🇷🇸🇿🇦🇵🇭🇶🇦🇧🇱🇷🇸🇵🇹🇧🇱🇧🇱🇻🇨🇸🇬🇧🇱🇸🇬🇿🇦🇧🇱🇸🇰🇸🇬🇧🇱🇸🇰🇸🇰🇻🇮🇹🇱🇸🇾🇧🇱🇨🇲🇰🇾🇧🇴🇨🇬🇭🇷🇭🇷🇨🇰🇭🇷🇨🇳🇨🇲🇧🇳🇨🇳🇧🇴🇰🇾🇭🇷🇨🇲🇧🇳🇰🇾🇭🇷🇭🇷🇨🇳🇨🇳🇧🇴🇭🇷🇭🇷🇧🇴🇨🇳🇰🇾🇭🇷🇨🇳🇭🇷🇦🇲🇯🇲🇹🇫🇩🇰🇪🇬🇬🇵🇹🇫🇸🇿🇬🇵🇩🇰🇸🇿🇨🇬🇭🇷🇪🇬🇨🇲🇨🇬🇧🇴🇨🇲🇰🇾🇸🇿🇭🇷🇪🇬🇪🇬🇰🇾🇪🇬🇪🇬🇰🇾🇧🇸

( -_-)旦 ~ Good morning Skylab Radio

I first met Pjenne in the Bookar Crater at the inaugural Inner Varnika festival in 2017. Only moments after our introduction we were hugging and swaying together, to an unforgettable set by my brother Ben. Little did I know she had already played at the festival before I’de arrived and would soon become one of my favourite disk jockeys. 

Pjenne’s sets all manage to have a unique and alluring atmosphere, a vibe that permeates itself no matter the style or genre she’s exploring. Each set brings a sonic embrace, a warmth similar to that which I felt when we first met. 

This mix is no different, a certified classic of dubbed jams mined from the depths of ’89 to ’03. Please Enjoy!

Moonshoe Selects 00029 - Pjenné

"Piano Mix" by, in mine and many local's opinions, one of Australia's best djs, @moopie...

Moopie has been around in the scene as long as I've been clubbing (even longer). I have very vivid memories of watching him dj at the young age of 18/19 in support of DJ Nobu at the iconic Mercat (rip).. and again at Inner Varnika in 2018 (one of the most memorable dance floor experiences I can remember to date)..  a selector who can do it all.. from electro, to non-club, to experimental and d&b, to minimal, to techno, to tech house... 

Here, the multifaceted, technically wizard-like DJ, NTS show host, and curator of the incredible @acolourfulstorm label, showcases his non-electronic, ambient leanings with a stunning mix filled with rare "piano" studded oddities... no one does it better 

Thank you Moopie  <3

Animix One Hundred & Sixty Six: Moopie

Recorded live at Nowadays Nonstop on Saturday 5th October. I opened up the night from 10pm - 2am before Aurora Halal. 

My favourite place to DJ :)

Shoutout to Yumi, Jenna, Chris & Gareth.

Tracklist:

Civilistjävel! - Säbråvägen 11 1987
Mark Hollis - Inside Looking Out
Deaf Center - Fiction Dawn
Bark Psychosis - Rose
Crescent - Sombra
Stress Assassin - Nature
Dettinger - Untitled
M. Quake - Annie U R A Bird (ft. Jonnine)
JPLS - DFN Paralysis
Plastikman - Pakard
Ricardo Villalobos & Max Loderbauer - Reblazhenstva
Lowtec - Untitled
Biosphere - When I leave 
Civilistjävel! - Untitled
Ø - Olenaton
Lowtec - B2
Andy Stott - Made Your Point
Kassem Mosse - STOSW
Lamin Fofana - Toco SOS
Monolake - Mobile
Gombeen & Doygen - 7,000 Years
Basic Soul Unit - Innershell 
The Hazardous Dub - Real Dub Selection (Mix1)
Free Style Attitude - Morning Star (Club Mix)
First Strike - Fist Of Facts
Cabaret Voltaire - Brutal But Clean
Genesi - White Dove
Siverlining - Walls
JPLS & Ambivalent - Creep
Herbert - Back Back Back Back
Peace Division - Poke
Tony Morris - House of God
Chiapet - Westworld (Termination Mix)
Luar Domatrix - Bo Teias
Patcool - Patcool 
Mark Ambrose - Untitled
Mark Thibideau - Rotation
YMC - Subway
Procare - Unreleased 
Kerri Chandler - Keep Me Inside
Shinichi Atobe - Ongaku 1
The Quest - Avenue D
Christopher Just - A Future Without Hair
Bolz Bolz - The Ultimate 
Eggfooyoung - B-Boys Take Control
Sync 24 - I Don’t Know
Drexciya - You Don’t Know
Clatterbox - Vector Model 
Paradox - Proceed
Cousin Cockroach - This Ain’t Tom and Jerry
Primitive - A
Aquatherium - Carnival Beats
Basscut - Follow Me (Mixmaster Club Dub)
Volcano - Neural Eclipse (Liquid Mix)
The X Factor - Desert Rain (Invocation Mix)
Maurizio - Ploy (UR Mix)

https://en.wikipedia.org/wiki/Big_Duck

Live at Nowadays - 5th October 2024

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

.'⁠ '.' ⁠'.
.''.⁠ .  :  . ⁠.''.
'.    '. .'    .'
.⁠   .' '.   ⁠.
'..',`  :  `,'..'
     ⁠ -' ⁠'-`))
            ((    
             \|

naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

twisted tech with pi's deep creep

https://www.instagram.com/deep_creep

pi pi pi with deep creep @ The Lot Radio 01-02-2025

pi/live: Angus Mills live at Ooranook 10-15-2024

naffcast005 comes from B. McQueen, who also has a record coming out on naff later this year. 

From the artist :

B. McQueen’s cocktail of recent vinyl purchases (except for a forthcoming Priori collab) from Paris shops like Syncrophone and Dizonord, and a discogs seller in the UK. Wafty 120 bits, some playful some deep, recorded in Paris on a sunny day in a flat with no sunlight.

naffcast005 ⦾ ───── ⋆⋅ ☆ B. McQueen ☆⋅⋆ ─────

@richard-akingbehin

Q&A ------> https://pipipi.life/mix/richardakingbehin/ <----------

Richard Akingbehin - 8˚C

Bergheim - Wrongness
Melodic harp plucks lead the way, wrapped in faint angelic choirs, hand claps and precise percussion. A beautifully flawed piece- delicate yet confident. Wrongness never sounded so right.

#BergheimBeats #Wrongness #BlackLodgeCollective #InstrumentalHipHop #AltBeats #MelodicLoops #LeftFieldProduction #LoFiOrchestral #Dreamscape

Wrongness (prod. Thomas Bergheim)

Cousin Bookings
EU/UK - tal@klsbookings.com
Other - moonshoerecords@gmail.com

https://secondcousin.bandcamp.com

https://soundcloud.com/secondcousins

Moonshoe Selects 00029 - Pjenné

MOONSHOE

Recent comments

WEN

vīvīe

NUNO

PRIEST ON THE BEACH

Related tracks