FabFlameOneHundredandFiftyTwo

Buy / Stream: https://orcd.co/underwaterdreamingrmx

Following the release of debut single ‘Underwater Dreaming’ in 2020, Sons Of The Sun and BBE Music proudly present a stunning pair of remixes by UK Afro-House pioneer Zepherin Saint and Houston duo Beanz N Kornbread.

Founder of Tribe Records and House producer extraordinaire Zepherin Saint turns in a typically smooth and soulful rework of ‘Underwater Dreaming’, completely reinventing the track with a fresh chord structure and inventive use of the original’s layered backing vocals. The silky instrumental version of the remix is also included, especially for the deeper heads.

Donald Johnson & Kenneth Roy aka Beanz N Kornbread met as keyboard players in a local Texas church and have been working together ever since, writing and producing for Z-Ro, Paul Wall, Mac Miller, George Clinton, Slim Thug, Le$ and Snoop Dogg to name but a few. Johnson also plays drums in high-flying funk outfit Khruangbin. The pair’s chilled, yet bouncy, ‘Nawfside’ remix pays tribute to the pair’s shared North Houston upbringing in the 80’s with a sonic aesthetic they describe as “reminiscent of the low fidelity vinyl/cassette/VHS tape sound of its time”.

Sons of the Sun is a collaboration between American singer-songwriter JTronius and British producer Maverick Quest, featuring an inspired selection of luminary guests and musicians. Delivered remotely, the ingenious pair sent files back and forth between Texas and South East London to create their shared vision for the project. Remarkably, the duo has yet to meet in person. Their eponymous debut album is slated for release in June 2021 on BBE Music.

Format: Digital
Release Date: 09/04/2021

Sons Of The Sun - Underwater Dreaming (Nawfside Mix)

‘On The Daily’ is the electrifying first single taken from The Brkn Record’s forthcoming debut album, ‘The Architecture of Oppression Part 1’. A ground-breaking concept album from Jake Ferguson of The Heliocentrics. It is a critical journey through the eyes of black Britons, blending powerful and sobering narratives with psychedelic and soulful symphonies.

‘On The Daily’ is a future anthem that has a timeless quality to it. With flawless production that is relevant and urgent today, but would also feel at home had it emerged from the Cadet Records stable at their 60s and 70s peak. It displays the strength and intimacy of a modern-day Odetta jamming with Charles Stepney. 

A child of Nigerian, West African parents, Ugochi Nwaogwugwu, narrates and delivers the song with the strength and ethereal beautify of an avenging angel. Ugochi describes this song as an "attempt to express the degree of power, resilience and focus it takes to be black and in this world. So many forces trying to take our peace of heart and mind. Though the battle rages on, those on the frontline win when we keep our poise and expose the perpetrators of racism and white terrorism."

This song is a clarion call driving awareness to the fact that these things are happening to black people everyday, and you have to be strong to survive this - on the daily.

The Brkn Record

The Brkn Record - On The Daily (Feat Ugochi Nwaogwugwu)

Daphni - Mapfumo

Love

Blackism

In Rhythm (feat. Maggie Nicols)

Resista is back for number 10 and this time we welcome Toby Tobias to the family!

Toby has been behind plenty of widely regarded records over the past decade, putting his hand to a large number of releases for labels such as Rekids, Delusions Of Grandeur, More Music, Let’s Play House and most recently ESP Institute.

Needless to say, Toby knows his way around the studio but he’s also equally adept when it comes to cutting and splicing, as you can hear on the title track of this special 12” for Resista, re-editing and embellishing this slice of pure sunshine. For the flip, Toby puts his production hat back on, building a deep, afro-influenced house track and deftly layering the same vocalist on top. Pure balearic bliss!

As always the artwork has been completed by the very talented Pedro Carvalho de Almeida. Vinyl Only.

A. Toby Tobias - Aouta Gabon

Displaced Diaspora

Frontline (feat. Kevin Haynes)

“Sometimes I Wanna Dance” from ‘MITH' by Lonnie Holley out 21 September on Jagjaguwar

Stream & preorder now - https://lonnieholley.ffm.to/mith

Lonnie Holley - Sometimes I Wanna Dance

Buy album: https://LateNightTales.lnk.to/aloudersilence
"Subtly stunning jazz-soul" The 405 https://www.thefourohfive.com/music/article/leifur-james-presents-a-subtly-stunning-jazz-soul-ode-to-his-past-in-mumma-don-t-tell-405-premiere-153

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

Buy album

Leifur James - Mumma Don't Tell

Rush Hour/Elegua (feat. Kevin Haynes)

Al Manfredi, born to a musical family of Italian immigrants in the small SoCal beach town of San Clemente, found regional success with his garage rock band Lost &amp; Found while he was still a teenager. The tragic deaths of two of the band’s members in the late 60s shook Manfredi to his core, and he gave up on the band scene completely, retreating to his family’s music store, and working on music in private, multi-tracking demos of growing prowess on primitive recording equipment.

