Advent – A coming, or an arrival, a coming into being or use. 

Quite an appropriate name for Cisco Ferreira, a man who has played a big part in the creation and development of Techno from the very beginning of this genre’s history. Indeed, his Techno CV is the stuff of legend. Cisco was producing Techno and performing live Techno shows years before the rest of the world had even heard of the genre. He released his first track in 1988, was a pioneer of the Live PA (or Live Public Address – performing Techno live in front of an audience using electronic music gear), and, if all that wasn’t enough, he even worked as the sound engineer on some of Derrick May’s, Adonis & Fingers Inc’s recording sessions! 

The list goes on, and so does Cisco. Unlike other Techno pioneers from the early years, Cisco continues to produce with as much passion and frequency as he did back in the day. His releases on Labels Like Tresor, Rotation, Electrix, Kanzleramt, Dj Gigolos, Pure Plastic, Synewave plus many more is just another example of his ongoing pursuit to keep making music and pushing Techno to new boundaries. 

Cisco was born to Portuguese parents on the island of Madeira (Portugal). His family moved to London (1975) when he was five years old, setting the stage for his musical career. While at Paddington College (1986) in West London, he studied sound engineering and secured a job after graduation as an assistant sound engineer at ZOLOU Then later WALL Studios.  

At this period is when he really started to learn about Sound & Production, his 1st main recording sessions as an engineer were rock & “Inde” based bands & the studio owners being in successful rock bands. Matt Dangerfield & John Payne “ASIA” this 1st step was a start in learning about balancing & mixing down the rock way, which had a lot of intense & Raw energy especially on drums & Guitars.. 

Other bands Cisco did sessions for: P.I.L. (John Lydon - sex pistols) – Robert Plant (Led Zeppelin) – That petrol emotion. Then Later Pop, Dance, Soul & reggae groups like: Wild Bunch (Nelly hopper & Massive Attack) – Marco Pirroni (Adam & the ants) - Maxi Priest – Sly Dunbar (Sly & Robbie) – Loose Ends – Cheryl Lynn… 

1987 Cisco began going to clubs and learning about this new thing called Acid House, which was spreading like crazy throughout London’s underground scene, culminating in the famous “Summer of Love” in 1988, the genre’s golden period. 

Around this time, a record label called, Jack Trax, “One of the 1st to release Acid House, House & techno in UK” moved in next door and began using the same studio for recording sessions, with Cisco as the engineer working with Fingers Inc, Adonis, Marshall Jefferson & Derrick May. Cisco released his first record in 1988 on Ferrari records (R&S records) Then later “Cisco Ferreira” EP on Fragile. 

His first big break came in 1994, when he and fellow Londonite Colin McBean (a.k.a. Mr. G) were brought on by Internal Records to help co-produce a group called Salt Tank. A record contract with Internal/FFRR soon followed, committing The Advent to 12 EP’s and 3 albums.

Today, The Advent goes on just as Cisco Ferreira. While he has had a long history with tons of accomplishments to hang his hat on, he continues to make history. The Advent is fulfilling Cisco’s vision as much as ever. He is busy touring as both a DJ and a live performer, producing for numerous labels, and running his own Techno imprint, Kombination Research. 

As Cisco moves forward, striving to fulfill the ambitious goals he has set one can look back at his storied past and see how he has come full circle… The Saga continues.

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

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