A galera!

10-16 - Nobodys Baby, Baby!

BGM_49

Début Novembre

The songs on this playlist are the songs that I would use as the soundtrack to the movie ideas that are stuck in my head. 

The Soundtrack to The Movies In My Head 2

Dark Challestor

Zomby - A Devil Lay Here

Acoustic version / from "Hirondelle et Beretta"

Tara King th. - L'enquête (Acoustic)

When I Fall In Love(V.Young)

Pre-order the new EP 'Human' and receive this song now....

http://www.itunes.com/aquilo

N. America: http://www.b3scirecords.com/product/b3sr-009-aquilo-human-ep

Human

I Gave It All

Uncle Sam's A DICK

ORDER :: bit.ly/orderAFTFT
SUPPORT :: https://soundcloud.com/xxyyxx & https://soundcloud.com/dawn-golden
love you guys keep bein wonderful in 2015

<3 buy <3

Snow In Newark (with Dawn Golden) (XXYYXX Remix)

La Mesada De Marmol

Hello boys and girls ............. i have not posted music for some time now ........... this track should give you an indication of  the space im enjoying at the moment , living in the country ......
Im so excited for my DEAF SAFARI album launch on the 10th of JULY 2015 ........... i will be performing a very stripped down , ambient and musical interpretation of my album ......... it will be dark , deep and beautiful !

BLUETTE

Taken from "Don´t ever listen" EP - out Oct 30th 2015 on Morr Music
Buy the vinyl at our shop: http://bit.ly/1jQLsR8
Buy the single: api.morrmusic.com/itunes/1044653074
Preorder the Ep on itunes:  api.morrmusic.com/itunes/1044653464
Follow Sóley for updates:
Tour dates: bit.ly/1DrwetR
www.facebook.com/soleysoleysoley
www.morrmusic.com

Buy the vinyl

Sóley:  Don´t Ever Listen

Paloma walks home at night from the maquiladora
8 days later, no one has saw her
sometimes she worked late
don't that tell you just whats at stake?

we can't stop fighting 

at home, my sister- she told me a story
at the end, there's no Grace or glory
just the trial of a man
with no motive for where he stands

all my life i've felt the eye of the catcall
we're striking back baby, and you can find me in the vanguard
you say you don't understand
i can see the blood, it's on your hands

written by Sheer Mag
recorded by Sheer Mag
mixed by Hunter Davidsohn at the Business District


Can't Stop Fighting

taken from "spaceland" - out sept. 16th on morr music
Buy the single:  https://api.morrmusic.com/itunes/1138322444
Pre-order Sin Fang’s forthcoming album Spaceland. Available as ltd. special vinyl edition (comes w/ bonus 12inch), standard LP or CD - grab your copy here: http://bit.ly/2aBe2F7


Spaceland

Candland 

Buy the single

Sin Fang: Candyland (feat. Jónsi)

Mahabharata Rediyo (महाभारत रेडियो)

01. Hang Playing Hedge Monkeys ••• This Is Bindi
02. Gama ••• Tiny crack in the window
03. Mohd Rafi ••• Kya Hua Tera Wada (bᎥᏞᏞᎽ ᏟᎪsᎾ Edit)
04. Nato ••• Champa
05. Hol Bauman ••• Radio Bombay
06. Itom Lab ••• Eshakani
07. Kincsem ••• Late Back
08. Free Association ••• River Styx
09. Steve Stash ••• Secret Stash 4001
10. Troja ••• Mantra
11. DÜK ••• Heliathus
12. Niju ••• I am from India
13. Jacque(s) ••• La Tournure Des Choses
14. Taruna ••• Blessed Beauty
15. Coss ••• Shift IV (LDS Live)
16. Elijah Simmons ••• Arpening
17. Anoushka Shankar ••• Ancient Love (Goldcap Edit)
18. François Ier & FaCIL  ••• Calcutta
19. Alexander Scharf ••• Bioluminescence

Mahabharata Rediyo (महाभारत रेडियो)

Taken from "Sundur" out on Morr Music August 19th 2016
Order the album: 
http://bit.ly/2aZaax6
Follow Pascal Pinon:
https://www.facebook.com/pascalpin0n/
www.morrmusic.com

Sundur

Buy the album

Pascal Pinon: Orange

Prod: Cam O’bi, Phoelix, Saba
Additional vocals: Phoelix, Akenya, theMIND

Artwork by Nikko Washington
Mixed & Mastered by Elton “L10MixedIt” Chueng

Yesterday

Out on Morr Music 2016-11-11
With his latest record, Notwist singer & guitar player, film soundtracker and label boss Markus Acher, aka Rayon, offers up a sparse, intoxicating LP of instrumentals.
As the name suggests, the spaces between notes here are treated with as much gravity as the notes themselves – arpeggios spiralling upwards, conflicting yet interlocking in a dizzying overlap of time signatures.
An obvious reference point is Javanese gamelan, with its ensemble of hand-beaten metallophones and bamboo flutes, pulling in all directions at once and yet, like a starling murmuration, maintaining shape as one, rippling whole.
Eschewing electronic equipment, the title track sees marimbaphone, piano and vibraphone appearing to mimic a delay pedal, giving the effect of rain falling with odd regiment into a singing bowl.
This melancholy but weirdly uplifting arrangement surfaces throughout the record, punctuated by mossy synth hums and subterranean rustling. Like much of Rayon’s work, “A Beat of Silence” beams across like a soundtrack for some forgotten documentary: dusty archive footage of cities being built and eroded in time-lapse seeming to flicker across the screen.

