Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the sisters’ favourite activities.

Khatia’s extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her “favourite pianist”, Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as “wholly a person of the 20th century”, Khatia does not identify so much with pianists of today.

Khatia’s warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. “The piano is the blackest instrument,” she says, a “symbol of musical solitude”, which even a pianist must become accustomed to. “I have to be psychologically strong and forget the hall if I want to share it with the audience.”

During her studies at Tbilisi’s State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya. At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna’s University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin’s Second Piano Concerto. 

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna’s Musikverein and Konzerthaus as a Rising Star for
the 2011/2012 season.

Upcoming engagements will see Khatia Buniatishvili perform with the San Francisco Symphony Orchestra , the Orchestre de Paris and the Munich Philharmonic with Paavo Järvi. Recitals will also take her to Berlin, Vienna, Amsterdam, Paris and the Wigmore Hall in London, with further appearances at, amongst other venues, the Verbier Festival, the Lucern Festival and the Schwetzinger Muisktage. 

Khatia Buniatishvili is fluent in five languages and lives in Paris.

During his studies under Paul Kuen and Raimund Grumbach, German baritone Christian Gerhaher also attended the Opera School of the Academy of Music in Munich, and together with his regular piano partner Gerold Huber studied lied interpretation with Friedemann Berger. While completing his medical studies Christian Gerhaher perfected his vocal training in master-classes given by Dietrich Fischer-Dieskau, Elisabeth Schwarzkopf and Inge Borkh. In the meantime Christian Gerhaher is himself an enthusiastic teacher and gives master-classes at Aldeburgh Festival, Yale University, Concertgebouw Amsterdam, at the Schwetzingen Festival, and in his position as honorary professor he holds workshops at the Academy of Music in Munich.

Christian Gerhaher’s exemplary lied interpretations with Gerold Huber set standards, and their recordings have been highly acclaimed. Their Schubert album Abendbilder received the Gramophone Award in 2006. In the same year Christian Gerhaher was honoured with the NDR Musikpreis at the Schleswig-Holstein Musik Festival. 2009 he was granted the renowned German Rheingau Musikpreis and for his Schumann recording Melancholy he not only received the BBC Music Award but also the "Echo Klassik" in the category Singer of the Year followed 2010 by the MIDEM Classical Award as Singer of the Year as well as the Dutch Edison Klassiek for his recent Mahler album.

The lied duo can be heard on the stages of major international recital centres, for instance at the Wigmore Hall in London, the Concertgebouw Amsterdam, the Cologne and Berlin Philharmonie, the Konzerthaus and Musikverein in Vienna. Christian Gerhaher is a regular guest at Schwetzingen Festival, Rheingau Musik Festival, Vienna Festival, Klangbogen Festival, the Maggio Musicale Fiorentino, the London Proms, the Edinburgh and Lucerne Festivals, as well as the Aspen and Tanglewood Festivals in the USA.

The lied recitals of the current seasons are mostly dedicated to Gustav Mahler. Performances will take them to London, Amsterdam, Cologne, Madrid, Munich, Venice, Torino, Rome and they will also return to Rheingau Musik Festival.
Besides his activity giving concerts and recitals, Christian Gerhaher also performs in select opera productions, for instance, he has a close association with the Frankfurt Opera House. Under Riccardo Muti he was Papageno in a production of The Magic Flute at the Salzburg Festival in 2006 (issued by Decca as a DVD). Gerhaher has been given guest performances in the title role in Henze’s Prinz von Homburg at the Theater an der Wien, as Wolfram at the Teatro Real Madrid, at the Vienna State Opera and Munich State Opera, and at the Royal Opera House Covent Garden in London. He started the 2010/2011 season as the Count in Mozart’s Le nozze di Figaro in Munich. In future he is scheduled to sing the role of Eisenstein and Pelléas, both in Frankfurt, and Posa in Don Carlos in Toulouse. The recipient of countless awards for his lieder singing is  likewise recognized for his operatic work and was consequently elected by the magazine "Opernwelt" as "Best Singer of the Year 2010" for his portrayals of Prinz von Homburg and Wolfram in Vienna und Munich.

Christian Gerhaher has performed together with conductors such as Nikolaus Harnoncourt, Herbert Blomstedt, Heinz Holliger, Simon Rattle, Kent Nagano, Mariss Jansons, Bernard Haitink and Christian Thielemann in the world’s major concert halls. The music of Gustav Mahler brought him together with Riccardo Chailly (Wunderhornlieder with the Leipzig Gewandhausorchester), Daniel Harding (Das Lied von der Erde with the Bavarian Radio Symphony Orchestra), Gustavo Dudamel (Lieder eines fahrenden Gesellen at La Scala Milan) and Pierre Boulez (Wunderhornlieder/Cleveland Orchestra). Other major orchestras which regularly invite Christian Gerhaher to perform include Concentus Musicus Wien, Berlin, Munich and Vienna Philharmonic, and Royal Concertgebouw Orchestra. He also gives concerts with major orchestras outside Europe, including NHK Symphony Orchestra, Boston Symphony Orchestra, Cleveland Orchestra and Chicago Symphony Orchestra.
Since the beginning of his recording activity Christian Gerhaher’s CDs have been issued by Sony Music, with which he has an exclusive partnership (exceptions are stated in brackets). With his accompanist Gerold Huber, Schumann cycles, all the Schubert cycles as well as many other lied recordings have been issued, such as for example Terezín Theresienstadt with Anne Sofie von Otter (Deutsche Grammophon). Furthermore, Christian Gerhaher can be heard on CDs singing in orchestral works: Mendelssohn’s Elias with the Gewandhausorchester Leipzig conducted by Herbert Blomstedt, twice Orff’s Carmina burana with the Berlin Philharmonic and Simon Rattle (EMI) and NEW with the Bavarian Radio Symphony Orchestra and Chorus conducted by Daniel Harding for Deutsche Grammophon, Mahler’s Das Lied von der Erde (The Song of the Earth) with the Montreal Symphony Orchestra conducted by Kent Nagano and Wunderhornlieder (Cleveland Orchestra/Magdalena Kožená/Pierre Boulez). With Nikolaus Harnoncourt Christian Gerhaher has made recordings of Joseph Haydn’s two oratorios The Creation and The Seasons, Bach’s Christmas Oratorio, Schumann’s Das Paradies und die Peri and also the recording of the live concert performance of the Faust Scenes with the Concertgebouw Orchestra, on the orchestra’s own label RCO Live. End of 2009 the latest solo CD with Gerold Huber has been issued, a recording of songs by Gustav Mahler. 2011 Wolf´s Italian Songbook was released, together with Mojca Erdmann and Gerold Huber. 

Christian Gerhaher lives with his wife and their three children in Munich.



Fat Wreck Chords is an indie label co-founded in San Francisco by NOFX frontman Fat Mike (Michael Burkett) and Erin Kelly-Burkett, in 1990. The first wave of bands signed to FAT (No Use For A Name, NOFX, Propagandhi, Lagwagon, and more) shaped what became known as the Fat Wreck sound. FAT continues to be an artist-friendly label and has a unique business model of signing bands to one record deals. Going on its third decade, FAT boastfully remains a 100% independently owned and operated company.

A complex distillation of classic punk rock, Celtic folk and American rock'n'roll, the albums put the band's diversity, intensity and sincerity on full display.

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