Minimoog Model D Sound Samples

tango-cortina-2

lost

zyntherzieeeezzee

moog

model D

Recently, Moog had the honor of sitting down with Nine Inch Nails’  Trent Reznor, the genre-defining music innovator, master synthesist and Academy Award winning composer. In the interview, Reznor recounts his intimate relationship with the Minimoog Voyager, which he feels “is the archetype of what a synthesizer is and should be.” Through personal stories, Reznor reveals his decades long history with the instrument and how it has shaped the way he views and creates music. 

The video is set to an original score by British electronic music producer, The Haxan Cloak, co-producer of Bjork’s Vulnicura.. Befitting the occasion, the artist used a Minimoog Voyager and a prototype Mother-32, Moog’s newest synthesizer, to create the score. 

"I made the track in a unique way that I never have before.

I have had modular synths for a long time, and consistently produced music with them, but purposefully never had a ‘keyboard-based’ setup because of not wanting to treat them in such a ‘traditional’ manner (purely for reasons of self-limitation).

Having the Voyager allowed me to utilize a more responsive approach of seeing the picture and essentially ‘playing’ along to it. I then took those results and used them to modulate other parameters and processed them further. The Mother 32 was used extensively as a sound source alongside also.

The Voyager is a synth I have always been fascinated by, but unfortunately never had the opportunity to own. I knew people that had them, but my first physical encounter was actually on the recent Bjork tour.  I used it for a lot for recreating basslines from her back catalogue, which it did effortlessly.
It’s such an incredibly versatile synth and has already become a uniquely indispensable backbone of my studio." - The Haxan Cloak

Archetype Of A Synthesizer - The Haxan Cloak

Sequence With Pulse Width And VCF Automation + External Processing

Sequence 02

Track featuring Paola Caridi on V-Drums with BFD Retro Modern startup preset + bass by Chocolate Audio BBassV for Kontakt + Simone Sello on guitars

Modern Retro SiLo Demo

* Patch performed live * No overdubs *

Utilizing a trio of Mother-32 semi-modular synthesizers, hardware-techno producer Max Ravitz (aka Patricia) constructs a pure, simple, yet driving electronic cadence anchored by an organic analog pulse.  In this patch, all three Mother-32 synthesizers exist as a closed ecosystem, each running independent patterns from their respective 32 step sequencers and communicating via control voltage through each unit's corresponding 1/8" patch bay. 

Primitive Industry | Max Ravitz AKA Patricia

* Patch performed live * No overdubs *

Integrating a pair of Mother-32 semi-modular synthesizers with her eurorack case, electronic musician Bana Haffar programs an evolving analog soundscape that contrasts heavyweight power against delicate precision, showcasing the broad emotional range that can be expressed using the simple yet well-chosen circuits of the Mother-32.  

The pair of Mother-32 eurorack compatible synthesizers generate the sonics for this piece with additional modulation and control opportunities made possible by each unit's 32-point patch bay, bridging the electronic connection to the external modules.  For this patch, a Make Noise Rene sequences the Mothers' analog voices while a 4ms QCD supplies the Master Clock signal.  External reverb and an MF-104M analog delay contribute depth and space to the patch.

Liquid Light Solid Motion | Bana Haffar

✮ Pearl Fountain ft. @blackkray & @bladee1000 (prod. @yungsherman / @acea)
✮ Warlord deluxe drops 4/28 -> http://lnk.to/warlorddeluxe
✮ Buy tickets for Warlord World Tour http://yunglean.com/tickets

Stream/Download

Pearl Fountain (ft. Black Kray & Bladee) - Warlord Deluxe out now!

Stay Silent - Sonor British

Stay Silent - Sonor Ballad

The Model 15 App is available on the App store here: https://itunes.apple.com/us/app/model-15/id1041465860

The Moog Model 15 App is an iOS version of the iconic 1970’s modular synthesizer. It is the first Moog modular synthesizer and synthesis educational tool created exclusively for iPad, iPhone and iPod touch.

Designed to evoke the joyous experimentation and sonic bliss of it’s predecessor’s vintage hardware, the Moog Model 15 App meticulously recreates the look, feel and sound of it’s highly expressive analog namesake. From the legendary Moog 921-series oscillators and 904A Low Pass Filter, to the coveted 907 Fixed Filter Bank; each module’s character, harmonic complexity and mystique have been painstakingly preserved.