Closing tracks “To the Quiet”, a tentative, almost impossibly fragile ballad, and “Kona”, a stretched and mangled wash of orchestral drone akin to Plinth or Edmund Finnis, leave the listener fully enveloped, as this incredibly sensitive work draws to a close.

Richard Greenan (Kit Records, Devon Loch)

A Beat of Silence

Buy The Single

Rayon: Dots



Out on Morr Music 2016-11-11
With his latest record, Notwist singer & guitar player, film soundtracker and label boss Markus Acher, aka Rayon, offers up a sparse, intoxicating LP of instrumentals.
As the name suggests, the spaces between notes here are treated with as much gravity as the notes themselves – arpeggios spiralling upwards, conflicting yet interlocking in a dizzying overlap of time signatures.
An obvious reference point is Javanese gamelan, with its ensemble of hand-beaten metallophones and bamboo flutes, pulling in all directions at once and yet, like a starling murmuration, maintaining shape as one, rippling whole.
Eschewing electronic equipment, the title track sees marimbaphone, piano and vibraphone appearing to mimic a delay pedal, giving the effect of rain falling with odd regiment into a singing bowl.
This melancholy but weirdly uplifting arrangement surfaces throughout the record, punctuated by mossy synth hums and subterranean rustling. Like much of Rayon’s work, “A Beat of Silence” beams across like a soundtrack for some forgotten documentary: dusty archive footage of cities being built and eroded in time-lapse seeming to flicker across the screen.

Closing tracks “To the Quiet”, a tentative, almost impossibly fragile ballad, and “Kona”, a stretched and mangled wash of orchestral drone akin to Plinth or Edmund Finnis, leave the listener fully enveloped, as this incredibly sensitive work draws to a close.

Richard Greenan (Kit Records, Devon Loch)


A beat of silence

Rayon: A Beat Of Silence

GURR - Walnuts

Taken from "Glass Bird Movement" -  CD/Digital/LP+7" 
Out Oct. 14th on morr music

On their first album in six years, ISAN once more weave together electronic soundscapes, delicate rhythms and the occasional odd sound into a pulsating, ever-morphing whole. Glass Bird Movement is Antony Ryan and Robin Saville’s eighth studio album since they have started the project two decades ago. Exchanging ideas between England and Denmark, where Ryan currently resides, ISAN have crafted an album which is reminiscent of heyday Boards Of Canada productions, the friendlier ventures of Aphex Twin or the most focused moments of Ulrich Schnauss, if you will. However, this album (as well their impressive back catalogue, as subtle it may seem) displays a strong signature. ISAN constantly move forwards without leaving their respective studios. And why should they - it’s warm and dry in there and the kettle is always boiling. 


Glass Bird Movement

Buy The Album

ISAN: Parley Glove

Warngauer Strasse

Fred Raspail - All your love swing

THE WORLD IS FULL OF SONGS

Hochzeitskapelle -  Things I Done

train ticket to Tokyo

Taken from Irma Vep's forthcoming LP 'No Handshake Blues', released January 13th 2017 via Faux Discx and Comfortable on a Tightrope.
PRE-ORDER: http://www.fauxdiscx.com/shop/irma-vep-no-handshake-blues
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Irma Vep is a loner, a joker, a roamer, a ribald construct riddled with both earnest anxiety and mercurial songwriting talent birthed by a young Edwin Stevens in Llanfairfechan, North Wales. Having since fully grown into Irma Vep and now residing in Manchester, Stevens' discography has expanded to document every aspect of his music, from ecstatically free group experiments to bare, sparse songwriting that cuts to the quick, shorn of ornament or pretence. No Handshake Blues is a homage to Llanfairfechan (Transylfechan to the locals).

Having bedded down into Manchester's bourgeoning DIY scene, Stevens moonlights in several other groups (Sex Hands, Klaus Kinski, Desmadrados Soldados De Ventura, Yerba Mansa…), bringing with him an instantly recognisable guitar language. However it's in Irma Vep that his most life-affirming, troubling and thrilling music is made. Much Irma Vep feels like what "classic" music should feel like if it weren't so Classic. Each record, each song and each performance exists as an evolving drama.

