日本語はこちらです:
http://www.morgan-fisher.com/discogpages_j/jsatie.html 

INSIDE SATIE is one of the first albums I recorded in Japan shortly after moving here in 1985. In three days I improvised on several of my favourite Satie themes. Mostly I played piano as well as the rich, analog-sounding Yamaha GS-1 (precursor of the DX-7), and sometimes used long tape delays to build layers of sound. All the pieces were recorded in single takes - no overdubs (no time!). Three original pieces were added as bonus tracks on the 1998 CD reissue.
More information here: http://www.morgan-fisher.com/discogpages_e/satie.html

Buy in USA

INSIDE SATIE

No time

Morgan Fisher

april

Gnossienne #3 (Variation 2)

Gnossienne #1 (Variation 1)

Gymnopedie #1 (Variation 2)

Gnossienne #3 (Variation 1)

Gymnopedie #2

Gymnopedie #1 (Variation 1)

Gymnopedie #3

Live Recording from April 13th 2015 on redlightradio.net/ Amsterdam

Spencer D / Visible Cloaks DJ set on Red Light Radio [April 13, 2015]

Live played by Andrea Noce, Julian S. and Alexander Arpeggio

Written by Graf & Zyx

Vera Mona - I Use You

This track has been recorded in Berlin at the Adalbertstudio by Eva Geist, Landy Valerie Rakotomalala and Alexander Arpeggio 

we played:

Pocket Piano
Bass Novation I
Sequential Circuits Six-Tracks
Casio CZ1
MFB 501
MP1000 Akai

Mixed and post-produced by Alexander Arpeggio

Berlin, Nov 2015

Eva Geist, Landy Valerie Rakotomalala and Alexander Arpeggio - Ohm (invito alla tregua)

Record live on Red Light Radio on 03-03-2016
www.redlightradio.net

The Late Checkout - Episode 1

The Late Checkout - Episode 2

Visible Cloaks - Terrazzo (Ft. Motion Graphics)

Learn more at RVNG: http://smarturl.it/rvngnl37-rvng
Add to your collection at Bandcamp: http://smarturl.it/rvngnl37-bcamp
Download + stream everywhere else here: http://smarturl.it/rvngnl37-digi

Video by Brenna Murphy. From Reassemblage
©2016 RVNG Intl. // www.igetrvng.com

Reassemblage

Visible Cloaks - Terrazzo (ft. Motion Graphics)

Release info:

Palto Flats & WRWTFWW Records are excited to announce the forthcoming highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan. 

The fully licensed reissue will be available in March as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA). 
It will be also availalble for the first time in CD format.

Midori will be touring Europe in April to support the album reissue, with plans for additional touring in other territories.

Dates:

4/4 Copenhagen DK Jazzhouse
http://www.jazzhouse.dk/jazzklub/midori-takada-jp

6/4 Glasgow UK Counterflows Festival
https://counterflows.com/midori-takada/

7/4 Amsterdam NL World Minimal Music Festival
https://www.muziekgebouw.nl/agenda/Concerten/5309/The_Master_Musicians_of_Jajouka_led_by_Bachir_Attar_Midori_Takada/World_Roots/

9/4 Gent BE Full Moon Healing Festival
http://www.vooruit.be

11/4 London UK Cafe Oto
https://www.cafeoto.co.uk/events/midori-takada/

Bio:

Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this spring.

Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life," and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduation from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with saxophone player Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls – composing and performing for live music for theater. She has worked with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear."

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.

Through The Looking Glass

Own a copy

4 Midori Takada - Catastrophe  Σ (Reel-2-Reel to Digital conversion)

Read More on THUMP: https://thump.vice.com/en_ca/article/petra-glynt-this-trip-damian-taylor-stone-lions-dub-edit-listen

Buy: http://bit.ly/ThisTrip-Fanlink

@petra-glynt
@vibeovermethod

Gymnopedie #1 (Variation 1)

morgan fisher