Pulse - Pink Floyd Hits

See You In September

Led Zeppelin - Moby Dick / Good times bad times (Live at Station House)

Mean Street- Van Halen (cover

Greatest Hits

Honey Hush

Welcome to our new song and our interpretation / cover and tribute too The Beatles, “Free as a Bird”

History of “Free as a Bird”:

"Free as a Bird" was originally recorded by John Lennon in 1977, and although Lennon had died in 1980, the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea" The remaining Beatles, overdubs and production were done between February and March 1994, and they recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically.  Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo, and Jeff Lynne was asked to produce the song. 

The original tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track, They were impossible to separate, so Jeff Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song.

Although the song received the 1997 Grammy Award for Best Pop Performance by a Duo or Group with Vocal, it was very much criticised, not be a genuine Beatles song, it was seen as a publicity gimmick, exploiting the Beatles brand, and owing less to the Beatles than to Lynne.
The song reached the top 10 almost everywhere, but did not reach the number 1 position anywhere.

The Euphoriqa Production:

Matt Baker and John Styles recorded an instrumental version between June and August 2013, but it ended up on the shelf because we didn’t have the proper guitars and vocals for it.
June 2016 Hemmo Riihelä and John Styles picked up this instrumental version and continued to recording the missing Guitars and all the vocals, and adjusted the Bass, Piano’s, Synth and Strings and added some extra instruments to create the proper harmonies that would fit the lead and backing vocals.
Although we’ve given this song our own signature (especially at the encore) we’ve listened to Jeff Lynne’s way of producing this song many times, to stay as close as possible as he intended the song to be.
It took us more then a month sending tracks back and forth to complete this song the way we wanted both to sound like, especially the harmonies between the vocals and instruments gave us a lot of headaches and work to get it all done properly, but we hope we finally accomplished that anyway. 

We hope you’ll enjoy this song just as much as we did working on it.

Composer & Writer: John Lennon (edited by Paul McCarthy, George Harrison, Ringo Starr)

Euphoriqa Line-up:

Hemmo Riihelä: Lead & Backings Vocals, Bass, All acc guitars, Solo and Electric Guitars
John Styles: Backing Vocals, Piano, Keyboard, Synth and Strings 
Matt Baker: Drums, Bass, Percussion, Electric Guitar and Strings

Producer: John Styles 

Your comments, advices and critics are very much appreciated as always, as it will help us to increase our skills.

Euphoriqa - Free As A Bird (Tribute to The Beatles)

BEATPORT: www.beatport.com/release/avonmore…ix-album/1852292

Bryan Ferry’s most recent musical odyssey came in the form of 2014’s critically acclaimed
Avonmore album, now the LP gets some very special remix treatment by a connoisseur selection
of disco artists from around the globe. The celebrated and taste-making likes of Leo Zero, Ray Mang, Prins
Thomas, Justin Robertson, Leftside Wobble, Idjut Boys, Man Power and many more all lend their
well trained ears and serve up some sizzling new versions of the superb originals.

Bryan Ferry is one of the UK’s foremost singer songwriters, a pop artist and musician whose
appeal has spanned five decades. With his elegant virtuoso performances as the
front man Roxy Music, and his subsequent illustrious solo career Ferry has achieved numerous
accolades and has been a great source of influence and inspiration for
ensuing generations of musicians. As such, a project like this allows some of these established and rising talents the
unique opportunity to add their own spin to Ferry’s singular style.

A broad palette of sounds, scenes and genres are traversed along the course of this absorbing
collection. It kicks off in style with two different versions of ‘Loop Di Li’. Leo Zero’s take is sun-kissed and breezy, 
with trilling riffs and sweeping synths. UK disco don Ray Mang then offers a
more pumping, groove driven effort that wraps Ferry’s unique vocals up in neo-Balearic cool.
Next up, the marvellous ‘Midnight Train’ is offered as a late night and romantic affair by Johnson
Somerset, a cosmic chugger by Man Power and a characteristically left of centre house version
by the inimitable Idjut Boys, famed for being remix kings.

Fans of dubbed out and slo-motion disco will love the brilliant Beard of Concern mix of ‘Soldier of
Fortune,’ before five fascinating versions of ‘Driving Me Wild’ take in lush 80s nostalgia,
swaggering dub, mechanical psychedelic disco, horizontal grooves and elastic kosmiche from
Johnson Somerset, Leftside Wobble, Justin Roberton’s Deadstock 33s, Leo Zero and Ray Mang
respectively.

