MiZBEHAViN is a boundary-pushing DJ and firestarter on the decks. Her style is raw, playful, and dripping with attitude—just like her name. 

MiZBEHAViN drops signature booty-shaking bass guaranteed to make the dance floor get down n dirty. With an uncanny ability to navigate the realms of weird underground grimey bass sounds that turns every set into an unforgettable ride. 


Get ready to mizbehave 😈

Halftime / West Coast Bass / G Wubs / Hip Hop / Trap / Deep Dub / DnB / UKG / G House
is usually the vibe here but I do switch it up time to time ;)

https://www.patreon.com/Woofax
Bookings: tomas@daniomanagement.com

BIO:
WOOFAX is a multifaceted force in the electronic music scene. His journey began as the main writer and engineer behind Terravita and Hot Pink Delorean, where he honed his production prowess and stagecraft, quickly establishing himself as a forward-thinking creative mind. Over the years, he has continuously evolved his sound and persona—adopting the Tremourz moniker for a time—delivering chart-topping hits such as “Sexy Party” (with J Rabbit) and its acclaimed Terravita remix. His single “SpoilerAlert,” which dominated the Beatport Glitch Hop charts, garnered further attention through its feature on TBS’s “The Real OG.”

His discography boasts over 30 releases on WOOFAX MUSIC, complemented by notable appearances on acclaimed imprints such as Gravitas Recordings, Circus Records, Dim Mak New Noise, Westwood, 19k, Sleeveless Music, and more. WOOFAX further strengthens his bond with listeners through Patreon, sharing exclusive content, behind-the-scenes insights, and a closer look at his creative process. Whether unveiling new productions or reflecting on past milestones, this intimate community gains a front-row seat to his artistic evolution.
In addition to his work as a producer and performer, WOOFAX has earned a stellar reputation as a mixing and mastering engineer, serving a diverse client list that includes The Funk Hunters, The Crystal Method, Dillon Francis, Excision and hundreds of other successful electronic projects. He has also collaborated with the internationally acclaimed loudspeaker company PK Sound as the former lead sound DSP programmer in their engineering department. This blend of technical acumen and creative vision makes him a sought-after collaborator, both in the studio and on stage.

Spurred by his passion for artistic independence, WOOFAX launched his own label, WOOFAX MUSIC, in 2020—providing a platform to showcase his evolving electronic bass aesthetic  while uplifting emerging artists pushing the boundaries of dance music. Alongside his label, he hosts the WOOFAX RADIO PODCAST, curating of 85-95 BPM bass music cutting-edge tracks and sparking dialogue around the future of bass-driven sounds. Through this dynamic outlet, he continues to shape the electronic music landscape, introducing fans to groundbreaking productions from himself and his peers alike.



Collaborations remain a cornerstone of WOOFAX’s career. He has forged musical partnerships with artists like Willdabeast, Slynk, Father Funk, Defunk, and K-Lab, blending elements of funk, hip-hop, glitch hop, and dubstep into immersive bass-driven landscapes. These collective efforts highlight his penchant for genre fusion and reflect a deep appreciation for the diverse influences that sustain electronic music’s vibrant culture.

On stage, WOOFAX consistently captivates audiences with immersive, high-energy performances that showcase both technical mastery and dynamic showmanship. With over ten appearances at Shambhala Music Festival, he has cemented his reputation as a must-see act, drawing in crowds eager for electrifying sets delivered with infectious energy. Each live show stands as a testament to his commitment to offering fresh musical perspectives while remaining true to the roots that first ignited his creative spark.

Far more than just a DJ and producer, WOOFAX embodies the spirit of innovation—pushing boundaries through label curation, studio wizardry, and electrifying live events. Whether shaping the careers of high-profile artists through his engineering work, unveiling new sounds on the WOOFAX RADIO PODCAST, or inviting fans closer via Patreon, he remains steadfast in his mission to elevate electronic bass music on a global scale.

Above all, WOOFAX extends an open invitation to fans and newcomers alike: step into a world defined by skill, style, and boundless energy, and discover why he continues to shine as a guiding light in the ever-evolving realm of electronic music.

Crunching hats, off beat snares, rumbling filtered bass-lines and a good serving of soul form the signature sound of O&A, the collaborative pairing of Louis Osbourne & Jamie Anderson, who formed their musical partnership in 2010 from a mutual love of jackin house music.

Their ‘Rare Grooves EP’ was released that year on Front Room and so O&A had set off on their path of 4/4 discovery. Striking an immediate rapport in the studio their next track ‘Noho’ was quickly snapped up by one of the labels of the moment, Play It Down. Making its initial debut on Jesse Rose’s ‘Made For The Night’ compilation on Defected in 2011, it got its full release on Play It Down early in 2012 with remixes from Axel Boman and Rafael Kakudo. This release gained support from the likes of DJ Sneak, Loco Dice, David Squillace, Catz n Dogz, Tiefschwarz and many others firmly cementing O&A as force within the underground house movement.

Later in 2012 O&A dropped two releases on Made to Play. The summer months saw them deliver their stunning ‘Need a Drink / Space Funk EP’ which gained further support the who’s who of house. This was quickly followed with a one tracker titled ‘Come into my World’ which again proved that O&A had nailed their production sound and were striking the right notes.

2013 saw the guys working harder than ever on the O&A project with a 3 track EP titled ‘Blowing the Jive’ picked up by DJ Sneak for his Magnetic label; a track titled ‘Aligator Jazz’ featured on their agency Jackmode’s 5 Year compilation; another two releases on Play It Down titled ‘Break It Down’ & ‘Basement Beats EP’ to keep up the pressure; and the recent launch of their own label ‘All Night Records’ formed as an exclusive outlet for their own productions. 

The guys hit the ground running in 2014 with their ‘O&A Warehouse Remix’ of Jesse Rose & Brillstein’s ‘Good Wife’ making an impact in all the right places. This has let to them being asked to remix Kerri Chandler’s classic ‘Bar a Thym’ for King Street, which is set for release in the Summer. 

O&A have been touring and gigging together during this time and have developed a sound that incorporates Chicago, Tech House and Deep House. They deliver the kind of slamming DJ sets that you’d expect from two Jackers at the top of their game. On 4 decks, with a crate of exclusive O&A edits and their own productions, quite simply… O&A work it!


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