dump 2x (dec. 21. 20/...)

dj 18

Milkwood June 2021 Playlist

Only the finest Electronica. Cover: Peggy Gou

Top Shelf Electronic

Only the finest Electronica. Cover: PinkPantheress

hold on

So U Kno

'Now U Do', out now on Ninja Tune: https://djseinfeld.lnk.to/now-u-doSo 

Taken from the album 'Mirrors', released 3 September on Ninja Tune: https://djseinfeld.lnk.to/mirrorsSo

Follow DJ Seinfeld -
Spotify: https://found.ee/seinfeld-sp
Apple Music: https://found.ee/seinfeld-am
Instagram: https://found.ee/seinfeld-ig
TikTok: https://found.ee/seinfeld-tt
Facebook: https://found.ee/seinfeld-fb
Twitter: https://found.ee/seinfeld-tw
YouTube: https://found.ee/seinfeld-yt
Bandcamp: https://found.ee/seinfeld-bc
Soundcloud: https://found.ee/seinfeld-sc

U Already Know

Run It Up

Peggy Gou - Nabi (feat. OHHYUK)

Passion

Silencing of the reefs forject in collaboration with TBA21 Academy. Recorded in Greenland, Belize, Dominican republic 2007, 2012 and 2013.

freeze to melt

Darwin Deez - Deep Sea Divers

We Are Trees - Teenage Heartbreak

5 months after releasing one of 2015's most well-received mixtapes/albums. Canadian Hip Hop artist Sese is back to destroy his competition on his brand new EP, "The Cell Saga." Transforming once again into another one of the meanest super-villains from Japenese anime series, Dragon Ball Z. Sese carries on with the DBZ theme of his last project, showing the parallels between the competitiveness of the rap game and the battles between characters in the anime series. Showing his versatility and raising his power level over production by Pops, 2oolman, Chef Byer, Ceaza Leon, plus more. The EP features Chicago-Drill artist Chaboki, Ft. Lauderdale Anime rapper Anonymuz, and Toronto standouts Jason Packs, and Hardbody.      

Today, Sese and the Nightmare Klub collective bring to you a brand new EP entitled, "The Cell Saga." Along with the first single off the project, "Perfect Cell."  Watch as Sese transforms into Perfect Cell and totally destroys this Pops (The Game, Machine Gun Kelly, SonReal) production. The anime inspired video was shot by Frank Douglasss (0therworld Films/Nightmare Klub). Released January 11th, 2016 the video has accumulated 50, 114 views on Youtube and Worldstarhiphop. 


"The Cell Saga" is OUT NOW and is available for FREE DOWNLOAD at
http://sese.bandcamp.com/album/the-cell-saga


Sese - Perfect Cell (Prod. by Pops) Directed by Frank Douglasss
https://youtu.be/7VXVb0aGhjg



Follow NOW!
@SeseSeason on Twitter/Instagram
@CeazaLeon on Twitter/Instagram


Cell Games Ft Anonymuz (Prod by Ceaza Leon)

Pro Teens - Feather Boy

<3 heres a new one, s/o to the homeboy @m_tti on the art! 

buy or stream "conscious" here : https://fanlink.to/conscious

buy / stream

conscious

https://youtu.be/gUoBfSaucLs
SUSP3C - Going Insane

Follow @susp3cofficial
Follow @Dropcentral

<a href='https://theartistunion.com/tracks/06cc7b'>Download for free on The Artist Union</a>

Going Insane

FREE DOWNLOAD

SUSP3C - Going Insane

Toy Story (prod. jerm)

Sundown (Prod. by Downtime)

Fun Ethereal - You Might Say

8:23pm

Brin - Alone Jazz On Safari

MIKI YUI, Aperio!, LP
Release date - Sept 25th 2020
Catalogue nr. - HG2007
Format - Vinyl/digital

hallowground.bandcamp.com

Tracklist:
1) Listening (oneness) 10:03 
2) Dancing (swamp) 04:00 
3) Chanting (afar) 03:57 
4) Dreaming (now) 05:25
5) Rhyming (colours) 02:58
6) Breathing (buds) 04:10
7) Babbling (mono) 04:45

Credits:
Music and Mix Miki Yui at MY Studio Düsseldorf
Mastering Giuseppe Ielasi
Drawing Excerpt Miki Yui 
Cover Design Ruth Stofer

///
The title of Miki Yui’s seventh solo album “Aperio!” is derived from the latin origin of April, "aperire" meaning “to open” or “to reveal”. Hinting at the way her music unveils another reality which is hidden beneath the surface. The title also reflects the aperiodic character of the music, its irregularity. Like a magic word to reveal the mysterious cosmos, each song opens up another intimate world of wonders.

