SAHARA (Jesse And The Wolf - Selecta, Busta Rhymes - Touch It [House REMIX])

2012, unreleased. Out on Memories 2010-2013 Two, the 2nd compilation of rare & unreleased Mokhov tunes from 2010-2013.

Memories 2010-2013 Two

Hope Glimmer

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Listen DYSTOPIA on other platforms;
https://rootcf.rlnk.cf/dystopia

All music in this mix were made by El Jazzy Chavo

El Jazzy Chavo
https://funkypselicave.bandcamp.com/
https://open.spotify.com/artist/46Pwdl99hYWTIpSLrraBet?si=ES6ZJj_ISrew9JjFwmCOQg
https://www.youtube.com/c/ElJazzyChavo
https://soundcloud.com/eljazzychavo


DISCLAIMER!
Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. I'm just made these song(s) slowed & reverb version. I'm not getting money for this. All the rights goes to respectful owners.

stealing the moonlight

Music Makes You

UNDER STATION PODCAST #148 BY LUIS PITTI

This work will be completely different from the others. I decided to make this track with live musical instruments instead of electronic ones, because in this track I want to raise two topics that concern all of our lives. Global system processes that have become particularly acute over the past 3 year: ecology and war.

In this case, WE has two meanings:
1) WE — sapiens who have brought our planet to exhaustion. According to forecasts, if sapiens maintains the same level of consumption and production, then by the end of this century it will no longer be possible to exist on our planet. I wish WE do not forget how beautiful our planet is.
2) WE — an abbreviation for War End. I wish we, who cannot agree with each other in the 21st century, stop arranging wars and unite. Stop war!

Additional thanks to Anatoly Stansler who helped with this release starting from concept of making as separate release instead of including it into my next EP, and ending with an inspiration to make exactly this artwork with the help of manual collage art.

I Do, I Don't

Subatomic

The story so far...
In Ancient Forests you find yourself in the midst of a huge, seemingly undiscovered forest surrounded with mystery and allure. You hear strange Whispers coming from within the woods, attracting you to its mystique. Entering the forest, you are greeted with that wonderfully familiar sense of adventure; a longing for the unknown. The further you are taken, the stronger the connection you feel with the autumn-soaked trees, the Moonlit Glades, and the soft touch of the wind. As the Echoes of the trees grow more captivating, you realise you are not alone...

The story continued...
Eien's Fable takes off from where Ancient Forests left off, deep in the strangely alluring ancient woods. You Encounter the Gatekeeper who tells you tales of Eien, a civilization all but forgotten, guarded by the many other unique Spirits of Eien. You are here in a land unimaginably different from yours, yet as you walk in their footsteps, you are hit with a stirring sense of unexpected nostalgia for a place you have never been. Embraced by the warmth of the rain, glimpses of the past flood your mind, transporting you to a place beyond time. As the world shapes itself around you, you draw parallels between this world and yours, realizing why you are here. Eien's story lives on in you, in the heart of the music.


ℹ️ Album Details
• Title: Eien's Fable
• Artist: Nogymx
• Year: 2022
• Label: Chillain
• Mastered by: Cut Your Teeth Audio (www.cutyourteethaudio.com)
• Artwork by: Niall Craven (www.niallcraven.art)
• Animated by: armart7799
• Featuring: Matchbox Youth & Daniele Raciti

Eien's Fable

Buy Tape

Rejuvenate (w/ Matchbox Youth)

dusted off the bass guitar for this one. 


mastered by Rahj Levinson

From Dust

A deep, flowing journey through sound and emotion, rising and fading like waves in the dark sea.

Drift

Originally from Winnipeg, Jeff Riel played guitar in several bands before moving to British Columbia in 2012. He has since become a solo artist and started producing, further expanding his sound to incorporate electronic elements. His live sets create a relaxed atmosphere but can be wildly psychedelic to those paying attention. His tracks are completely original and blend a unique style of spacey, downtempo beats, smoked out grooves, and layers of dreamy guitar riffs, all wrapped up into this project known as More Like Space.