Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Cassava p2

Hamid Al Shaeri - Ayonha (Baba Ganoush Edit)

Italo Disco

Okay Okay

I mixed the track soul & trip with the vocal of House of the sun. Enjoy!

Elio Riso & Vikthor - Soul & Trip (PowerHouse Morning Mix)(Heart Of The Sun)

REFLECTION

Puccio Roelens - Northern Lights out in 1977 on RCA.
For more informations about rare repressed and reissued records, visit us :
http://www.morerepress.com/blog/2015/07/30/puccio-roelens-april-orchestra-presente-rca-sound-vol-13/

Puccio Roelens - Northern Lights

Nick Ingman - Throng out in 1973 on Music De Wolfe.
For more informations about rare repressed and reissued records, visit us :
http://www.morerepress.com/blog/2015/07/31/nick-ingman-big-beat/

Nick Ingman - Throng

Midnight Express

Chase

Rye Lane Shuffle

Far Out Recordings are honoured to be working with master composer, arranger and pianist, Antonio Adolfo for the first time since releasing his Destiny album in 2007. This time we present the first ever vinyl reissue of his era-defining Viralata LP: An essential album from Brazil's majorly progressive heyday of late seventies jazz-funk. Viralata is a sacred artefact of Brazilian music, which Antonio himself describes as ‘a product of my hybrid musical influences that joins together flavours of marchinhas de carnaval, frevo, toada, classical, baião, mpb and jazz, etc’.

The album’s first track ‘Cascavel’ is the emotionally charged, celebratory dance anthem, which became a London jazz-dance classic in the early ‘90s after Far Out label boss Joe Davis discovered a handful of copies in a second hand shop in Sao Paulo and brought them back to London to sell to DJs like Gilles Peterson and Patrick Forge. In recent years the track has been played out by the likes of Floating Points, Mr Scruff and Andrew Ashong, it was also the last song ever to play on the hallowed soundsystem of London’s beloved club Plastic People…

“Saturday nights at Plastic People wouldn't have been the same without this album. Cascavel was such an important track for the club, it was the last tune we played there before the doors were closed forever.”
Sean McAuliffe, (Plastic People & NTS Radio)

Viralata sits comfortably on the same pedestal as Azymuth's Light As A Feather and Joao Donato’s Quem É Quem, which is no co-incidence. All three keystone LPs were recorded and engineered by Toniniho, considered by many to be "the Brazilian Rudy Van Gelder" whose magic touches in the studio also helped to produce Marcos Valle's Previsão Do Tempo and Joyce's Água E Luz among many other holy grails and unassailable classics of soulful Brazilian music.

Antonio’s work has been widely performed by his legendary Brazilian contemporaries including Sergio Mendes, Emilio Santiago and Erasmo Carlos, but also by platinum-selling American icons including Stevie Wonder, Herb Alpert and Dionne Warwick. Following an early 70s spell of studying jazz in the USA, Viralata’s release in 1979 arrived at the height of a flourishing period of Antonio’s career. With his late 60s and 70s output following through on his influences of tropicalia, funk, MPB and easy listening, the almost entirely instrumental Viralata marked an apex for Brazilian jazz.

Viralata

Vinyl

Antonio Adolfo - Cascavel

We are excited to premiere Go See by Joe Armon-Jones. Joe delivers a playful, improvisatory approach, showcasing everything he has learned on his musical journey so far. Full of ad-libs and stunning solos, the piece is almost hypnotic in its musicality. 

As well as being a founding member of the Ezra Collective he has performed with a wide range of artists from Pharoahe Monch, to ATA KAK, and is a regular fixture in the bands of Nubya Garcia, Idiom, China Moses and Binker Golding Quartet. 

 More info here: http://bit.ly/2EjKGbq

We Out Here

Premiere: Joe Armon-Jones - Go See

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Look who's back! Just in time for your late summer soirées, Doug "Master Plan" Shorts offers up another pair of modern soul movers guaranteed to tear up the club and backyard boogie-downs alike. The A-Side, Get with the Program, drops hard with a bass line and groove reminiscent of ESG at their best, but the relaxed feel and smooth vocal lend the tune a sophistication that elevates it to another level altogether. As Doug pleads with his potential lover to "Get with the Program" it's hard not to imagine that he's also speaking to the greater soul community. For those not already down with Doug's program, now's the time...act like ya know!  On the flip we find our protagonist pleading with yet another prospective ladylove, this time accompanied by a bouncy, mid-tempo groove and Mary Jane-esque synth line. "Heads or Tails" would have been well at home on Chicago's boogie scene in the early '80s, but it doesn't ever sound dated. Both sides of this superlative disc drip with positive vibes and unassailable groove.  Summer of 2019 NEEDS this record! http://dapt.one/DSEP

Get With The Program / Heads or Tails

Doug Shorts "Get With The Program"

nowagainrecords.com

This 2/LP gatefold vinyl is available with:
Now-Again Reserve: a deluxe vinyl subscription.

