world does in fact end today, I can sign off as a truly satisfied enthusiast of techno music"

(The Vamp for www.electrotoronto.com)

D'Marc Cantu - live @ Moog (2012_01_18)

Moog BCN