Teaches electronic music, composition and jazz ensemble. Tricks for Ableton Live.

Musician: Irish Whistle & Flute, Composition, Music Production, Playing Folk Fusion Music. 

HEJ JOHANNES is an innovative improv duo focusing on musical conversation. A responsiveness and an interest in each other’s ideas, which have been developed and refined since the start of the collaboration in 2014.
The duo consists of Johannes Gammelgaard on saxophone and Johannes Berg on drums. These two promising young musicians have worked together over the last decade years in many different constellations and played sessions with names such as Rudi Mahall, Liudas Mockunas, Jim Black and most recently Japanese saxophone player Haruhiko Okabe. As a result of these experiences, they have developed a common musical language based on melodic fragments, modal landscapes and abstract sound textures.
In the duo format, there is an almost limitless freedom and at the same time a great responsibility, as the music easily becomes both naked and fragile. It forces the musicians to constantly be aware and make decisions regarding the form and direction of the music.
In January 2020, HEJ JOHANNES released their self titled debut album. Now they are working on new music, developing their common sounds and sensibility.

"It is two musicians who know each other well that meet in an honest and open interplay, which deserves to be heard as good musical storytelling." - Niels Overgård, 14/4 2020

Johannes Gammelgaard: tenor saxophone
Johannes Berg: drums

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Booking and other inquiries: booking@foppa.dk

rosyán is the solo project of composer, cellist and improviser Rosanna Lorenzen. With the cello as her central voice and improvisation as her inner compass, she explores the instrument and its possibilities with a playful and open approach, both acoustically and through electronic manipulation, creating unpredictable soundscapes in constant transformation.

In rosyán’s sonic universe, you will meet atmospheric textures, noise dissolving into silence, and different rhythmic structures, moving from fragile, delicate moments to raw and massive sonic layers. Voice and field recordings are occasionally woven into the whole, expanding the narrative of the sound, while she continuously balances between free improvisation and composed elements. rosyán invites you into the space of the moment, pushing the boundaries in a way that challenges our expectations. 

Rosanna Lorenzen works and collaborates across genres, with both other musicians and with visual artists. She has performed in a wide range of settings – from sound wells in Frederiksberg, on a bass-vibrating floor, in a dome in Berlin, sleep concerts and in an 18-meter-high oil tank in Sweden with 25 seconds reverberation, to venues and festivals, including the Cathedral of Copenhagen, SPOT Festival, Copenhagen Jazz Festival, SPOR Festival, and the Danish Radio Concert Hall.

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