Edwin has toured the West Coast of America after being invited by Chris Johanson to play his Quiet Music Festival of Seattle and Portland. BBC 6 Music regularly spin his work. He tours the UK and Europe “butt loads”. Somehow he also finds time to run a tape label and put on gigs in Manchester under the ”Very Bon" moniker. Irma Vep performs solo, and also expands to a full band that includes Manchester legends DBH, Andrew Cheetham, Dave Rowe, Kiran Leonard and Dylan Hughes.

No Handshake Blues

IRMA VEP – Still Sorry

Turn Summer Into Fall - Pointe Noire - 2016
Written and composed by Marie-Flore & Baptiste Homo.
Recording in Paris at studio Soyuz by Laurie Cagliari & Baptiste Homo.
Mix by Julien Galner.
Mastering by Benjamin Joubert.

Turn Summer Into Fall

Free Download:

http://www.majorlazergetfree.com/

Get Free (feat. Amber of Dirty Projectors)

Pascal PinonTwosomeness
Morr Music - MORR121

• second album by Pascal Pinon
• recorded & produced by Alex Somers (producer of Sigur Rós & Jónsi)

On Pascal Pinon’s Tumblr you’ll find an older photo that shows twin sisters Jófrídur and Ásthildur smiling proudly over a Yamaha keyboard circa 1999: Back then they weren’t even in their teens, far from it, and yet they were already shaping and creating that unique chemistry – a special bond that can only exist between siblings, twins especially. It is a very special connection, a rare gift to know another person on that level. And of course the old keyboard is also still around.
Thanks to this special bond, Pascal Pinon have managed to record a second album that’s way more bold, more mature, more focused and more diverse than its predecessor: “I don’t need anything/I just make something beautiful,” they sing on “Therney” (and they do sing in English more often than before), and apart from their own bedroom studio, equipped with cookies and tea and keyboards and guitars and such, they indeed don’t seem to need much to create a sense of homecoming – a musical home stretch, like a movie’s closing credits. Here you are, in a realm where everything seems to have fallen into place, or will do so soon enough, somehow.
And yet, this is merely the start of album #2: Having successfully toured Japan and other places, it’s not always three-minute songs for Pascal Pinon; sometimes a few moments are sufficient to create a certain mood (“Annar Logi”). Whereas album opener “Ekki Vanmeta” appears to be the Icelandic equivalent to a block party (no BBQ, but with muffins instead, the type they served at their very first gig ever, fittingly called “The Friendly Gig”), the “Bloom” is intricately moving along and shape-shifting like Gavin Bryars’ compositions – though Jófrídur, familiar with the instrument for 10 years, manages to ultimately turn it into something else: “It’s easy to become attached,” they sing. And it is indeed.
Still a four-piece when they recorded their s/t debut album – although the band name always indicated that the twins were in fact the heads of the operation: Pasqual Pinon (spelled like this), the Two-Headed Mexican (1889-1929), was a sideshow attraction in the early 1900s –, Pascal Pinon is now essentially comprised of Jófrídur and Ásthildur, with occasional help by Kristín (and then there’s also casual member Sylvía); together they have created a many-layered soundtrack to growing up on a volcanic island in the Atlantic: A small world of its own, with all its marvels, all its “Good and Bad Things” (though still untouched by McDonald’s, trains, and Starbucks). Even the fact that they used more than one microphone this time around does not take away from the characteristic DIY approach often found in Iceland’s bedrooms.
With album #2 about to drop, Pascal Pinon are about to enter adult life – a point usually associated with drifting apart, forgetting dreams. These girls, however, seem to be going the other direction instead: they appear to be closer, even more of an entity of its own, more of a two-headed being, less lonesome, but twosome, unified in sound.

Cat.no.: MORR121
Format: CD

Tracklisting
1. Ekki Vanmeta
2. Þerney (One Thing)
3. Somewhere
4. Evgeny Kissin
5. When I Can't Sleep
6. Annar Logi
7. Kertið
8. Sumarmál
9. Bloom
10. Fernando
11. Good And Bad Things
12. Rifrildi

Release Dates:
Jan 18, 2013 (Worldwide)
Feb 05, 2013 (US) 

Pascal Pinon: Þerney (One Thing)

Morr Music merges electronic and indie musical disciplines that many consider the label to have invented its own genre. It's roster is certainly a testament to this fact - the likes of Lali Puna, Múm, Isan, Seabear, Sin Fang, Sóley, It´s A Musical, Masha Qrella, Tarwater, Fm Belfast, Pascal Pinon, Butcher The Bar, Telekinesis, Opiate, Ms. John Soda, Tied & Tickled Trio, Electric President, Radical Face, The Go Find, and B.Fleischmann making for an impeccable roster. With more than 100 Albums in its catalogue, Morr Music is a label that truly has something for everyone. 
