Banda de Black Metal de Venezuela, formada en (1999) Punto Fijo, Estado. Falcón, Venezuela. Las líricas están basadas en el anticristianismo, que abarcan temas que van desde el odio y la misantropía, hasta el satanismo y el ocultismo, en el año 2000 la horda debuta en un evento local con varias bandas reconocidas de la región. 

Para mediados del 2001 participan en varios eventos de la localidad. En el año 2002 la formación original se desintegra, quedando inactivos durante 3 años por falta de músicos. 

En el 2005 se reclutan nuevos militantes para participar en un evento local, solo ese mismo año.

En Marzo del 2013 muere asesinado Lord Adonay, quien estaba iniciando como nuevo vocalista en la horda, el cuál solo pudo alcanzar a grabar un tema con su voz, el himno se llama "Satan´s Empire"

En Abril de 2013 (Seth Aum Xul) vocalista de la banda (Funebria) (Goat Serpent) (Necro Cvlt Desecration) colabora en la grabación de las voces en el tema "Kill The Messiah" en tributo a (Adonay-Furcalor).

En Septiembre de 2013 es lanzado el single "The Storms Gates Of Hell".

Para el 9 de Marzo de 2014 se incorpora en la voces un hermano de lucha, (Abszhagath Och Krusnakh) como nuevo vocalista de esta horda.

En junio de 2014 es lanzado el Split "Triumph Of The Black Hordes" Malevolencia/Morgdueth bajo el sello de Centurion Productions.

En el año 2015 (Abszhagath Och Krusnakh) se retira de las filas de la banda.

Para el año 2016 se pacta con el sello ucraniano Depressive Illussions records y el sello Alemán Wolfmond Productions para materializar en 50 malditas copias el album " Slay The Messiah - Aberrated Nazarene" en formato CD.


En febrero del 2017 es lanzado el single "Honor And Glory To Black Metal".

En Marzo del 2018 es se lanza un nuevo single titulado "Sorgina-DCLXVI"

En Mayo del año 2018 se incorpora en la voces (Nilfheim) como vocalista oficial, al mismo tiempo comienza la sesión de grabación de voces para un nuevo álbum discográfico.

English:

Band of Black Metal of Venezuela, formed in (1999) Punto Fijo, State. Falcón, Venezuela. The lyrics are based on anti-Christianity, ranging from hate and misanthropy to Satanism and occultism, in the year 2000 the horde debuts at a local event with several recognized bands from the region.

For the middle of 2001 they participate in several events of the locality. In the year 2002 the original formation disintegrates, being inactive during 3 years by lack of musicians.

In 2005 new militants are recruited to participate in a local event, only that same year.

In March of 2013, Lord Adonay was killed, who was starting as a new vocalist in the horde, who could only record a song with his voice, the anthem is called "Satan's Empire"

In April 2013 (Seth Aum Xul) vocalist of the (Funebria) (Goat Serpent) (Necro Cvlt Desecration) band, assists in recording vocals on "Kill The Messiah" in tribute to (Adonay-Furcalor).

In September of 2013 is released the single "The Storms Gates Of Hell".

For the 9 of March 2014 is incorporated in the voices of brother fighting, (Abszhagath Och Krusnakh) as the new lead singer of this horde.

In June 2014 it launched the Split "Triumph Of The Black Hordes" Malevolencia/Morgdueth under the seal of Centurion Productions.

In the year 2015 (Abszhagath Och Krusnakh) retires of the rows of the band.


For the year 2016 is agreed with the Ukrainian label Depressive Illusions Records and the German label Wolfmond Productions to materialize in 50 damn copies the album "Slay The Messiah - Aberrated Nazarene" in CD format.


In February 2017 is released the single "Honor And Glory To Black Metal".


In March of 2018 a new single titled "Sorgina-DCLXVI" is released.

In May of the year 2018 he joins the voices (Nilfheim) as official vocalist, at the same time he begins the recording session of voices for a new record album.

In that same month the bassist (Lord Asator) ex Goat Serpent and bassist of the Black Metal band "Asmodeus" joined the ranks.

Moohees Metal Project - Massachusetts, U.S.A.

Posted are my original compositions, competition entries and short clips. 

Unless otherwise noted in my individual track descriptions:  
  -   All guitar writing, arrangement and recording is performed by myself. 
  -   All mixing and mastering is also performed by myself.  

Gear frequently used in recording my tracks:

- Fender Guitars
- Ltd Guitars
- EMG Pickups (57/66) (81/60) (Daemonum)
- Focusrite Clarett2Pre
- D’Addario NYXL guitar strings
- TORTEX® 1.14MM - Purple Guitar Picks

Guitar Tones:
- STLTones STL Tonality
- Toontrack EZMix2

Drums:
- Toontrack EZDrummer 2 

EQ:
- Waves Scheps 73
- Waves Scheps Omni Channel

Thanks to everyone who has taken the time to listen, like, repost my tracks or written with advice; really appreciate the support!

