Dubstep version of Harald Genzmer's "In the evening" (fragment) for bass recorder and electronic. My own elaboration upon the initial bars of the original for solo recorder mixed with electronic rhythms and effects.
Photograph by myself :=)

In the evening • H.Genzmer/E.Schmied

Talk Over Radio show #198 - Session Mix #43 By Sélection Maison - 2023.04.08 

Show, intro and outro selected presented by MKL https://on.soundcloud.com/bHloQTxU7ZwiZ257QX

( Enable direct download file open )

Tracklist start : 13:25min

01 : Purification / Automat
02 : Adapt / Detox Unit
03 : Lavengers / Wagon Christ
04 : Everything in Colour (Woman vs. LSD) / Mrs. Audio Boy
05 : Rock In it / Interlope
06 : A Prayer For Something Better / Surgeon
07 : Sausage Dip / Dub Disaster
08 : Innosynth / Wagon Christ
09 : Low Budget / Tad Wily
10 : Give It All Up (Rob Garza Remix) / Afrolicious
11 : Insects / Biome
12 : ABC One : Ash Roy, Breger & Calm Chor
13 : What Happened /Abe Duque
14 : Become Reality (Calm Chor Recode)
15 : FWD Ghosts / Laksa
16 : Saytek_TeachingDub /_DJ Sensible Unsensible Remix
17 : Ravers of dub / Manutension
18 : Looney / Bella Boo
19 : Acid Mash / Deepgroove & Pete Bones
18 : Parc Expo Hall 1 / Voiron
19 : Can't Leave You Like This (Karima F Remix) / Bella Boo
20 : Hashtag (Radioactiveman Remix) / Carl Finlow
21 : Drift / Lost Trax
22 : Bullfrogging / Jay Shepheard
23 : Princess Express (Original Mix) / Maara
24 : Warlock / Phobia
25 : Human Traffic Theme / Moff's Lyrical Miracle Madness

Talk Over #198 - Session Mix #43 By Sélection Maison - 2023.04.08

Menchen Der Vir version 4.5

Buy: https://scapeone.bandcamp.com/album/calisto-rising
Stream: https://share.amuse.io/BA47Tg3-CbuG

Calisto Rising

Diffusion of Innovations

An experimental tribal dance in 7/4 with a rhythm that has roots in both Transnubia and West Africa. 

Hybrid Symphony Nr°4 - Mabo Maibo

Ubuntu con moto

Spheres

KIDS IN THE WIND

Saša Delimar - In a haze - 02 We were lost

8-7-9

It is a deep house track crafted for the quiet hours of a neon-lit metropolis — elegant, dreamy, and suspended in winter.
Set in an imagined Tokyo nightscape, the music unfolds in a deserted corner of the city, where time seems to pause and emotion lingers in the air. A spoken voice narrates a poetic journey through desire, memory, and stillness — a story told not with rhythm, but with breath.

Every sound in this track — including the drums — was created entirely from scratch using an Arturia Microfreak. No presets, no samples. Just raw synthesis sculpted into atmosphere.

The mood is tranquil, cinematic, and introspective — perfect for late-night listening, urban solitude, or drifting through the dreamlike pulse of the city.
Japanese listeners may find echoes of yūgen (幽玄) — the subtle beauty of things left unsaid — woven into the textures and silences of the track.

Frozen Beyond Time 時を超え凍った

Ambient minimalism is gaining momentum. Some would argue that evoking atmosphere is harder than sequencing beats, and Fragments of Silence is proof. Laden with lush textures and ambient leanings, the album invites deep listening.

This 8-track LP marks the debut collaboration between Synthbiont, Anassimandrus, and Sacred Seeds: three artists with distinct sensibilities, united by a shared affinity for ambient, experimental, and dub techno sounds. Their convergence sets the tone for a singular, immersive experience.

Fragments of Silence is not background music. It’s a serious body of work that commands attention. It’s an hour-long descent into a vacuum chamber. An environment that evolves, coils, shifts, and builds toward dissonance and stillness.

Each track is grounded in a strong atmospheric character, unfolding with deliberate progression. The album leans heavily into experimental minimalism, imagine dark tunnels, ominous energy fields, and brooding landscapes.

Fragments of Silence is one of those albums that explores the intersection of distinct creative temperaments, marked by structure, mood, and experimentation. The result is an album that flows with intention and feeling, creating a space that listeners can fully sink into.

Description by SreeLakshmy 

Sacred Seeds is an ambient electronic music project by Wasim, founded in 2014 in Calicut, Kerala (India). Blending synthesis, field recordings, and experimental sound design, Sacred Seeds’ music explores the interplay between organic and electronic textures.

Sacred Seeds has performed at renowned festivals such as Magnetic Fields, Hilltop Festival, and Bloom in Green, sharing the stage with influential artists like Gaudi, OTT, Suduaya, and Symbolico, and many more.

Synthbiont & Anassimandrus is the ambient/experimental/dub techno project born at the end of 2018 by the collaboration between Nicolò Faggiani and Tommaso Gobbo. Their musical background comes from different musical experiences as DJs, vinyl collectors, and founders of EMC series. Their performances and music are composed through the elaboration of different digital and analog sources, processed field recordings, and sampling to create unique soundscapes.

Produced and mixed by Nicolò Faggiani and Tommaso Gobbo (Synthbiont & Anassimandrus) (1,2,5,6) and Wasim Raja (Sacred Seeds) (3,4,7,8)
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Krishnan (Kiss in Silence, Shot on Kodak Tri-X 400, Nikon F100 / 2019, Karnataka)
Cover design by Dionis Afonichev

Fragments of Silence

Warmth in Silence (Synthbiont & Anassimandrus Rework)

moQon is the electronic alias of Alessandro Di Paola — producer, composer, and sonic designer from Turin, Italy. 

His work features original productions, edits, and reworks across house, techno, IDM, glitch, and all the infinite spaces in between. Fragmented sounds, carefully reconstructed — balancing instinct and architecture, emotion and abstraction.

Alessandro’s musical journey began with classical studies at the Conservatory, then split in two: One path devoted to composition and soundtracks, the other immersed in the night — where moQon takes shape. 

A distorted moon. A rhythm pulsing in silence. A voice that doesn’t speak, but resonates.

moQon is not just a name — it’s a method. A tension between control and chaos. Between analog warmth and digital fracture.