Name: Sweet Baboo - Keep The Customer Satisfied(Huw Stephens BBC Radio 1 Session) by moshi moshi music
Duration: 2 min 35 s
Description: Sweet Baboo covers Simon & Garfunkel for a BBC Radio 1 Huw Stephens session. This track features on his upcoming tour-only release of BBC Marc Riley Sessions CD (Japanese import). Get it at one of the dates below which he plays with label-mate The Pictish Trail! http://showsnear.by/SweetBabooPictish$

superb Cardiff show - slammin but.... (t)

Indus Waves

The Road: Part II / Lost Highway

Feel More / With Less (feat. Liela Moss, Miink & Philip Sheppard)

Lips Like Wine

Sweet Baboo covers Simon & Garfunkel for a BBC Radio 1 Huw Stephens session. This track features on his upcoming tour-only release of BBC Marc Riley Sessions CD (Japanese import). Get it at one of the dates below which he plays with label-mate The Pictish Trail! http://showsnear.by/SweetBabooPictish$

Tickets

Sweet Baboo - Keep The Customer Satisfied(Huw Stephens BBC Radio 1 Session)

Jacco Gardner - Find Yourself (Richard Norris remix)

01 Farewells

From the self-titled album. Out January 31st, 2012 on Mexican Summer (MS106). 

www.mexicansummer.com



Everywhere, Everyone

Pre-Order Nadine's new album 'Holiday Destination' - out Aug 25th on 1965 Records:
http://www.hyperurl.co/NadineShahHD

Watch the video for Yes Men: https://youtu.be/GnaofrUwrew

Listen on Spotify

Yes Men

В релиз, получивший название 'Reconstructed', вошли ремиксы, которых немало накопилось за историю киевской группы. Среди приложивших руку к 'томатным' трекам значатся Tigerskin, Steve Jones, The Maneken, Playone, Key900 а также сами Tomato Jaws, представившие новые версии своих треков. Поклонникам группы особенно понравится акустическая версия композиции 'Why Don't You', оригинал которой уже несколько месяцев заполняет радиопространство страны. Ориентированный в первую очередь на танцпол, 'Reconstructed' представит тек-хаус версию звучания ставших уже привычными треков киевской команды. К тому же, новый релиз - это не просто альбом ремиксов, но и полноценный dj-микс, над компиляцией и сведением которого поработал участник команды Павел Ленченко. Также на диске, который выпустит в сентябре Moon Records, можно будет увидеть режиссерскую версию клипа "Feel Me".   

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Release named Reconstructed includes remixes produced throughout the whole period of the Kiev band work. These are the artists, who participated in production of "tomato" tracks: Tigerskin, Steve Jones, The Maneken, Playone, Key900 and of course Tomato Jaws themselves, who represented new edits of their own tracks. Fans might be especially delighted with an acoustic version of 'Why Don't You'. The original one has already filled up ukrainian radio space. Reconstructed, mainly fitted to dance floors, would represent familiar tracks in a new tech house edition. Besides, new release is not just a remixed album but a full value dj mix compiled and mastered by tomato jaws' member Paul Lenchenko. Also CD released in september by Moon rec includes editor's cut of video Feel Me. Preview of our new album is available in 'audio' section of tomatojaws.com.

Tomato Jaws -  Be With Me (Tigerskin True Dance Mix)

Swimming

'Heaven, How Long' is taken from the Hostel 12", forthcoming debut release from both East India Youth and The Quietus Phonographic Corporation. The Hostel EP is released in March 2013. 

'Heaven, How Long' on Boomkat http://boomkat.com/downloads/658813-east-india-youth-heaven-how-long

'Heaven, How Long' on iTunes https://itunes.apple.com/gb/album/heaven-how-long-single/id601414976

Rough Trade 12" preorder: http://www.roughtrade.com/albums/70194
Piccadilly Records: http://www.piccadillyrecords.com/products/EastIndiaYouth-HostelEP-TheQuietusPhonographicCoorperation-88470.html 

East India Youth - Heaven, How Long

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Sweet Baboo - Keep The Customer Satisfied(Huw Stephens BBC Radio 1 Session)

moshi moshi music

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