„All my work emerges from my physical experience, the inspiration often comes much later though, after the experience is digested and almost forgotten, then it crystallises and becomes a source for my music.“

It is indeed no accident that the first track of „Aperio!“ is entitled
„Listening (oneness)“: it vibrates for ten full minutes with and within us. It reflects the art of Miki Yui coming into existence. The Düsseldorf based Japanese artist approaches the world around her from a sensual perspective rather than in an analytic-logical way, still both paradigms of art production manifest their influence on the process.
Miki Yui says: „In my music, I play the game of turning the abstract into concrete and vice versa.“

This is obvious in all of the compositions on „Aperio!“. Her music combines otherworldly and dream world experiences, creating environments of multiple atmospheres, both warm and inviting but at times irritatingly cold and airless. They stimulate all kinds of feelings in us: astonishment, sadness, yearning, wondering, and hope.
For her it does not matter where the elements of her cobweb originate: from field recordings to abstract and artificial creations to electroacoustic sounds. She remarks, “revealing the source would only limit the imagination of the listeners. My sounds exist to trigger their own imagination“

Miki Yui is born in Tokyo, based in Düsseldorf. Crossing the boundary of music and fine art, she is known for her unique minimalistic and organic approach towards music since 1999 exploring the grey zone of our perception and imagination.
Since 2008, parallel to her own work, she is in charge of the Klaus Dinger Archive, who was her partner.

- Text by Thomas Venker

MIKI YUI - Dreaming (now)(HG2007)

Nectar

Afterthought

TR095 - Nemeton / Rafael Anton Irisarri - '...spin into nothingness'

Track from:
Simon Whetham "Forced to Repeat Myself" CD

“When performing with a limited set of resources, through choices in materials to work with and the constraints of being nomadic, there can be a tendency to repeat actions and scenes that 'work', even when improvising and having to respond to each new situation in a unique way.”

One characteristic aspect of the touring experience that is not discussed often enough is the dilemma of repetition. Not repetition as a mechanism of the work itself, but as a tedious consequence of being obligated to perform night after night in quick succession. Generating a completely unique performance for each stop, even with the assistance of improvisation,  is a laborious undertaking that consumes too much time and sanity, while adhering to a rigid set of rules leaves one open to both burnout and diminishing returns. Is there a way to split the difference so that both performer and audience are always engaged to the highest standard?

“I set these constraints on myself. The need to produce something (at least a little) different in each event of a tour was fierce, especially when traveling with other musicians.”

Explicitly within the title itself of his latest CD, Forced To Repeat Myself, UK sound artist and composer Simon Whetham tackles these questions with both a sly wit and sincere inquisitiveness. The tracks, all collected from recordings documenting a 2018 tour, utilize analogous source material and means of execution.  Whetham paid particular attention to the contour and character of each venue when deciding how to best put the pieces together, offering a customization that subverts pure deja vu for a sharp observance of the unfamiliar.

“In each situation objects and materials unique to the space were incorporated into the performance setup and structure, generating sounds or resonating with them. And yet I could hear similar scenes, movements, even spaces. This repetition determined the dynamic of the composition, working with it and against it.”

By the very nature of their disseminating sparseness, the tracks of Forced To Repeat Myself demand from the listener an attentiveness fixed on nuance and variation. The amplified cracks and static of ethereal currents and anonymous electronics infer the works of others who’ve made it their mission to attune our attention toward sounds outside our natural perception, including Christina Kubisch’s electrical walks, Toshimaru Nakamura’s no-input mixer excursions, and Jason Zeh’s experiments with blank tapes and the mechanizations of his cassette players. Whetham’s shaping of the album’s source material to highlight certain exclusivities of each live performance emphasizes how the inherent dynamics of time and chance guide his self-imposed constraints into pathbreaking spectrums. 

“The title references a phrase many of us will have heard in our formative years, ’Why do you force me to repeat myself?’ I have no answer to this question. I never forced anyone to do anything. But with this work, I did.”

One inherent paradox of Forced To Repeat Myself is that each listen naturally manifests a distinct, individual experience. The way sounds are received and processed in one instance to the next each forget their own entryway into transcribing meaning from this abstraction. And Whetham is keenly aware of this as the sounds of Forced To Repeat Myself find consistent, unique ways to perpetuate themselves, ensuring any repetition to be delicately understated.

Forced to Repeat Myself

Forced to repeat Myself

Simon Whetham "08-11"

feat. 3NDLES5. Pre-order the record on www.morgansoundresearch.bandcamp.com

out via BURNING ROSE RECORDS
distro via W&S

Pre-Order Vinyl

04 I Think Of You

Acopia / DMO / Pelvis / BRR / 99cts

CONTACT:
hello@morganwright.com.au

04 I Think Of You

Morgan Wright / Mittens