The latter half of the album finds nu-disco pioneer Prins Thomas masterfully flip the title track into
a broody affair with corrugated bass and tense, scintillating synth lines, whilst PBR Streetgang
work ‘One Night Stand’ into a deep and synthetic disco bomb that will have dance-floors in
raptures. Elsewhere, Idjut Boys, Ray Mang, Leo Zero, Johnson Somerset offer more expert reworks.
Ambient Pioneer Ulrich Schnauss has the coveted task of adapting ‘Johnny & Mary’, Ferry’s timeless collaboration with Norwegian man of the moment Todd Terje.
Hidden Orchestra layer grand instrumentals and sweeping strings into a dramatic and theatrical
remix of ‘Send in the Clowns.’ Leftside Wobble is then left to bring us back down to earth with an
intoxicating brew of molten synths, woozy chords and smeared pads that sooth mind, body and
soul.

The rich source material here, along with the wealth of stars chosen to remix it, all make for
another fascinating chapter in the life of one of the UK’s most cherished artists.

Midnight Train (Man Power Remix)

A set of ringtones made of the best Guitar riffs in history of Rock !

14 - Chuck Berry - No Particular Place To Go

Always loved this song and the lyrics about peace... Not my favourite pitch to sing, but I adore Cat Stevens so I took the challenge...Hope you're alright with it...:)

Peace Train - Cat Stevens Cover by Nomzamo

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Maurice Williams & the Zodiacs were an American doo-wop/R&B 
vocal group, active during the late 1950s and early 1960s. 
Originally "The (Royal) Charms", the band changed its name 
to "The Gladiolas" in 1957 and then "The Excellos" in 1958, 
before finally settling on "The Zodiacs" in 1959. 

Williams was born April 26th, 1938 in Lancaster, South Carolina. 
He had his first experience with music in the church, where his 
mother and sister both performed. By the time he was six, 
Williams was performing regularly there. With his childhood 
friend Earl Gainey, Williams formed the gospel group...
 'The Junior Harmonizers', but as rock 'n' roll and doo-wop 
became their primary interest, the Junior Harmonizers 
changed their name to 'The Royal Charms'. 

The Royal Charms and The Gladiolas... In addition to Williams 
and Gainey, The Royal Charms were made up of Willie Jones 
(baritone), William Massey (tenor, baritone, trumpet), and 
Norman Wade (bass). In the winter of 1956, while still in high 
school, Williams and his band traveled to Nashville, Tennessee 
to record for the Excello record label. At the time they were 
still going by the name 'The Royal Charms,' but the founder 
of Excello Records, Ernie Young, convinced them to change 
their name to 'The Gladiolas.' At the time, there were at least 
two other bands using the same name. 
The song "Little Darlin'" was a #11 hit on the R&B chart in 
1957, but did not break the Billboard Hot 100's Top 40. 
However, when the song was covered by the Canadian 
group 'The Diamonds', it moved up to #2. 

Maurice Williams finished high school and while on the road 
with the band (after their station wagon broke down in 
Bluefield, West Virginia), the band came across a small car 
known as "The Zodiac" and the band changed their name 
-one last time, to, "Maurice Williams & The Zodiacs". 
Shortly thereafter, Henry Gatson replaced Earl Gainey. In the 
spring of 1959, Maurice Williams and the Zodiacs performed 
at the University of South Carolina in Columbia, South Carolina. 
Around that time, the group split and reformed. The members 
were then Williams, Gatson, Wiley Bennett, and Charles Thomas. 
Later, Little Willie Morrow along with Albert Hill were added. 
One month later, in the early summer of 1959, the band 
recorded in a Quonset Hut on Shakespeare Road in Columbia... 
The recording engineer, Homer Fesperman, recorded several 
tracks that the band had hoped would fetch them a hit... 

One of the last tracks that they recorded that day was "Stay," 
a song that Williams had written a couple of weeks before. 
After taking the demo of "Stay" to Al Silver at Herald Records 
in New York City, the song was pressed and released in early 1960. 

"Stay" is the shortest recording ever to reach Number One on 
the Billboard Hot 100 chart in the United States - at 1:39, although 
the label read 1:50. 

Later versions of "Stay" recorded by The Four Seasons (1964), 
and Jackson Browne (1978) also reached the Top 20, each selling 
over one million copies in the United States alone.
At the end of 1963, British band "The Hollies" covered "Stay", which 
gave the group their debut Top Ten hit single in the UK, peaking at #8. 

The inclusion of "Stay" on the soundtrack to the film "Dirty Dancing" 
in 1987 led to the song selling even more records than it had during 
its original release in 1960.  

A 1961 recording by "Maurice Williams & The Zodiacs", "May I", 
also released by Herald Records, eventually became another 
million selling record.  

Maurice Williams continued recording, touring, and releasing 
music through the 1970s, 1980s, and 1990s. 
Maurice still tours, performing at over 150 show-dates per year
and is still very active in the music industry.

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Lyrics: "Stay"
Written by: Maurice Williams BMI
Performed by: Maurice Williams & The Zodiacs

14 - Chuck Berry - No Particular Place To Go

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