12_15

Listen to all the artists performing at this Fall's Pecan Street Festival in Austin,TX. 

Fall 2016 Pecan Street Festival Playlist

Rick's Mix

Renés Arkestra. México Tenochtitlan 2019

2020

Good As Gold

Wanderlust by The Weeknd remixed by Jaded Incorporated 

Add Jaded Incorporated on:
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The Weeknd - Wanderlust (Jaded Incorporated Remix)

Spoon - Inside Out (Tycho Remix)

Music & Lyrics: Agebjörn/Gunnarsson/Svanängen
from the album "Notes" out on Feb 10th 2015

In a way I was nervous
In a way I was not
With no time to prepare I just hoped 
for the best and forgot 

how the fear can possess me
maybe hold back the best me
So afraid to be hoping too much
So afraid to be touched

And we were the leftovers
No one wanted to hold us
No
It seems almost too perfect now
and I wasn't prepared for love

I was talking too much, dear
I was hiding my own fear
So afraid to feel happy in vain
and ashamed

Then we started to wonder
and I lied to feel stronger
I was happy it was something new
It was you

And we were the leftovers
No one wanted to hold us
No
It seems almost too perfect now
and I wasn't prepared for love
Am I fearing the perfect now?
Is it just that it's strange to love?

And we were the leftovers
No one wanted to hold us
No
You seem almost too perfect now
and I wasn't prepared for love

You seem almost too perfect now
Why is it strange to love


The Leftovers (with Loney Dear)

ON AN ON’s new album 'And The Wave Has Two Sides' is out now.

Spotify: https://open.spotify.com/artist/3Topzt1UZCz8GQlP7Zsu0M
iTunes: apple.co/1GrEGL9

And the Wave Has Two Sides

Drifting

ON AN ON - Drifting

Oddience x www.soundcloud.com/com-truise

Artwork by Matt Andres

Watermelon (Prod.Com Truise)

Israel Nash's Silver Season
Available Now via Loose Music & Thirty Tigers.

Order Now:
iTunes: http://smarturl.it/silverseason-i
Amazon: http://smarturl.it/silverseason-a
CD/LP: http://bit.ly/1UAkbn4

www.israelnash.com
www.facebook.com/israelnashmusic
www.instagram.com/israelnash
www.twitter.com/israelnash

Strangers

La barca en que me iré

First track from album "Bay of Seething," to be released March 4, 2016 on Feeding Tube Records as an edition of 350 vinyl LPs.

Pacifica

Damien Jurado - “Exit 353” from the album ‘Visions of Us on the Land’ out March 18, 2016 on Secretly Canadian

Pre-Order Now:
Secretly Canadian: http://smarturl.it/djurado
iTunes: http://smarturl.it/djurado_it
Amazon: http://smarturl.it/djurado_amz
Support your local independent record store: http://smarturl.it/djurado_ind

Damien Jurado - “Exit 353” from the album ‘Visions of Us on the Land’ out March 18, 2016 on Secretly Canadian

Visions of Us on the Land

Damien Jurado - "Exit 353"

Right Around The Corner

Clean It Up (Play It By The Rules)

Silphium

Pierrot

A Prelude to a Spliff 2019

Lullaby para votantes arrepentidos

A remix for my homies Trésors!
More Pleine Lune remixes here: http://snd.sc/XHnppj
Give Trésors some love on facebook: http://on.fb.me/ZAQCkA
--------------------
booking
benoit@allofloride.com
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more Anoraak remixes here: https://open.spotify.com/user/anoraak/playlist/1xBPT327IQLFiuRuaNShAJ

Trésors - Pleine Lune [Anoraak remix] *FREE DL*

Bay Of Seething now available on cassette via Somatic:
https://somaticaustin.bandcamp.com/album/bay-of-seething

Bay of Seething LP available for order: 
http://feedingtuberecords.com/releases/bay-of-seething/  http://www.forcedexposure.com/Artists/MOONSICLES.html

Byron Coley: "Lovely, mysteriously canted LP by the new Austin-based quartet put together by Aaron Russell (ex-Cherry Blossoms, Weird Weeds, etc.). The music on Bay of Seething is instrumental, and rolls with a very cinematic feel, as though it were the soundtrack for some sort of rather sad, but highly psychedelic, movie. Sonically, if you need easy handles, the sounds are probably closer to Weird Weeds' than to Cherry Blossoms', perhaps because bassist Lindsey Verrill is a Weeds alum as well. But perhaps not. The blend of Aaron's guitar - sometimes raw and heavy, sometimes more in the electro-folk mode - with Sheila Scoville's synth, Verrill's bass, and Carolyn Cunningham's drums creates a dynamic and surging whole that's hypnotic and rapturous. Curiously, Moonsicles grab neither of the easy tropes that have lately been the stock-in-trade of instrumental units - orientalia and spaghetti westernism. Their approach is straighter in a way, more based on proggy rock-qua-rock without nodding to either the far east or the faux west. The more the record plays, the deeper you'll sink. So grab yr duvet and prepare thyself for a solid ride" 

Christopher Stigliano: "I wasn't expecting this 'un to be as much of a SURPRISE as it was, but man was BAY OF SEETHING by the Austin TX-based Moonsicles perhaps thee album of the week to catch me totally off guard! For being an outta-nowhere sorta act Moonsicles really know how to pour on the heavy-duty sound stylings comin' off one part cheezy film soundtrack and about ten post-krautrock electronics with the results being pretty nerve-bending in a Can meets O-Type way."

Nathan Ford: "Ray Bradbury couldn't paint a better picture with words. And that in a nutshell is what this quartet excels at - building a three dimensional world and stimulating all of the senses - an admirable talent when you consider that they only have direct access to one of the listener's senses. This is transportive music, requiring little from the listener except a willingness to yield control. Once Moonsicles are behind the wheel you'll be taken to the most amazing places."

Biography: Moonsicles is a band from Austin, Texas, who play instrumental music in an elusive style. Sometimes, it is swamp new age, other times celestial metal. Often, it's a score to an incoherent film whose characters are lost, deprived, and delirious with hallucinations of miracles and monsters. Their songs are spare, lonely, pensive, inventive, gorgeous soundlands for the human ear to roam. 

Moonsicles formed from some of Austin’s most provocative bands. Guitarist Aaron Russell (The Weird Weeds) distills melodies until they are a frame of some smoldering behemoth; bassist Lindsey Verrill (The Weird Weeds, Some Say Leland) thwacks out megalodon throbs of bottom end and smites with shimmering frequencies; percussionist Carolyn Cunningham (Pillow Queens, Woven Bones) deconstructs rhythms with a hummingbird's nimbleness; and keyboardist Sheila Scoville (Ichi Ni San Shi, Suspirians, No Mas Bodas) makes  plaintive, extraterrestrial noises. Together they play meditative instrumentals for the mind's every mood and color. 

Our debut CD, Creeper, is sold out but available digitally: https://moonsicles.bandcamp.com/releases

Praise for Creeper:
"Lovely band based ambient music." –www.tinymixtapes.com
"A richly rewarding trip." –www.terrascope.co.uk/
"Essential." –http://active-listener.blogspot.com/
"A beautiful package of art and sound." 
–http://lostseasound.blogspot.com/