Name: Troth - Valley Of Palms (Undergrowth) by Moontown Records
Duration: 3 min 55 s
Description: https://moontown.bandcamp.com/album/our-opaque-wreath

5GT002.5 - JOHN T. GAST - INNA BABALON

https://5gatetemple.bandcamp.com/album/5gt0025-john-t-gast-inna-babalon
 

INNA BABALON ~ SIDE A ~ BABL CALLIN

Artist: Elko B.
Title: I Bambini Di Basilisco
Format: 12 inch vinyl (incl. download)
Release date: 8th of February 2017
Cat no: EKS013
Edition: 500

Pre-order here: https://eksterlabel.bandcamp.com/album/i-bambini-di-basilisco

Introducing Elko B.’s debut on Ekster: “I Bambini Di Basilisco”. Twelve tracks pressed on 180g vinyl with pantone printed sleeves and silk screened (glow in the dark) plastic over-sleeve.

Considering Elko Blijweert's been active in the Belgian music scene for about fifteen years now, it comes as quite a surprise that "I Bambini Di Basilisco"is only his first ever solo album. Known mainly for his virtuoso yet ever idiosyncratic guitar playing, Elko B. treats the listener to much more than just that. With the exception of the heavily guitar-driven western pastiche "Cochon Torrero", the emphasis here lies on dark Carpenteresque synthesizer sounds as well as jolly child-friendly melodies. The twelve pleasantly concise songs, mainly based on compositions Blijweert made as soundtrack material for contemporary dance theatre and children's puppet theatre, beautifully blend together into a whole as the listener is presented with a unique glimpse inside the wide-ranging imagery that is Elko B.'s ever-expanding musical world.


Track list:

A1: Une Fille Dansante
A2: Krokodil
A3: Afrikakat
A4: Crawling Night Bears
A5: Aurelia
A6: Save The Knight

B1: Chyena
B2: Une Fille A La Plage
B3: Nachtelijke Verwelkoming
B4: Cochon Torrero
B5: Karabair (solo)
B6: Basilisco

I Bambini Di Basilisco

Elko B. - I Bambini Di Basilisco (preview)

Krikor Kouchian - Saudi (GRVTS011)

A - Saudi (Face A)
B - Saudi (Face B)

Limited edition of 80 copies.
Every box has been hand-painted by French typographer Tiphaine Buhot-Launay. Comes with 3 colour postcards. Design by David Coquelin

Buy at Bandcamp

Krikor Kouchian - Saudi

@chaperonetechno is often the only thing that will calm me after a long day on Wall Street. Well now the most beautiful man on our label is back with some heavy rippers for the Love Boat nightmare that you're––strangely enough––very much enjoying. Bliss is a lazy word but you can have it. 

Originally released on Crisis Urbana, reissued 2018 on AHT.

Chaperone - Greeting Ships By Night (AHTR001)

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/de-bons-en-pierre-ep-no-2/
We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer @bwanz & Maoupa Mazzocchetti @maoupa-mazzocchetti . Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80's tape scene and Birmingham school techno. 
After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. ‘EP No. 1’ is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and ‘EP No. 2’ is radioactive orange with a different pair of monster masks.

EP No. 2

De Bons en Pierre - EP No. 2 PREVIEW CLIPS

https://moontown.bandcamp.com/album/our-opaque-wreath

Out Opaque Wreath

Troth - Valley Of Palms (Undergrowth)

A Field of Social Tension, taken from the forthcoming album Unabled Form by Li Yilei. Pre-order now at https://www.ltrrecords.com/buy/unabled-form-lp

Unabled Form

A Field of Social Tension

Li Yilei - A Field of Social Tension

Renée van Trier is a transdisciplinary artist that mourns the loss of the comfort of disconnected life. Her songs will soothe our anxieties, heal our torments and make us smile for weeks.
The sixth CAF? release is skipping between genres such as songwriting, punk, breakcore, jungle, hardcore and parody. Have fun!
9 mixes vinyl record out February 28th, buy here: https://unptitcaf.bandcamp.com/album/something-of-what-weve-lost-006caf

https://soundcloud.com/vantrier
https://soundcloud.com/caf_rec

SOMETHING IS WRONG WITH ME

Listen On YouTube

PREMIERE #836 | Renée van Trier - SOMETHING IS WRONG WITH ME (PUNK) [CAF?] 2020

on the feet of a wind is a wild assemblage of carbonated synthetic music from Powell and a sister record to ‘flash across the intervals’ and ‘multiply the sides’ — two albums already released in 2020. The record is released via a folder, a new music and film platform created by Powell, Michael Amstad and Marte Eknæs that bundles up music, film, image, text and other forms of madness into folders that are shared/expanded online.

➜ afolder.studio

The release is accompanied by a ‘Hi-sensitive’ film directed by Amstad and Eknæs entitled ‘flares, currents’. The film contains a recombined live version of ‘rise, world unfold’, the musical series that concludes this album. 

➜ watch film


a folder is a collection of disorienting works of experimental film, ambiguous texts, and other assorted media set to the most brazenly strange and formlessly mesmerising musical structures of Powell’s career. It’s also a work of artistic assemblage — without fixed notions of time. Tarkovsky once described his filmmaking as “sculpting in time,” and a folder exists in a similar kind of “zone;” it is a project continuously added to, subtracted from, abstracted, and injected into the glut of cyberspace like a slow moving pathogen that refuses to be defined or categorised. Shunning titles in favour of oblique category markers, films like aƒ34 present a mosaic of images of biological forms and sublime landscapes set to super-synthetic, carbonated compositions. All of this signals an artist liberated from the confines of the narrow branding signifiers an electronic musician can find themselves in. While it is aware of its place in cyberspace, this project also connects to something primordial and awesome. “Xenakis talked about creating universes with sound,” says Powell, “and we are all free to create our own worlds in life, art — whatever. This is what happened to me in a way: I have been in this world for three years or something, and I don’t really want to leave. The folder is a refuge.’

powell ™️ acid always equal to the base → aƒ20

TR097 - ТЕПЛОТА - 'HEAT/WORK' [Sampler]

TR106 - Tom Scott - 'Seeping Mist'

Moontown is a Sydney based, independent record label. Since 2012, our focus has been on releasing Australian music from friends and people we admire. The music released is not fixed to a specific genre, but a common ethos - A playful feeling of making do within the limitations of your immediate surroundings ~ Which is often highly restricted!

Troth - Valley Of Palms (Undergrowth)

Moontown Records

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