Trombonist, bandleader, songwriter, arranger and producer James Reese never issued an album with his Progressions band, only a series of 45s – some under his own name, some under that of his collaboraors – out of Spartanburg, South Carolina on his Najma label, from the late 1960s until the mid 1970s. He was as ambitious as he was talented, and his ouevre ranges from brutal, deep soul to sophisticated instrumental ballads to jazz-inflected funk. Now-Again’s Egon first discovered Reese’s music on a 24 lock-in in Concord, North Carolina’s legendary record and antique clock repository, Ye Olde Clock Shoppe, in 1999. After he tracked down Reese, he officially reissued two of Reese’s songs on his seminal Stones Throw anthology The Funky 16 Corners. He later issued more of Reese’s music on the Now-Again anthology Loving On The Flipside.

Sourced from rare 45s and multi-track master tapes, Wait For Me: The Complete Works 1967-1972 presents both issued and recently-rediscovered songs in the full-length format, in a cohesive set that shows the brilliance still arising from the American soul and funk sub-strata. Long time Now-Again associate Kenny Dope presents a remix of the song “Throwing Stones,” and Now-Again mastering engineer Jason Bitner presents alternate mixes of various cuts on a bonus second LP, available only to subscribers. Those mixes are also included as part of the 2 CD set that accompanies the vinyl album. Both LP and CD version contain an extensive booklet detailing the trajectory of Reese and his band. Download card for WAV files included with the LP.

James Reese and the Progressions ft. Marlene King - “Throwing Stones (Kenny Dope Mix)"

The World of Monnom Black II
Triple 3 x Vinyl 12” (comes with free digital download + sticker + a5 insert + protective plastic sleeve)

To celebrate its landmark 20th release, Monnom Black invites you to enter The World of Monnom Black II – a return trip to techno's most uncompromising landscape. The triple vinyl release features 14 hand-picked contributions from the label’s trusted collaborators alongside cutting-edge artists new to the roster; making this compilation one of the label’s most varied and innovative collections yet.

On The World of Monnom Black II, new artists including VTSS, DIMI (AnD), Vladimir Dubyshkin, Hadone, Fractions, LDS, Aahan and Buried Secrets all throw down tracks which fuse tight machine rhythms with intricate detail. There's also a return for many established label favourites such as UVB, Dax J, Zanias and Thomas P. Heckmann as Knarz.

To round out the compilation there’s a re-release of the timeless 1998 cut, “Devious Methods,” from legendary artist Hive, and Tellurian’s hardcore classic, “Big Bad City,” gets a new mix from Dax J.
 
This release further confirms Monnom Black’s reputation for representing raw analogue music and cements the label’s place as the home of some of the roughest and classiest contemporary sounds in techno.

Welcome to the world of Monnom Black.

Tracklist

A1. Fractions - Zero Ground
A2. DIMI - Drive Me Up
B1. Hadone - Hope Reminds Me of Her
B2. Tellurian - Big Bad City (Dax J Mix)
C1. VTSS - Atlantyda
C2. LDS - Algorithmic Reality
D1. Buried Secrets - Distant Voices
D2. UVB - God Knows You’re A Cunt
D3. Zanias - Holocene
E1. Dax J - Zephyr
E2. Aahan - Ventig ft. The Dag
F1. Vladimir Dubyshkin - Lorry
F2. Knarz - Kind Der Nacht
F3. Hive - Devious Methods

Monnom 020
Triple Vinyl 12” & Digital 
Release – November 29th 2019
Mastering – Matt Colton @ Metropolis

Buy Bandcamp

VTSS - Atlantyda

6. Dorothy Ashby - Come Live with Me

My sweet collection of elevator music style songs.

Cal Tjader - Aquarius

Discover here a selection of rare records that need to be reissued

Rare reissued records are always good news for most of wax collectors and records spinners around the globe.
This website has been created to inform diggers about repressed and reissued records in order to support the artists, the labels, and the people involved in this industry instead of greedy discogs sellers.

The purpose of this Soundcloud page is to share records that needs to be repressed

http://www.morerepress.com

Puccio Roelens - Northern Lights

More Repress

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