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Idiot Glee - All Packed Up

Outfit - On The Water On The Way

Have You Seen Her

The first track from our new album, due May 25th 2015!

Buy the album here: www.wearesummercamp.com/buy/ or from iTunes, Amazon etc.

We are playing live:
May 29th: Manchester - Eagle Inn
June 1st: London - The Victoria

Tickets from
http://smarturl.it/SummerCampLive

Bad Love

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FREE DL https://sentimentalrave.bandcamp.com/track/fuck-you-all

Fuck You All

In this charmingly amateur debut episode, my ex-colleague Jof tries to get me to piss off because I keep calling him while he's at work, I talk a bit about how utterly shit it is to lose your job and sit at home alone all day, and then I interview Poppy and Iris from Girl Ray about their year gone by and play their excellent Christmas single, I Wish I Was Giving You A Gift This Christmas. Big shout out to Kyle Platts for the logo, Wesley Gonzalez for the jingles, Jof for the mentoring and John for the quality control.

Episode 1 – In bed with Girl Ray

Some wobbly bits I've been into over the past year:

Tracklisting:
01. Hyuwee / Session Victim
02. Frankfurt / HNNY
03. Lkj / Against All Logic
04. Bring The Sun feat. Gry / Frank & Tony
05. Barbarella / Phillipi & Rodrigo
06. DOOR SHUTTER / Brokenchord
07. Cry Everything / Kindness
08. Sailboats III / Daniel Brandt
09. We Will You / Helado Negro
10. H.r. Boss / LAUER
11. Fever Focus / Jacques Greene
12. Cascades / Indian Wells
13. A Parade / Loidis
14. We Need More Heart / Jinjé
15. Dawn / Session Victim feat. Nebraska
16. CYA / Somethin' Sanctified
17. Inkolelo / Goldie
18. Eye To Eye (Dan Kye Remix) / Jordan Rakei
19. Angel Dust / Fred P & SMBD
20. Högre / Evigt Mörker
21. 123 / Moomin
22. By Your Side / Will Saul
23. Maybe / Kettenkarussell
24. Pyramid / Roy Blues
25. Stingray Nebula / Ouer
26. Silver / Wayward
27. White Flowers / Tom Demac / Real Lies
28. Marilyn (Palms Trax Remix) / Mount Kimbie

Oh, The Records I Could Have Played...

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Idiot Glee - All Packed Up

moshi moshi music

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