The name ouch is an homage to my late brother Jacob, he used to tag with this name. I now produce with my friend under the name Falcor. Find us soundcloud.com/falcorofficial 

Bookings (UK/Rest of World):  phaelehmusic@gmail.com
Bookings (North America) : lauren.banks@subdotmission.com
General Contact: phaelehmusic@gmail.com
I don't read messages on here. Please contact me via email or my facebook page.

Fatoumata Diawara (a.k.a. Fatou) was born of Malian parents in the Ivory Coast in 1982. As a child she became a member of her father’s dance troupe and was a popular performer of the wildly flailing didadi dance from Wassoulou, her ancestral home in western Mali. She was an energetic and headstrong girl and at the age of 12 her refusal to go to school prompted her parents to send her to live and be disciplined by an aunt in Bamako. She was not to see her parents again for more than a decade. 

Her aunt was an actress, and a few years after arriving, Diawara found herself on a film set looking after her aunt’s infant child. The film’s director was captivated by Diawara’s adolescent beauty and she was given a one-line part in the final scene of the film Taafe Fangan (The Power of Women). This led to a lead role in a film by the celebrated director Cheick Omar Sissoko: 1999’s La Genèse (Genesis). 

At the age of 18 Diawara travelled to Paris to perform the classical Greek role of Antigone on stage. After touring with the production she returned to Mali where she was given the lead in Dani Kouyaté’s popular 2001 film Sia, The Dream of the Python. The film tells the story of a West African legend called Sia, a young girl who defies tradition. To many in Mali, Guinea, Senegal, and Burkina Faso, Diawara is Sia thanks to the film’s enormous success throughout the region.

Offers for further acting roles poured in but Diawara’s family wanted her to settle down and marry and forced her to announce, live on Malian television, that she was abandoning her career as an actress. 

In 2002 Jean-Louis Courcoult, the director of the renowned French theatre company, Royale de Luxe, travelled to Bamako to offer Diawara a part in his new production. An unmarried woman is considered a minor in Malian society so her family’s permission was required. They refused. After much soul-searching Diawara took the daring decision to run away and at the Bamako airport she managed to board a plane for Paris, narrowly escaping the pursuit of the police who had been alerted to the girl’s “kidnapping.” 

With Royal de Luxe, Diawara performed a variety of roles around the world including tours in Vietnam and Mexico and throughout Europe. During rehearsals and quiet moments she took to singing backstage for her own amusement. She was overheard by the director and was soon singing solo during the company’s performances. Encouraged by the reception from audiences she began to sing in Parisian clubs and cafes during breaks from touring. Here she met Cheikh Tidiane Seck the celebrated Malian musician and producer who invited her to travel with him back to Mali to work on two projects as chorus vocalist; Seya, the Grammy–nominated album by Malian singer Oumou Sangaré, and Red Earth, the Grammy–winning Malian project by American jazz singer Dee Dee Bridgewater. When the albums were released Diawara toured worldwide as singer and dancer with both artists. 

🐺💻🎼🎵 For one to one production tutorials  email @ wolftech2021@outlook.com

Subscribe to official Youtube channel!
https://www.youtube.com/@WOLF-TECH

wolf-tech.bandcamp.com/follow_me

Wolf Tech was formed in 2006 (Age 16) in a small bedroom studio setup. Hailing in the depths of the gnarly ancient nature, where thoughts, inspiration and contemplation have space to breathe. Freedom to roam amongst the timeless landscapes. Creating a pure vision in rise to this blessing that is life,

An older friend had shown him how to use an early version of Ableton Live, having dabbled in the 'Acid' software and 'Music 2000' as a young teen. Musical brainwaves  started to evolve into an infinite interest to sculpting found waveforms, and defining a sound for the new age. 

Expect deep dark dubstep basses, glitchy melancholic beats, otherworldly alien morphs, combined with musicality and melody. Merging powerful synthesizer jams with organic foley formulated a serious beast. 

Shanti Planti/ Desert Trax/Mindspring

​Tom hybridizes the Digital realm with organic forms. Unreal worldly sounds and field recordings, spark imagination into the psychonaut. "Try to embrace these blissful energies and pure sound-waves,feel and visualize these noises in 3d space. When one taps into the magical and spiritual audio realm, boundaries of the mind begin to dissolve, sounds can be sculpted and manipulated in ways we could never imagine"

Having experienced the festival culture, influenced by dub, from a young age and It didn't take long before Tom broke into the wonderful world of music production. Always trying to push the envelope of new genres and warped sounds. Mr Chants creations feature organic textured sound-scapes with a wide spectrum of emotional content. 
​
https://wolf-tech.bandcamp.com
https://www.facebook.com/WolfTech01/

New single Everything's Beautiful out now!

Zuper + Non Drifter = Milos

House duo.


Zuper : soundcloud.com/zuper6
Non Drifter : soundcloud.com/non_drifter

Contact Info : milosofficialmusic@gmail.com

Inspiraled is following