Textural Points - Richard Devine

Symbiotic Equations - Suzanne Ciani

Utilizing 8x Mother-32 Synthesizers, Eila and Richard Devine arrange a warm composition dedicated to the mothers in their lives.

Watch the video here: https://www.youtube.com/watch?v=koflHAPX1yE&lc=z12gep5yqoj1c51k123ry55zzlyiut55404

Little Gift | Eila & Richard Devine

All sounds created using a Minimoog Model D recorded direct. 
No EQ, compression or effects have been applied.

Modulated Triangle

Lunar Lead

Osc 3 Triangle Filter Mod

Electric Knife

Noisy Funk Bass

Mixed Modulations

Sharp Taps

Switched On

Filter Sweeps

LFO Square Mod

Progressive Square

Audio File Nine taken from Auto-Reverse (Clone Classic Cuts 030).

Originally released on the Auto-fuel EP on Monoplaza Records Co. in 1996.

Le Car  - Auto-Reverse
A killer selection of ice cold motorized Detroit electro tracks by Le Car! After Le Car had been dismantled and the parts put in storage years ago we have a final ride with Le Car that has been reassembled for the occasion. The '96-'97 Detroit electro project by Adam Lee Miller (Later known for his Adult. project) and Ian Clarke (known for his Perspects project) show another side of the Detroit music scene. The duo met at Art School and had a shared love for electronic music and conceptual art. This resulted in their own little vehicle named Le Car that had a test drive for four ep's. The Auto-fuel Ep, Auto-graph Ep, Automatic and the final Auto-motif ep of which 3 came out on MIller's Detroit label "Monoplaza Record Company" (A Sublabel of Ersatz Audio). The connection between Rotterdam/The Hague and Detroit was quickly made those days when a new generation of producers came up (including producers such as DBX, Ectomorph and Drexciya) which resulted in collaborations and releases of Adult., Perspects and also Drexciya. These releases by Le Car are the conceptual link between the Detroit techno scene and the heritage of the automotive city that effected everything thats been going on in the city for the last 4-5 decades. Inspired by the electronic musical pioneers that came to rise during the decline of the city which was in full effect during the 80's. Robots replacing humans in the factories, Electronic machines replacing musical instruments. Where the warm Motown sound could stand for the rise of the city, the city's electro/techno movement which appeared in all layers of the population can be seen as the (beautiful) reflection of the city's downfall with Le Car as one understated and important part. Now, 20 years after their first test drive we celebrate the last ride of Le Car on Clone Classic Cuts. Enjoy the ride! (ltd edition 2lp album)

Out 30 Januari 2017:
https://clone.nl/item41570.html

Auto-Reverse

AudioFileNine

Order @ Clone.nl

Le Car - AudioFileNine - Clone Classic Cuts 030

AF16 (The Concept Car) taken from Auto-Reverse (Clone Classic Cuts 030).

Originally released on the  Auto-Graph EP on Monoplaza Records Co. in 1997.

Le Car - Auto-Reverse
A killer selection of ice cold motorized Detroit electro tracks by Le Car! After Le Car had been dismantled and the parts put in storage years ago we have a final ride with Le Car that has been reassembled for the occasion. The '96-'97 Detroit electro project by Adam Lee Miller (Later known for his Adult. project) and Ian Clarke (known for his Perspects project) show another side of the Detroit music scene. The duo met at Art School and had a shared love for electronic music and conceptual art. This resulted in their own little vehicle named Le Car that had a test drive for four ep's. The Auto-fuel Ep, Auto-graph Ep, Automatic and the final Auto-motif ep of which 3 came out on MIller's Detroit label "Monoplaza Record Company" (A Sublabel of Ersatz Audio). The connection between Rotterdam/The Hague and Detroit was quickly made those days when a new generation of producers came up (including producers such as DBX, Ectomorph and Drexciya) which resulted in collaborations and releases of Adult., and Perspects. These releases by Le Car are the conceptual link between the Detroit techno scene and the heritage of the automotive city that effected everything thats been going on in the city for the last 4-5 decades. Inspired by the electronic musical pioneers that came to rise during the decline of the city which was in full effect during the 80's. Robots replacing humans in the factories, Electronic machines replacing musical instruments. Where the warm Motown sound could stand for the rise of the city, the city's electro/techno movement which appeared in all layers of the population can be seen as the (beautiful) reflection of the city's downfall with Le Car as one understated and important part. Now, 20 years after their first test drive we celebrate the last ride of Le Car on Clone Classic Cuts. Enjoy the ride! (ltd edition 2lp album)