Always interested in meeting new musicians looking to collaborate on projects or discuss techniques and gear.

It's a Full Moon out, Juzt BU
Inquiry: JuztKP@Gmail.com

“Kiss Me More” feat. SZA Out Now! https://smarturl.it/xKMMx

Booking requests:
CAA
Jadler@caa.com

Legacies become forged through consistency. 

Relentless reliability is intrinsic to longevity in the music business—or any other business for that matter. No giving up is allowed. No promise can go unfulfilled. If people can depend on you, they'll believe in you and stick with you until death. Since forming in 1994, Grammy award-nominated hardcore and metal stalwarts Hatebreed have constantly crushed with every subsequent album. Their six full-length effort and first for Razor & Tie, The Divinity of Purpose, proudly upholds that tradition cast in almost two decades of blood, tears, and flames. It's everything fans have come to expect from the Connecticut-based quintet—Jamey Jasta [vocals], Chris Beattie [bass], Wayne Lozinak [guitar], Frank Novinec [guitar], and Matthew Byrne [drums]—and more. 

Be prepared to witness their flame rise high once again…

The Divinity of Purpose began to take shape in 2010. The band had welcomed back original guitarist Lozinak for 2009's covers set, For the Lions, and their self-titled fifth effort the same year. During a two-year tour cycle, they expanded their global stamp through performing to rabid crowds in Southeast Asia, Eastern Europe, and South America. In addition, they ravaged the U.S. and Europe alongside the likes of Five Finger Death Punch and Lamb of God as well as on the Rockstar Energy Drink Mayhem Festival twice. However, they collectively decided to amp everything up for album number six.

"We were going for a bigger sound," affirms Jasta. "We reintroduced Wayne on the last album. He'd never been on a full-length record with us, and it felt like we had to prove ourselves again. We also tried to do things outside of our comfort zone musically on Hatebreed. This time around, we played to our strengths as a band and gelled incredibly. The riffs had to be really heavy, memorable, and catchy. The rhythms needed to be pounding. I went back into drill sergeant mode vocally. I focused on saying what I had to say and got in and out. The music makes its point and leaves its mark. It's a tight snapshot of the last two years."

In order to capture that snapshot, the group focused its assault during an intense and rigorous period of pre-production at home. Maintaining an impressive work ethic, they spent time honing their patented sound into an even more uncompromising and unbreakable beast. Co-produced by the band, Zeuss [Suicide Silence, All That Remains], and Josh Wilbur [Lamb of God, Avenge Sevenfold], The Divinity of Purpose sees Hatebeed at their most fierce and fiery.

Take the first single "Put it to the Torch." An avalanche of guitars pummels alongside staggering rhythms and a distinct bass wallop. Jasta roars with uncontainable intensity proclaiming, "Here's your apology. Here's to burning out and here's to fading away. Fuck you both. I just put it to the torch."

About the song, he divulges, "We didn't want to reinvent the wheel, but we wanted to make something heavy and aggressive with an old school vibe. We've faced an unusual amount of toxic energy over the past couple of years. It's important that you turn that negativity into a positive. That's always been the message of the band from day one. We can bottle that negative energy and use it as fuel. Sometimes, it gives you that push."

Speaking of a "push," "Honor Never Dies" steamrolls ahead with a propulsive riff and inspirational reflection on those who have served America. With a massive hook and deep meaning, it's also a fitting tribute to any fallen hero.

"Those lyrics came about right after my grandfather passed away," Jasta explains. "When I visited him in Veterans Administrative Hospital back in Connecticut, I'd see all of these vets & war heroes with purple hearts and other commendations hospitalized. The nurses told me a lot of those guys never get visitors. Some die alone in a hospital bed with no family or anyone else around. I'd spoken to some of them before my grandfather died. Luckily I got to be with him before he passed. I had to put that feeling into a song and now some of what I’ve taken away from that experience lives on through this. It’s not just about our vets or my gramp but anyone who does something in service of others, they may not get the glory but their honorable actions live on through the people they help."

The title track also encapsulates something very crucial to the Hatebreed ethos within the framework of another explosive anthem.

The frontman confesses, "Music has always been my purpose. When I became a father, my life had new purpose. Sometimes, you find an initial purpose, and then you find a new purpose as you grow as a person. When you find something you love that gives you fulfillment, it can be an almost divine experience. That's where we are going with this."

In 2012, they also found the perfect partner to release the album in Razor & Tie.  Hatebreed instantly felt home on their roster. "Heavy music is in a great place right now. There's a groundswell coming, and Razor & Tie understands that and is on the cusp of it. They're all people we've been friends with too. It's onward and upward for us right now."