In 1973 he chose six of his favorite songs and exactingly produced and recorded an album, which he custom-pressed in minute quantities. His dreams of securing a record deal faded, but he spent the rest of his life recording music, surfing, bringing children into the world, and battling alcohol and drug abuse.

This little-known West Coast rock masterpiece was rediscovered celebrated by Acid Archives founder Patrick Lundborg and others around the time that Manfredi died in 1995. This version of the album, overseen by Manfredi’s son, the hip hop producer Exile, and with Manfredi’s story told by Ugly Things’ founder Mike Stax, presents the complete package of an incredible lost and found artist. Contains the album, as originally issued, on side A with unreleased music on side B. Bonus 2nd LP – available only to subscribers – contains alternate takes, demo versions and the two, rare garage rock tracks from the solitary Lost &amp; Found 7" . Extensive, photo-filled booklet documents the history of the band, their mission, and their arc. Download card included, for WAV files, including bonus tracks not available on vinyl.

Al Manfredi

Al Manfredi - Blue Gold

The original Rio beach boy returns in style, with a new record of unabashedly feel-good Brazilian party music. Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil’s all-time funkiest low-end licks), a horn section including Valle’s go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you’d expect from the Brazilian titan, and it’s fresher than a fruity caipirinha in the Copacabana sunshine.

Updating Marcos Valle’s seminal boogie-era sound, Sempre spans ecstatic disco, cosmic samba, and late-night jazz-funk, drawing obvious comparisons to some of Valle’s late-seventies and early-eighties output. ‘Estrelar’ (1983), for example, an ode to the joy of exercise, has become one of the biggest Brazilian disco hits of all time. But lyrically the new album is more closely reminiscent of Valle’s progressive early seventies’ releases. Heralding love, tolerance and living in the present, while satirising political corruption, the new release recalls a time in which Valle, together with his brother Paulo Sergio, was writing subtly subversive lyrics in order to bypass the censorship imposed by the military dictatorship, which ruled over Brazil between 1964 and 1985.

The album marries compositional genius with pure pop perfection. From the blistering brass arrangements on up-tempo disco hit ‘Olha Quem ta Chegando’ and the infinitely classy ‘Vou Amanhã Saber’, to the nine-minute synth-heavy instrumental funk stepper ‘Odisséia’, which gradually morphs into an interplanetary samba jam, the songs are tightened and given an extra coat of gloss, by London based producer Daniel Maunick (son of Incognito frontman Bluey). More moments of boogie delight come in the form of ‘Minha Roma’ (a musical nod to the famed ‘Estrelar’), and the sunshine anthem title-track ‘Sempre’.

Translating as ‘Ever’, Sempre is a testament to the continual drive for development and reinvention that has defined Marcos Valle’s astounding six-decade career. Ever changing, ever moving forward, he began as one of the second-wave of early bossa nova composers in the sixties, writing the world famous bossa standard ‘Summer Samba (So Nice)’ for his sophomore album ‘Samba 68’. After a brief stint in the States, Valle returned to Brazil, and the early ’70s saw the release of four ground-breaking Valle albums which incorporated progressive rock, psychedelic influences, pop, jazz, soul and cinematic arrangements. These albums would see Valle work alongside a number of hugely influential Brazilian bands, including Milton Nascimento’s backing band Som Imaginaro, the prog-rock band O Terco and jazz funk legends Azymuth. Returning back to the US in ‘75, Valle resided in LA, writing music for the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, before returning to Brazil once more, where after releasing a handful of hit pop records, he took a hiatus from recording.

Since the mid-nineties, Marcos Valle has been experiencing a renaissance with Far Out, where his approach to music has remained, as always; decidedly open to new influences, possibilities and technologies. Sempre is Marcos Valle’s fifth album for the label, following 2010’s critically acclaimed Estatica.

Just in time for summer, Sempre is out on Vinyl LP, CD and digitally 28th June 2019

Vinyl / CD / Digi

Marcos Valle - Sempre

Big Crown Vaults Vol. 1 - Lee Fields & The Expressions

Thinking About You (Instrumental)

Pick up the 7" vinyl on Bandcamp!: https://thedurites.bandcamp.com/album/jheri-curl-b-w-du-vibrations-single

The first single from our upcoming fifth album.

Rush Hour/Elegua (feat. Kevin Haynes)

Moses Boyd

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