Out 30 Januari 2017:
clone.nl/item41570.html

AF 16 (The Concept Car)

order at clone.nl

Le Car - AF16 (The Concept Car)- Clone Classic Cuts 030

Ett mixtape med nytt och gammalt som hamnat i produktionshelvetet en längre tid. Vi är glada att få skiten överstökad och kan halvstolta presentera "Thomas Kvick lever".

Alla beats av Fred Alert förutom "Seriemördaren" som proddats av DJ Skurk. Mix och Master av Fred Alert.

Nedladdningslänk: https://goo.gl/ZY5ScB

Thomas Kvick lever

Seriemördaren

Techno-rhythmic emancipator Russell E.L. Butler adopted four Mother-32s and one week later, “Sirens From a Distance” was born.

Watch the video here: https://www.youtube.com/watch?v=slY-F8VJrg0

Sirens From a Distance | Russell E.L. Butler

Oh Holy Night recorded entirely with the Moog Animoog iPad app. if you like it please go here: http://www.facebook.com/moogmusicinc?sk=wall&filter=1 and "Like" it for the Moog Holiday Contest. thanks!

Oh Holy Night Animoog

Singles release number two from another one of our founding members, Slackin Beats. A vibey R&B-track mixed with future bass influences, mashed in a great mix with vocals from local rapper DLNH. Let your mind wander off to that sweet life, free from any stress or problems.

Follow: @slackin-beats
https://www.facebook.com/slackinbeats/
https://twitter.com/slackinbeats

Follow @dalona100
https://www.facebook.com/Dalonahh/?fref=ts
https://twitter.com/Dalonah

Follow: @soandsuch
www.facebook.com/sonsuch/?fref=ts
https://twitter.com/soandsuch

Mastered by @Choys

Through The Day (feat. Dalona)

Download/Stream

Slackin Beats - Through The Day (feat. Dalona)

Rameau 1

A Young Gavotte Indeed

Album release: February 2017

Over 100 years after the Inventione et usu musicae (c.1481) by Johannes Tinctoris and the visits of famed lutenists Conrad Paumann and Pietrobono de Burzellis, the city of Naples remained a strong centre of instrumental music,  especially known for its lute players. Scipione Cerreto’s 1601 list of «routsanding lute players of the city of Naples » included fifteen players, four of whom left pieces for the lute. After Francesco da Milano visited the city in 1536 to print his lute book, the leading figure to emerge in the next generation was the enigmatic knight Fabrizio Dentice (born c.1540), a top-notch lutenist of «rexcessive self-esteem » yet «rprodigious facility ». Along with his fellow Neapolitans Giulio Severino and Francesco Cardone, he produced a unique style of lute music, far removed from that of central and northern Italy. A couple of large lute manuscripts that portray the sophisticated and uniquely dense style of lute playing from this beautiful southern city – a style unheard by modern ears until now – have recently come to light.

Plus de 100 ans après l’Inventione et usu musicae (c. 1481) de Johannes Tinctoris et la visite des fameux luthistes Conrad Paumann et Pietrobono de Burzellis, la ville de Naples restait un important centre de musique instrumentale, spécialement réputée pour ses luthistes. La liste dressée en 1601 par Scipione Cerreto des « remarquables joueurs de luth de la cité de           Naples » incluait 15 joueurs, dont quatre laissèrent des pièces pour le luth. Après que Francesco da Milano eut visité la ville en 1536 pour y imprimer son livre de luth, la figure principale à émerger de la génération suivante fut l’énigmatique chevalier Fabrizio Dentice (né vers 1540), un luthiste de haut vol d’une « estime de soi excessive » mais « d’une facilité prodigieuse ». Avec ses compatriotes napolitains Giulio Severino et Francesco Cardone, il produisit un style unique, bien loin de celui de l’Italie centrale et du nord. Deux grands manuscrits pour luth qui témoignent du style sophistiqué et de la densité unique du jeu de luth de cette belle cité du sud – inconu de nos oreilles jusqu’ici – ont récemment été redécouverts.

Modulated Triangle

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