It's been a long road to The Divinity of Purpose. Along the way, the band racked up sales of over 1.1 million records worldwide. They garnered a Grammy Award nomination for "Best Metal Performance" for "Live for This", and they've appeared at prestigious festivals including OZZfest, Download, and Wacken Open Air multiple times.  Among numerous chart successes, their first-ever live DVD, Live Dominance, debuted at #1 on the Billboard DVD chart, while Hatebreed hit #4 on the Billboard Indie chart.

Right now, Hatebreed's heart is beating stronger than ever, but that's nothing new. "Hatebreed has always meant the same thing to me," he concludes. "We maintain that anger and frustration, but it's not aimless. There's positivity to releasing that energy. It has a cyclical power. The fans that really vibe off it created everything we have. We’ve done things we dreamt of as kids because of our hard work and because the fans have gotten us to this global level. They give us purpose to make the most impact with our records that we can." 

It's another chapter of Hatebreed's legacy. 

Metal Band

Members:
Aggelos T. : Guitars,Bass,Drums
Manolis S. : Guitar Lead Solo
Babis A. : Drums

Spyros M. : Keyboards
Babis Parker: Vocals

Melissa Evila is a music producer and multi-instrumentalist from Buenos Aires, Argentina now relocated to Los Angeles, CA.

Melissa has been involved in music all of her life, starting with piano and synthesizers at the age of eight years old. Growing up in a musical family, she was surrounded by vinyl records and instruments and quickly developed a passion for creating and playing music. Drawing influence from the sounds of the 80’s, such as New Wave, Pop, Rock, and Post Punk, she acquired a passion for rhythm and beats and began playing drums at the age of 13. From there she joined bands, starting writing songs, and began playing live shows. Through playing in bands, Melissa picked up a desire to play other instruments, and began playing guitar and bass, and became more active in songwriting.
Deciding to take her music to the next level, Melissa enrolled in a classical music school called Conservatorio de Musica Profesional Manuel de Falla in Buenos Aires, Argentina. After about a year she decided to switch to a school more focused on Jazz and Popular Music, Escuela de Musica Contemporanea, where she studied drums and music under some of the most prolific musicians in the world.	
After many years of playing live shows with her own bands and as a session musician, she decided to bring back her childhood influences and started a project with her sister called The B.A. Sisters in which she could write, play and produce all of the music by herself. This project allowed her to blend her passions for heavy metal, 80’s pop, punk rock, and electronic music. It was at that moment she realized that she wanted to focus more in the field of music production and songwriting. 

Melissa Evila is proudly endorsed by ESP guitars, EMG Pickups,Line 6 and Keith McMillen Instruments

Website http://melissaevila.com/
Youtube https://www.youtube.com/c/MelissaEvila
Facebook https://www.facebook.com/melissaevilaofficial/
Instagram https://www.instagram.com/melissevila

I’ve been playing guitar for over 30 years. Feel free to connect. I love meeting new musicians especially with the possibility of collaborating.

Influences (Way too Many to List but here's a few) - 
Yngwie Malmsteen, Jason Becker; Joe Satriani; Steve Vai; Alexi Laiho; Marty Friedman; Al Dimeola Van Halen; Vinnie Moore; Mozart; Bach; Vivaldi; Paganini; Dream Theater; Rush; King Diamond; Misfits; Iron Maiden; Agalloch; Billy Ocean; Billy Joel; Elton John; Eric Johnson; Soundgarden; NIN; Tears for Fears......the list goes on and on…

Equipment (this is perpetually changing on any given day:
Guitars - 
2010 Ibanez RG3550MZ Galaxy White 
2010  Ibanez RG3550MZ Orange Metallic
2001 Ibanez J Custom
2015 Ibanez J. Custom RG8550mz
2008 Ibanez Xiphos (Cham Red)
2008 Ibanez Xiphos (Cham Blue)
2018 Ibanez Genesis RG570
2020 Ibanez Pia 
1991 Ibanez USA Custom
2020 Fender American Mod Shop Strat
1988 Japanese Strat
Takamine Classical
Fender Acoustic 
Martin GPCPA5

Amps - 
Fractal Axe Effects 3 Mark 2
Carvin Power Amp
Mesa 4x12 Cabinet
George Lynch Wah
Boss Chorus and Delay Pedals
Voodoo Labs Midi Controller
Logic X DAW

FR
Le nouveau single d’Aliore est sorti et s’intitule « Appréhension » :
https://www.youtube.com/watch?v=LgmQEyfteqM&ab_channel=Aliore
EN
Aliore's new single « éthérique » is out:
https://www.youtube.com/watch?v=LgmQEyfteqM&ab_channel=Aliore

Moohees is following